Wait, What? Ep. 132: The Village, People

 photo 1e69c8a8-d103-4573-9518-263ff3bbd627_zpsb85ee565.jpgJack Kirby on The Prisoner. Ahh, what could've been....

Howdy, Whatnauts!  The good news is: I think I fixed the recording levels for this episode so your eardrums will not bleed whenever I speak.  (Though I'll miss feeling like Black Bolt.)  The bad news is:  I started on this kind of late and so powered on through the show notes.  They are....very, very brief. If last week's notes were a leisurely feast, this week's notes are a shaky handful of peanuts devoured standing up by the sink.

And with that effortless bit of salesmanship out of the way, join me behind the jump!

0:00-25:25: Introduction comments!  We have just a few minutes talking around Graeme's incandescent rage, before talking about the news of Karl Kesel taking over scripting duties for Matt Fraction on Fantastic Four…all of which leads us to ponder the Fantastic Four.  Is it a book past its prime, or is it still possible for the title to resonate in the marketplace? 25:25-53:15: There was a discussion the other day on Twitter about why people should care about the sales of comics.  It seems germane to the stuff we talk about, so we talk about it. And I guess it moves to become a discussion about how Marvel is selling their books, marketing their books, and making their books since we end up discussing stuff like: Captain Marvel, Variety Magazine, the Direct Market and the comics Internet, Hawkeye, All-New X-Men, Uncanny Avengers, Indestructible Hulk, and more. 53:15-1:04:19:  Speaking of Indestructible Hulk, Jeff has read the last five issues and we revisit our previous discussion of the book's strengths and weakness. 1:04:19-2:01:11: And other comics we have read: Adam Warren's story from A+X #10! Infinity #1! The Trinity War crossover event! (Plus, a brief anecdote about DC 3-D.) Saga #13! Buffy Season Nine! Angel and Faith! Batman #23! Suicide Squad issues #22 and #23 by Ales Kot, Patrick Zircher, and Rick Leonardi!  More Rogue Trooper! More Cat Shit One! The FCBD Judge Dredd comic! Jack Kirby's adaptation of The Prisoner! 3 New Stories by Dash Shaw! When I'm tired and over-extended, exclamation points are my crutch! Oh, and some point, I took a picture of the screenshot I checked out of the library.  Here it is, in part because I'm so ashamed of stiffing you people on show notes content, and in part because Graeme and I look like some sort of hilariously ominous comic book cabal committed to forcing dopey manga on an unsuspecting world:

 photo ScreenShot2013-08-15at52627PM_zps89b35e89.png The Slump is out there....

2:01:11-end: The Center Cannot Hold! Shenanigans! Apologies! Skip Week! Closing Comments! Something like an attempt to provide coming attractions!  More Shenanigans!

(And holy crap, did I enjoy those first three volumes of Yakitate!! Japan... Can't wait to read the rest...)

The show is on iTunes! The show will be on iTunes! The show was on iTunes!  But it is also here, hovering snug in the center of the Nexus of All Realities:

Wait, What? Ep. 132: The Village, People

Remember, next week is a skip week so feel free to catch up on all of our past episodes (thanks to my esoteric numbering system, there are more than 190 entries available on our RSS feed) and tune in two weeks from now.  As always, we hope you enjoy this thing we do, and thank you for your patronage!

Wait, What? The Special 2013 SDCC Episode

 photo 0e049fd1-2341-4427-bfc6-87f42cf85d99_zps98ababd1.jpgFrom this month's Megazine and kinda appropriate in many ways....

Yeah, this is as close as you're going to get as podcasting in real time, Whatnauts -- Graeme and I talked for half an hour just a few hours ago, and I decided I'd get this edited and uploaded for you to enjoy.  Super-brief show notes for a super-brief SDCC special after the jump!

0:00-10:23: Very scattered greetings!  Graeme is directly outside SDCC and Jeff is….not.  We have thirty minutes to talk which of course is a stunningly short period of time for us, so this is far from us at our sharpest.  Although the connection is a bit echoey at various points, Graeme gives up the big update on the DC All-Access panel: Aquaman vs. Sharknado -- who does Geoff Johns think would win? Also mentioned: the state of Preview Night 2013; the crazy low prices over at the 2000AD booth; the state of cosplay; the awesome people at Fantagraphics; the upcoming Comic Blogging Panel; and more. 10:23-17:48: Comic books --we do in fact read 'em and decide, hey, why not talk about them?  Covered in today's talk  Justice League of America #6 (Graeme's read it, Jeff hasn't); Walking Dead #112; Batman #22 by Snyder and Capullo; Batman & Catwoman #22 by Tomasi and Gleason; The Invincible Haggard West one-shot by Paul Pope; Deadpool #13; and Batman '66 #3. 17:48-19:16:  Whoever had 16:47 in the betting pool for when Jeff would start talking about 2000AD, pick up your winnings at Window No. 2!  2000AD Prog. 1841 as well as Judge Dredd Megazine #338 hit the apps yesterday and Jeff really liked the Dredd stories in both. 19:16-23:45:  There is a brief chat about the upcoming Al Ewing Avengers book (Jeff is a bit bummed he will not be able to buy it), Avengers books back in the '90s, and Irredeemable which Jeff had followed for a while and is now giving another try.  Graeme read Extermination by Si Spurrier and Jeffrey Edwards. 23:45-end:  Back to SDCC talk. Running into people at SDCC, as well as not running into people at SDCC; Graeme as Dr. Doom; Jeff wussing out on a more extensive part two to this talk.  More bits about what Graeme has coming up (which I guess might make it possible to… stalk him, I'm just now realizing?), some great passerby (or is it passerbys?), and closing comments.

It is on iTunes (maybe?) and it is also right here (definitely):

Wait, What? The 2013 SDCC ConCast1

So yeah, clearly, we're not going to be replacing Twitter anytime soon, but since Graeme was willing to talk, I was willing to do what I could to get it up in a timely fashion.  Obviously, we hope you enjoy!

Wait, What? Ep. 127: Capers

 photo 0512e0c4-0822-401d-9f23-de2ebe8ea461_zps36415092.jpgWelcome to my nightmare, ladies and gentlemen.  My terrifying longbox filled nightmare.

After the jump: very quick shownotes because I am running behind, and I have a tummy ache! (And I am apparently eight!)

(Oh, and check out those John K(UK) posts below, would you?  They're very good -- I'm not even a father but I felt a special paternal glow from having all those 2001 covers and splash pages reprinted.  The perfect gift!

So, yes.  I may punk out shownotes-wise, but the podcast itself does not--Two hours! No intermission!  As many exclamation points as a Steve Englehart comic!

0:00-11:48: Opening comments; the longbox project; steampunk; the search for comic book cockery. 11:48-28:23: Kick-Ass 2 Prelude: Hit-Girl.  One of us read it.  Who? And, more importantly: Why? 28:23-45:58: Also discussed:  Superman: The Secrets of the Fortress of Solitude trade paperback, with a discussion of Superman and his fortress through the years; Superman painting; Superman's friendships; Superman's robot; Superman's thong; and more. 45:58-51:48: Graeme has read Action Comics #21, and Superman #20, and has things to say about both. 51:48-1:04:48: And we both picked up Superman Unchained #1 by Scott Snyder and Jim Lee, so there's some talk about that, too. 1:04:48-1:11:28: Pleased with his experience reading 2000AD digitally, Jeff has subscribed to Judge Dredd Megazine digitally.  Sadly, there's a whole weird intermission where Jeff goes off to find out what the digital graphic novel packed in with the Megazine is…and fails.  Enjoy, everybody!  (Turns out it was Downlode Tales Vol. 3 for 335 Black Light Vol. 1 for 336). 1:11:28-1:32:48: Batman: Zero Year (or Batman #21 as it's known in the colonies) by Scott Snyder and Greg Capullo--also read by both Graeme and Jeff! We squabble, we tussle, we disagree about The Riddler. Sadly, Jeff brings up a potentially great topic--our five favorite Batman villains--and derails it just seconds later due to his befuddlement about Forever Evil.  Oh, Jeff. 1:32:48-end: Graeme has reread Brightest Day (because apparently this is our DC books from the library week).  We talk about whether or not the New 52 helped or hindered Johns' Aquaman pitch, whether the New 52 is stabilizing or destabilizing, and other delightful topics.  Also discussed:  Suicide Squad #21 by Ales Kot and Patrick Zircher; Supermag by Jim Rugg; Empowered Animal Style by Adam Warren and John Staton; Relish by Lucy Knisley; Jennifer Blood #28 by Mike Carroll & Kewber Baal ; Star Wars #6 by Brian Wood and Carlos D'Anda; the saddest afterword in the world; and more.  And then it is done!

Choosy mothers who choose Jif know that four out of five dentists listen to Wait, What? on iTunes, but the podcast is certainly available for you right here and  right now right below:

Wait, What? Ep. 127: Capers

As always, we hope you enjoy, and thank you for listening!

Smitty Gets in with Four Comics from 6/12

(Knock, Knock) Hello friend.  I represent the universal church of Cyber Terrorist Group, Ascension.  Perhaps you've heard of us?  Though rumours abound regarding our lack of resources - I assure you - we will play a role in the new Superman Unchained comic pamphlet!

SUPERMAN UNCHAINED #1

Snyder / Lee

DC COMICS $4.99

 

First!

QUICK, TO THE JUMP FOR ---------

 

Second!

 

ascension2

 

EASY there Mr. "heir to the throne."  Lord and master of DC Comics for the forseeable future...we get it.  Sheesh.

LOW OK, mostly for the handling of the supporting cast. Although, personally, I’ve had it up to my neck with their choice for puppet master villain / hate monger. Since when did this guy enter the pantheon of “worthy adversaries?”

 

SUPERBOY #21

Jordan / Silva

DC COMICS $2.99

Justin Jordan is in and I’m curious to see him moving forward. Here he’s using the secret organization that spawned Superboy to deliver a little one-off. Hopefully, that puts the character on the path to tying up that nagging entity. Hell, it’s only been 21 issues, right?

Maybe Lobdell was writing for the Omnibus?

Anyhow, Jordan’s pretty good right out of the gate with the quippy quippy but I wish they had worked harder to play up the lost and unfocused Stranger in a Strange Land aspect of Superboy as he was constituted in the Nu52. Now he seems poised to be yet another teen loudmouth – JOY!

I was and sketchily remain a big proponent of RB Silva’s work. However, either his pencils are becoming erratically loose or the Rob Lean inks are going over the top in a lot of unnecessary ways. If you look back on the work this pair did for the Jimmy Olsen special with Nick Spencer you find a much cleaner, balanced, and altogether more pleasing look. Now it’s going for a basement version of a Joe Mad and Chris Bachalo aesthetic and I am not enamored. More Maguire faces, please. Less squished figures and overwrought inks. My overall read is of a thoroughly EH comic but it’s had pleasures throughout.

 

WORLD’S FINEST #13

Levitz / Rocha

DC COMICS $2.99

Robson Rocha’s opening splash is classically exploitative in its contortions of Power Girl but his depictions of Huntress are really quite nice. Come to think of it, I think Power Girl’s costume just changed back to old DC between issues with no explanation? I'll have to look it up… Oh, yeah, editorial mandate to be sure. Occurred in the last 1/3rd of #12 with little reason. Anywho, the juxtaposition of the two leads– one with powers beyond belief and the other merely human have been played throughout the series to good effect by “old reliable” Paul Levitz. That aspect continues here as Karen and Helena are haunted by what looks like an amped up version of a member of the Apokolips Dog Cavalry. Levitz, and I mean this as a compliment, is workmanlike in his development and execution. We get a chase, a fight, a little info dump, and a partial resolution. All appreciated. Still, I was fairly disappointed we didn’t get at least half of the Maguire / Perez art squad.  OK

 

BATMAN #21

YEAR ZERO

Snyder / Capullo

DC COMICS $3.99

Great. We’ve run through his “definitive” Joker story so now we get his definitive “Origin” story. Father, I shall become a Bat…MAN ON A BAT DIRTBIKE WITH A CROSSBOW AND SLEEVELESS BATSUIT COWL COMBO?!?!

 

BATMANDI!

 

Alright, sign me up. Batman running around in a post trauma flooded out Gotham fighting weird street gangs? Batman as KAMANDI?!?! Jesus, just take all my mo…AHHH, CRAP. Of course that only lasted for 3 pages…

Wait, 5 months prior to six years ago? Now we’re back before Batman as Kamandi, which was technically before the Batman we see in Justice League #1?

Excuse me, but what the shit?  A TIMELINE SO STREAMLINED AND EFFICIENT IT MAKES NO SENSE.  We are on the bleeding edge, people.

Anyway, Capullo’s stuff looks great and Bruce Wayne is written as having some real brass balls here as he goes up against the human size and shaped lipstick that is called Red Hood. Seriously, the dude looks more like a walking cherry push-pop than anything else. I dunno. It fits with the “Batman fights weirdos” motif but the look is really pushing it. Still, the introduction of a few key faces, some people I’m totally unfamiliar with and an inciting incident that bares no resemblance to the origin myth I know is definitely going to keep me around. All I ask is that we get to eventually spend some quality time with Batmandi and I am ON BOARD….(BWWWWWAAAHHHM)

GOOD!

 

So, all in all, a deeply troubling haul from DC Entertainment this week. Here’s hoping Man of Steel is a smart enough movie to swipe liberally from Mark Waid’s Superman work without giving him any kind of credit!

 

Wait, What? Ep. 121: Gilded View

 photo 5E3A629E-A54B-4884-98E6-1460BC90AC28-8923-000010541BE34CED_zps4e7b381d.jpgErroneously called 'Barbarian Romance' by Jeff throughout the hours that follow. Image, I believe, by Corey Lewis for Brandon Graham; Apologies if that link is a jerk.

Oh my god, it almost doesn't matter what hour of the day or night it is, my next door neighbors WILL NOT FUCKING SHUT UP.

After the jump: show notes just the way Thomas Hobbes would like 'em: nasty, brutish and short.  (Actually, just short.)

Sorry, I'm angry and terrified about the bombing at the Boston Marathon.  My best wishes and condolences to everyone involved.  It feels weird just rolling this forward but the show must go on, right?

0:00-2:32:  We go right from greetings to tech problems to Age of Ultron in under two minutes! 2:32-28:14: Comixology, Apple, and SAGAgate!  Our least favorite controversy ever? Maybe!  Our favorite issue of SAGA yet? Almost certainly! 28:14-42:24: Comics! Graeme has read the Avengers Assemble AU issue written by Al Ewing and has things he quite enjoys.  Jeff talks about Age of Ultron #5, but in more of a light overview kind of way and not in his standard "Haters gotta hate and god am I a hater" kind of way.  Graeme has recently reread Bendis's Siege event and compares it with  the AoU pacing… 42:24-48:59: Jennifer Blood #25, writing credited to Al Ewing but it's not.  (What the hell is up with that, Dynamite?) 48:59-1:01:22: Batman & (Red) Robin #19 by Peter Tomasi and Patrick Gleason: the term Haney-rific is used. 1:01:22-1:07:16:  Batman #19 by Scott Snyder and Greg Capullo: the term "Cronenbergian body horror" is used (but lightly, which may not count).  The four page preview of Lazarus by Greg Rucka and Michael Lark also gets some love from us. 1:07:16-1:07:37: Intermission One! 1:07:37-1:30:56: Jeff talks about how great the Whatnauts are. (Big props to Voodoo Ben!) Also, for those of you unsure about our status as hunters & gatherers.I'd like to say we smoothly segue from there to Archer & Armstrong #9 but it's not smooth even slightly.  Graeme has some information about reaction from Quantum & Woody's co-creator, Mark Bright. Also discussed: Tony Bedard, Joe Casey's Sex, and Dive Bar by friend of the podcast Dave Clarke which you can read online. 1:30:56-1:46:34: Finally, Jeff gets around to talking bit more about what he digs about the Hulk, a point that was supposed to have been made several podcasts ago -- so thanks for waiting!). We cover the concept of a character's iconic era; the return of the Marvel 700 giveaway; Ditko; Bendis; Abhay; and more. 1:46:34-2:01:38:  Also on Jeff's mind these days:  Barbarian Revenge (as Brandon Graham might put it).  More specifically:  The Chronicles of Conan and Thundarr The Barbarian. So of course, we talk about Roy Thomas, John Buscema, Kamandi, uggs, Steve Gerber, Jack Kirby.  Is it any wonder Jeff is almost slobberingly rhapsodic at the end of it? 2:01:38-end:  Closing Comments! More Age of Ultron talking because -- well, honestly, I'm not entirely sure why. And Zeb Wells! And Richard Nixon! Also, this is the penultimate episode before a skip week so take note.

And, on the off-hand chance you read all that and want to listen to the podcast [Note to self:  put episode link above show notes?], well, it's probably on iTunes, fingers crossed, and you can also listen to it below:

Wait, What? Ep. 121: Gilded View

As always, we hope you enjoy and thank you for listening.

Wait, What? Ep. 116: G-Mo K-Hole

Uploaded from the Photobucket iPhone AppBecause it is Hook Jaw, and Because it is My Heart...

Yep, we are back!  Sorry for our absence from the podcasting broadcast waves and of course the Savage Critic site itself.

After the jump--show notes!  But before we get there, I wanted to congratulate House to Astonish for their 100th Episode!  I'm listening to it now, and want to recommend it for people who like what Graeme and I do but would maybe like it if it was done much better?  Congrats to Al & Paul!

Now, then.  Where was I?  Oh, right.

Actually, as long as I'm on the linking-to-not-Wait-What? tip, I should mention I had a great time talking movies with Sean Witzke over at the Factual Opinion's movie podcast, Travis Bickle on the Riviera.  As I said on Twitter, I make a terrible Tucker Stone stand-in, but being able to talk Lincoln, The Seven-Ups, All That Jazz, and John Woo's The Killer (among others) was an opportunity I refused to pass up.  Big thanks to Sean for that, and if there are those brave, masochistic few that haven't had enough of my braying laugh yet, please do check it out.

As for this go-round, check it out:

0:00-6:59: We tried to get our technical problems out of the way at the very beginning (and pass the savings on to you, the listener).  And then it's on to a few minutes of Jeff kibitzing on Graeme's work habits, so it's the best of both worlds--you get to listen in on what Graeme McMillan (the hardest working man on the Internet)

6:59-9:44:  "But, instead, let me read three pages of Hook Jaw…" Who does that sentence turn out well for?  Not someone who has other things to do, that's for sure.  In other words, Hook Jaw is awesome, unless you're Jeff who is trying to procrastinate.

9:44-13:11: Moving on from Hook Jaw, Jeff also picked up issues #3 and #4 of Happy by Grant Morrison and Darick Robertson, and talks about that (although with a lot less evil oil rigger imitations).

13:11-20:04: As long as we're on the G-Mo Train (and let's be honest, when aren't we on the G-Mo Train?), Jeff also read Action Comics #17.  Since Graeme hasn't, the conversation is not especially weighty.  But, hey, for those of you filling out your Wait, What? bingo cards, feel free to fill that in…even if it really should be the card's free space by now.

20:04-21:59: "Where on the Morrison spectrum does Batman Inc. fall for you?"  Yeah, we are not out of the k-hole that is Grant Morrison yet. Not nearly.

21:59-43:07:  And so we're out, via discussion of Batman #17, the "Death of the Family" finale by Snyder and Capullo. Graeme references the discussion that he had over at Kotaku with his smart friends, and it's only fair I include a link to that here.  Graeme also talks about the follow-up issue of Batman & Robin which Jeff forgot to pick up at the store, dammit.

43:07-50:54: We discuss Justice League of America #1.  Has it been a while since we've really dug into DC titles, or is it just me?

50:54-58:14:  But speaking of not speaking of Marvel, Graeme read issue #6 of The Avengers by Hickman & Kubert thinking Jeff would've read but didn't and then he has to talk about it all by himself.  Haw, haw! Sucker.

58:14-1:01:43: Jeff has read Thor #5 by Aaron & Ribic, and man is that a pretty book. This isn't much of a review as much of a collection of spoilers with a bunch of fanning compliments about the art, but, eh.  That's how it happens sometimes.

1:01:43-1:04:39:  Jeff also read the first issue of Nova by Jeph Loeb and Ed McGuinness and was pretty surprised to find himself enjoying it.  (Not such a fan of Avengers/X-Sanction was ol' Jeff.)

1:04:39-1:07:13:  Graeme really liked issue #23 of Daredevil by Mark Waid and Chris Samnee, which apparently is a great jumping-on point for the book.  Jeff is pretty jealous.  The term "a perfect superhero comic" is used as well as the phrase "amazing, amazing stuff."

1:07:13-1:13:55:  Jeff asks about the Superman H'el on Earth storyline because, eh, he's honestly curious.  What can he say?  And Graeme gives all the deets. Unfortunately, at this point, Jeff's head moves one step closer to its MODOK stage and the crunching of the headphones tightening around his ears can be heard in the background. Embarrassing and awkward!

1:13:55-1:26:46:  Also, does Graeme have a take on the new Green Lantern teams?  Whatnauts wanted to know, so Jeff also asks about that bit of business. A bit of analysis about what DC is doing and where they're heading is probably inevitable.

1:26:46-1:50:54:  And of course we are going to discuss "Oscar Scott Card." Probably also inevitable.  There's also some discussion of Jeff and his ever-growing collection of bad-faith boycotts that may be kind of interesting to some.  A surprising admission is made, let's just say.

1:50:54-1:54:34: More comic reviewy stuff!  Uncanny X-Men #1 by Bendis and Bachalo has been read by Jeff so he blabs about it for a bit.

1:54:34-2:14:02:  Last issue of Hellblazer!  It's been read by Graeme so he blabs about it for a bit, as well.  (Spoiler alerts, of course.)  He's got a great prediction here for a possible announcement during con season--be on the look-out for it.

2:14:02-end:  Winding down/update for any Graeme stalkers: will Graeme be attending ECCC? Or other conventions?  Also: Graeme listened to House to Astonish Ep. 100 (see above--but, yes, I will also link it again). Also, if you are in Oslo on June 7 and 8, check out the Oslo Comics Expo!  We will be back next week with more podcastery!  (And we promise to answer our outstanding questions next time, we promise! Even I'm a little appalled we didn't answer any this time around.)

The episode is probably up on iTunes of this entry--if only because all of my attempts to launch this early Tuesday morning has gone awry the last three or four months.  But you can also grab it below, should you wish:

Wait, What? Ep. 116: G-Mo K-Hole

We hope you enjoy and thanks for listening!

 

Wait, What? Ep. 113: Technically Difficult

Uploaded from the Photobucket iPhone AppA page from Shotaro Ishinomori's Kikaider, which we didn't even discuss this week but which I kinda adore, nonetheless...

ATTENTION, ATTENTION, NEXT WEEK WILL BE A SKIP WEEK FOR THE PODCAST.  NEXT WAIT IS A WEEK, WHAT? SKIPCAST!

You may not care.  In fact, you may be relieved but either way, Graeme and I will not be talking one another's ear off this week so there won't be anything for you to listen to from us next week.  Maybe you can get out of the house for a bit?  Go for a walk?  Realize that although it's probably too late to do that "52 books  in 52 weeks" you promised, you can maybe still get in 48 in 48 weeks?

Either way, we are here today, gone tomorrow (by which we mean: next week).

As for that "here today" part--show notes after the jump!

Yeah, we had all kinds of technical problems again...sorry about that.  Maybe one day soon, we will try tech solution Omega...but I'm not looking forward to that too much, to be honest.  I'm hoping we can come up something a little bit better than using an atomic bomb we worship as a god to blow up the planet...

0:00-8:49: Hello! 113 is apparently an unlucky number?  Graeme reports on the bounce houses in the sky, and also a story about a prison break that seems very Beagle Boy-esque. 8:49-27:47: 'Comic news' is a great term because most people would say it's neither.  Nonetheless, we discuss the new column by Bob Harras and Bobbie Chase (which they call B&B, but I sort of wish they'd titled "Two Bobs and a Weave"), the news of writers getting pulled off their books before their first issues are even out, etc., etc. Sadly, we have a dose of  our infuriatingly intermittent tech problems plaguing us a bit during this conversation (that eventually builds to a somewhat hilarious obsession on Jeff's part about whether or not he's rocking in his chair too much, or at all).  Our apologies.  Poor DC--once we're done with that, we grouse about their really bad covers, lately.  Also, Jeff has a metaphor for the New DC that probably reveals a bit too much about his family past, maybe. 27:47-41:17:  And because Marvel doesn't get a free pass (except when they do), we also discuss the upcoming Thanos Rising miniseries and compare/contrast with DC's Birds of Prey debacle.  Also, Jeff tries to start an urban legend where if you look in a mirror and say "Mark Badger, Mark Badger, Mark Badger" three times, a Batman miniseries appears. A discussion of how much "there" needs to be there for a comics news story to be a news story... 41:17-41:38: Intermission (Jaunty)! 41:38-53:30:  Comic books!  Graeme and Jeff discuss New Avengers #2 by Jonathan Hickman and Steve Epting; and Jeff talks about how Marvel is creeping him out a little bit. 53:30-1:00:09: Captain America #3!  Graeme isn't reading it; Jeff is, but is somewhat troubled by Cap being less of a Kirbyesque Cap than a Milleresque Cap, and later, while editing the podcast, is a little horrified that this is a complaint he actually made with his face. 1:00:09-1:05:53: Graeme has read the latest issue of Daredevil and then an advance ARC of Paul Pope's The One Trick Rip-Off.  After more techie problems, we decided to jump just a bit early and come back with a different (and more reliable) mic. 1:05:53-1:06:15: Intermission (Jazzy)! 1:06:15-1:08:17:  Round Three!  Graeme has noticed something about the latest Marvel solicitations that suggests they're not reading them especially closely.  He also has good news about Avengers Assemble #14? 1:08:17-1:14:57:  Batman #16 and Batman and Robin #16!  The Death of the Family stuff is just intensely, baroquely fucked up in a way that reminds Jeff of another Batman book that may not be what Scott Snyder and the Bat-team had in mind… 1:14:57-1:23:42:  Issues #5 and #6 of Black Kiss 2!  It's the grand wrap-up of a this mighty odd sequel from Howard Chaykin. 1:23:42-1:42:13:  Questions, finally!   Al Ewing asked: Where do you stand on: 1) Vodka And Coke; 2) Christmas Crackers; 3) Dennis The Menace vs Dennis The Menace And Gnasher; 4) Big sacks with ‘SWAG’ on them vs Big sacks with ‘$’ on them; 5) The ‘aggro style’ UK comics of the late seventies; 6) Hi-style design-heaviness in US superhero work – could the design sensibility of a David Aja or a Johnathan Hickman replace the hem-hem ‘design’ sensibility of bendy spines and porn poses and upskirt angles if we all wish really really hard? 7) Bad Machinery/Girls With Slingshots/Dinosaur Comics 1:42:13-1:56:19: Mo Walker asked: 1). If you could put together an Avengers/Justice League style team comprised of Kirby characters, who would make the cut? 2). What are your thoughts on series 4 of Misfits? 1:56:19-1:59:40: JohnK (UK) asked: 1) A revival of Quality’s BIG BEN – The Man With No Time For Crime by Al Ewing and J Bone – Yes or No? QUICKLY! Yes or No? 2) Biggest Loss to Comics’ archive: ROM, ATARI FORCE or MICRONAUTS(original runs, natch!) 3) Who really owns Marvelman (in less than 10 words)? 4) a) Was “Jimmy Broxton” the artist on KNIGHT & SQUIRE a pseudonym? b)If so, who for? 1:59:40-end:  Closing comments.  Extra apologies.  A notice is made (as it was above) that next week is a skip week and so we will not be around but shall return the week after that.

If all of this sets your glands a-salivatin', then feel free to pull up a stool and being listening now!

Wait, What? Ep. 113: Technically Difficult

As always, we hope you enjoy and thanks for listening!

Wait, What? Ep. 107: Hardly Working

AustraliansAustralian, as she is spoke--from All-New X-Men #1, by Brian Bendis and Stuart Immonen

So, I am loathe to admit it...but I totally did that thing where I was running under the gun and so the show notes have a certain je ne sais LEAVE FIFTY THOUSAND IN THE TRASH CAN AT EAST ENTRANCE OF CENTRAL PARK OR SHE IS DEAD quality to them.

Nonetheless, after the jump: show notes!

0:00-4:09:  Greetings!  Opening remarks with just a hint of foreshadowing.  Also, thanks to the generosity of listeners, Jeff has read some Marvel NOW! titles (his first current Marvel titles in several months), and that ends up having a pretty big influence on this week's podcast. (And sorry for the hiss and crackle there are the very intro--I assure you it doesn't return.) 4:09-14:09:  In fact, after running down the issues we've read ( and as Graeme points out, it really was quite a bumper week for new comics) and get right into discussing some of the overall tone to the Marvel NOW! books. 14:09-20:24: Moving from the tone of Marvel editorial in the Marvel NOW! books, we steer into a bit of the ol' meta, and talk about the recent news regarding scheduling and art chores on Uncanny Avengers. 20:24-42:09: And because Jeff has now read Uncanny Avengers #1, we talk about that issue a bit. Also? Captain America--when does he work?  Jeff doesn't really know, but he's going to talk about it, anyway. 42:09-43:53: Foreshadowing has come to pass!  Tech disaster!  It's stuff we should edit out but we're not going to because, uh, of the candor.  Yeah, that's it! We're candid! 43:53-51:29: We get back to talking about what we were talking about (Captain America and the Avengers movie), which Graeme uses as a segue to talk about Avengers Assemble #9 by Kelly Sue DeConnick and Stefano Caselli. 51:29-51:52: Intermission one! (of one?) 51:52-1:19:10:  And we are back to talk about All-New X-Men #1 by Brian Bendis and Stuart Immonen.  Who liked it less?  We're still not sure, but there is a ton of stuff we didn't like. 1:19:10-1:26:14:  Iron Man #1 by Kieron Gillen and Greg Land!  We are split on this one, but there are things liked by the person who didn't like it much and things disliked by the person who overall liked it fine.. 1:26:14-2:19:54:  Fantastic Four #1 by Matt Fraction and Mark Bagley!  Graeme has read it; Jeff has not. Come for the observations about the FF, stay for our talk about "working harder" as a cornerstone of creative criticism. And what do we really need to have a good superhero comic?  Plot? Motivation? Characterization? "Hard work"?  There is discussion about these very important ideas…and then there is even more shit-talking about Brian Bendis. Also, there is discussion about an AvX #6: Infinite, and quick takes on A+X #1 (Jeff), Saga #7 (Graeme), Batman #14 (Graeme), Suicide Squad #14 (Graeme), Batgirl #14 (Graeme), Saucer Country #9 (Graeme), Zaucer of Zilk #2 (Graeme), and Amazing Spider-Man #698 (Graeme, and with possible spoilers), 2000 AD Prog #1809 (both of us), the brilliant "Choose Your Own Xmas" by Al Ewing and John Higgins from Prog #2012 (Jeff), and Tune by Derek Kirk Kim. (Also, Jeff forgot to talk about Thor: God of Thunder by Jason Aaron and Esad Ribic but he should have because it was easily the Marvel NOW! book he enjoyed the most. 2:19:54-end:  Closing comments! Since this is getting released the week of Thanksgiving, what are Graeme and Jeff grateful for? Some of the choices are a bit odd (Misfits, really?)  and a bit vague, but it's a good note on which to end the podcast…and gives me hope that we can totally get Graeme to take his holiday spirit to absolutely insane levels as the holiday season kicks into gear.

This fine episode should be available to those Whatnauts with access to iTunes or the show's RSS feed.  Otherwise, you are welcome to give it the ol' audio once-over below:

Wait, What? Ep. 107: Hardly Working.

We're not recording this week, what with Thanksgiving and all, which means no podcast next week, but...that just gives you more of a chance to catch up with the 100+ episodes we currently have available to you free of charge, yeah?  As always, we hope you enjoy and thank you for listening!

Wait, What? Ep. 104: Zero Point Now

PhotobucketJohn Byrne really, uh, bringing it in Alpha Flight #6

Yeah, that's....mmm, boy!  Good ol' John Byrne, amirite?

Anyhoo... the adventure that are the shownotes for our podcast: right behind the jump!

0:00-2:48: Introductions and a bit (just a tad) of shop talk, complainy bits, and a promise from Graeme (that last phrase sounding a bit like a British pop song, eh?  For some reason, I imagine Seal singing it but that's probably just me.)
2:48-6:31: The talk turns to the early days of Morrison's Doom Patrol and even the issues just preceding.  Can you guess Graeme's secret shame before he confesses?  Hint: It'll surprise you! [Second hint: the first hint is totally worthless and can just as easily be ignored.]
6:31-30:13:  And today's surprise read from Graeme's magical library system:  John Byrne's Alpha Flight!  Graeme has fond memories of it.  Jeff has the kind of memories that should be set to the pocket watch music from For A Few Dollars More (or the harmonica music from Once Upon A Time in the West, take your pick).  Lots of discussion of Byrne from that era ensues, including Superman and Fantastic Four.  Also, Jeff attempts to recreate an Alpha Flight issue from memory. He's a clown! Come and listen and point and laugh!
30:13-30:35:  Intermission Prima!
30:35-31:46:  "And we're back."
31:46-50:21:  News and weather! (Without the weather!)  Graeme lets Jeff in on the latest development on the Siegel & Schuster heirs' court battle for the Superman copyright.  Also covered (and not really in any way that's germane to comics) the folding of Newsweek as a print media publication and what's going on with old and new media.  If you need it to tie into comics, we do mention a series of related Doonesbury strips.
50:21-1:01:42:  Back to comics! Jeff gets cranky about the blindly upbeat reception to the first issue of IDW's My Little Pony as a possibly overheated market should worthy of consideration and caution (especially from the comics press).  Jeff also has his panties in a bunch about IDW's Mars Attacks event--mistakenly, as it turns out.  Fortunately, Graeme is there to straighten Jeff out.  Unfortunately, Jeff is sufficiently without shame he has decided to leave his mistake in rather than savvily saving face via the "select and delete" option.
1:01:42-1:02:02:  Intermission Seconda!
1:02:02-1:02:56:  "Welcome back."  Man, Graeme is really on top of it this episode, isn't he?  I'm well aware of how fortunate I am to work with him but still...wow.
1:02:56-1:21:31:  Comics!  Graeme is very much liking Season Nine of Buffy and quite likes it.  We spend a few minutes talking about Archer & Armstrong #3 and how we are actually...digging this Valiant relaunch? Like a lot, I guess?  Very strange times we live in.  Other comics under discussion:  Justice League #13 by Geoff Johns and Tony Daniels (and on a related note--is Jeff Lemire having one helluva year in comics or what?)  I could tell you how this leads into our discussion of Sex Criminals by Matt Fraction and Chip Zdarsky but what would be the fun of that?  And Graeme once again is on point here, talking about the influences of Grant Morrison's Kill Your Boyfriend and this leads into a great little tangent: Graeme's personal Criterion list--movies he thinks everyone should see.
1:21:31-1:30:00:  And so Graeme talks about the experience of seeing all the very different versions of Beauty & The Beast out there: the Cocteau version, the Disney version, the TV show from 1988 and from now.  (Do we take the moment to talk about the classic Ann Nocenti scripted miniseries Beauty and The Beast featuring Dazzler?  And The Beast?  We do not.)  Also, Graeme has read Bandette: Tales of the Urchins and we have not.  However, we can check out the two page preview which is complete in and of itself here.
1:30:00-1:40:01:  Marvel Now! Point One--Graeme has read it and tells Jeff about the high points, low points and in-between points.
1:40:01-1:53:51:  Jeff's turn!  Because we are sort of running late, Jeff speeds through his impressions of Batman #13; the Shonen Jump Alpha Starter Pack, over 300 pages of digital manga you can pick up for free; the third issue of Godzilla: The Half-Century War by James Stokoe; re-reading Zaucer of Zilk by Al Ewing and Brendan McCarthy via the first issue reprint from IDW; Bakuman Vol. 15; and King Cat Comics and Stories issue #73.
1:53:51-end:  Closing comments, and plans for next ep! (Hint)
Whew!  That will keep you busy for a while, yes?  Perhaps you have already run over the podcast in your fine German car on the autobahn that is iTunes.  If not, we invite you to spend time idling here at der kleineshausdassWaffelngebaut (or, roughly translated: the little house that waffles built):
As always, we hope you enjoy and thanks for listening!

Wait, What? Ep. 102: Age of Chance

NewPage9From the thirteenth issue of Watchmen by Alan Moore and Dave Gibbons, assembled by Miguel Corti.

The episode--she is long! (Just a bit over two hours and forty minutes, in fact.)

The show notes--they are extensive!

So join me after the jump for both, and a bit more about Watchmen issue #13!

Oh, and hey, let us know how this episode sounds to you, eh?  I gave a listen to the sound quality of the first call before throwing it into Levelator and thought it sounded...really okay?  So I'm mixing this raw.

0:00-3:38:  So, is this episode where Graeme is Goofus and Jeff is Gallant?  (Spoiler: No.)  But Jeff is much more chipper than last week, certainly.  At least until we starting discussing... 3:38-6:18: Comics!  (More specifically, Marvel Comics.) (Ultra-specifically, the twenty variant covers for Uncanny Avengers.) 6:18-28:46: Which leads us into discussion of Avengers Vs. X-Men #12 which Graeme has read and Jeff has not so it's time for some heavy-duty recapping on the part of Mr. McMillan. 28:46-43:52: Getting back to twenty variant covers situation, we ponder whether the fact Uncanny didn't outsell Walking Dead #100 is... a good thing? A bad thing?  Just a thing? [Insert "It's Clobbering Time" joke here, as appropriate.]  This ping-pongs us back to talking about (for lack of better expressions) "natural" events vs. "forced" events with Avengers Vs. X-Men, its sales, and whether or not the event was review-proof. 43:52-55:09: Sensibly, Graeme uses the recent (stunningly great) Grantland excerpt of Sean Howe's Marvel Comics: The Untold Story to compare and contrast Marvel's current marketing and operating approach with those prior.  The more things change, the more they stay the same? Well, maybe as far as killing off major characters and trying to capture female readers go.  But if you've ever enjoyed listening to us talk about Steve Englehart and Jim Starlin, you should most definitely check out the excerpt...and probably the book?  (Also, if you haven't seen Howe's amazing Tumblr, check that out too. 55:09-59:40:  Another book up Graeme's sleeve: Batman #13, the first part of the upcoming "Death of the Family" storyline. Jeff counters with Action Comics #13 by Grant Morrison and Travel Foreman. 59:40-1:06:04:  Graeme talks a bit about The Nao of Brown by Glyn Dillon, published by Self Made Hero and distributed in the U.S. by Abrams.  For you pull-quote types:  Graeme McMillan says "It is just a blinding book" and "the most beautiful comic I've seen in the longest time." 1:06:04-1:29:19:  This gives Jeff an opening to talk about Gordon Harris' self-published graphic novel, Pedestrian, Graeme mentions Josh Cotter's Skyscrapers of the Midwest which we hunt up on Comixology.  Doing so reminds Graeme he had also read the digital only sequel to Chris Roberson's Memorial... which leads us to spend a few minutes kicking around the can that is digital pricing and real vs. perceived value using such varied examples as a Digital 2000AD subscription, Saga, Valiant's digital editions, Bandette, Comixology sales, full-price books from Marvel and DC, Shonen Jump Alpha, and more. 1:29:19-2:02:32: A quick rundown by Jeff of the other books he's read this recently: Harbinger issues #1 and #2, a detailed  discussion with Graeme about Amelia Cole and the Unknown World, Black Kiss #2.3, Fatale #8, the very strange saga that is issues #7-10 of Star Wars by Roy Thomas, Don Glut, Howard Chaykin, and Tom Palmer, Axe Cop: President of the World #3, a stunning story by Michael Fleisher and Alex Nino from Showcase Presents House of Mystery (Vol. 3) (and thanks, Dylan Cassard, for that one--you should check out his podcast and podcast-related Kickstarter).  All of which reminds Graeme (somehow) that he's also read issue #0 of The Phantom Stranger. 2:02:32-2:18:48: Also, Graeme has read Thanos: The End by Jim Starlin as well as The Return of Thanos trade paperback featuring both issues of The Thanos Quest.  We talk about that, a little bit about Englehart's first issue on Silver Surfer with Marshall Rogers, The Annihilation books, DC's Cosmic Odyssey, as well as Graeme's favorite Green Lantern. This is what happens when you meet a stranger in the Alps! 2:18:48-end: And then, finally, we talk about the stunner that is the 13th issue of Watchmen, which listener Miguel Corti assembled after a discussion Graeme and I had on-air about just such an issue being via random cut-up of the first twelve.  Here's Miguel talking about the idea and how he executed it, excerpted from our correspondence:

Anyway, my original plan to show my appreciation for the effort you put into creating a show that I enjoy listening to was to make something for you based off of a throwaway idea from one of the episodes that came out in either early 2012 or late 2011. In that episode you discussed the idea of creating a 13th issue of “Watchmen” based on randomly picking panels out of the graphic novel and rearranging them until you had this ersatz issue. I was intrigued by the idea since I had just finished re-reading “Watchmen” and re-watching the movie version because I wanted to thoroughly compare the two and see why the book works and the movie doesn’t, especially since Snyder was so slavish about adapting the source material. Well, a little synchronicity was all it took to get my creative blood flowing, and I decided I would make that heretofore nonexistent 13th issue as way of further analyzing the superb work Moore and Gibbons did with that book, and maybe as something you might be interested in seeing. [...] What follows are the steps that went into making this issue. Please skip to the end if the details hold no interest for you.

First, I had to find a copy of “Watchmen” that wouldn’t object to being gutted and mutilated so heartlessly. Not as easy as I thought. The only copy I had here in Japan was the Absolute Edition, and my softcover TPB was in the states. I just wasn’t up for taking digital photos of such an unwieldy book. So, I bought another softcover (used from amazon.co.jp) and tried taking pictures with that. Again, the quality wasn’t what I wanted. For a split second I contemplated cutting up the softcover, but fortunately the rational side of brain pointed out—quickly—that I would end up only being able to use the panels from one side of a page. So then I thought: a-ha! This is the digital age! I can just download a copy from DC and then take screenshots with the iPad and then transfer them to my computer. Well, wouldn’t you know it, but for whatever reason, none of the digital comics providers were selling “Watchmen.” No one. Not even DC. (This may have changed in the intervening time, but this was the fact of the matter when I started this project earlier this year.)

So, I turned to the pirates, and found a PDF of the entire series and downloaded it. I’m not proud, but since I had already purchased the book 3 times in my life, this was as close to a victimless crime as I was going to get. (Unless, of course, you count all the people who were leaching off my seed with bittorrent while I was downloading it. There’s a chance some of them never have and never will buy the book.) If I could have found a proper digital copy (which would have made the work a lot easier) I would have gladly bought it. Unfortunately, I had to come to terms with the moral ambiguity of the situation and move on.

Next, came breaking down the work. I remember you had discussed that the book was a 9-panel affair throughout. In theory, yes, but there are a lot of double and triple panels throughout the book. Each page is built on a 9-grid layout, however. In some places, there are a whopping 18 panels on the page, but they’re still laid out with the 9 grids. I assigned each grid a number. For example, the panel in the top right of page 5 in issue 1 with Rorschach picking up the Comedian’s happy face pin would be 1-5-3 (issue 1, page 5, panel 3).  The panel after it would be 1-5-4. I made an Excel sheet with the entire book broken down like that. I needed the numbers to all fit within the margins of the paper I was going to print out, because I was going to cut them up and literally pull panel/grid numbers out of a hat. (It ended up being a plastic bag.) Unfortunately, all the issues don’t have the same page count, prohibiting me from doing a simple copy/paste over the whole file. The first issue is 26 pages, then issues 2 through 11 are 28 each, and issue 12 is 32.

After sorting that out, I printed out the file and sat down to cut it up. But, wait! On the last panel of every page, the panel is always abbreviated to allow space for a quotation in a black box. I couldn’t have my 13th issues without one of those, so I needed to separate the 9th panel/grid for each issue’s last page from the rest of the panels. I highlighted them so I could find them after cutting up the pages, and set those 12 scraps of paper aside. (The one I ended up using in my issue is from issue 5.)

Having cut up all the pages, and placed all the scraps in a plastic bag, I thought it would be easy as pulling numbers out of hat. I was wrong. Again, it’s that damn 9-panel grid that messes with you. Sometimes some panels take up more than 1 grid space, and that would alter what I was trying to do. Usually, I would pull 9 scraps out of the bag, and then record them in the order I pulled them. Then I would copy the panel from the PDF into a Word document. I ran into trouble when, for instance, I would go to get the panel matching the number on the 3rd scrap of paper, but it would turn out to be a 2- or 3-grid panel, or more on some occasions. This meant I had to discard that scrap for now, and keep pulling new one’s until I found one that match the space allotted.

What the last two paragraphs showed me is that even though I tried to make my fake issue as random as possible, that randomness was still subordinate to the original work. You can only imagine the relief I felt at work saved when the first scrap I pulled for one of the pages happened to be from the grid of one of the full-page panels in issue 12. That was the easiest day of copy-pasting-cropping during the whole project.

For the last page, I pulled a scrap from the final panels first because, well, not all of them only occupy one grid’s worth of real estate. This was the only time I went out of order.

Finally, I needed an ersatz cover for my ersatz issue 13. As you probably already know, the cover images of the original series all lead in to the first panel of the interior art. I took my cover from the panel before 10-16-2. If I was any good with Photoshop, hell if I even owned Photoshop, I would have been able to edit out that tail from the word balloon, but so be it. OK, enough of the nuts and bolts. What did I learn? First, the issue itself. It’s just as unreadable as you would imagine an endeavor like this to be. However, there are some interesting aspects that illuminate the whole.

1.     Dave Gibbons drew way more 2-or-more-grid panels than I remembered, which shows how important the size and pacing of the layout was to the story. Every time I come across a comic with half a page’s real estate devoted to something mundane like a plane flying or a car driving, it makes me want to drop the book. I don’t know if the writer or the artist is to blame, but most of the panels in modern comics don’t require that much space, especially now with the shortened book lengths. Gibbons and Moore paced “Watchmen” perfectly, and when panels are drawn bigger than average, it’s for an important reason. The opening full-page panels of issue 12 are shocking because Gibbons held that back until the very end. And despite their size, you’re not sure of what your seeing because you’re visually overwhelmed (at least the first time through), which is the disorienting feeling, I believe, they wanted to convey. Every time I read a comic now that ends with a full-page splash of just a person sitting in a darkened room with no visible background, I want to throw it across the room. And then maybe walk over, pick it up, and tear it apart. Too many modern comics writers and illustrators are just piss-poor storytellers. Whatever your opinion of the work “Watchmen” may be, I think it’s hard to argue against the fact that it is pure comics from start to finish. It’s rare to find creators who actually embrace the medium and do what books and film cannot. I spend an inordinate amount of time thinking about this because it is tangential to my field of employment (video games) where too many games are trying to be movies instead of doing what they should be doing: being and interactive medium. Games that fail to be interactive are doing a disserve to the consumers, and comics that settle for storytelling that could just have easily been done in a movie or book, or even better in those media, are doing a disservice to comics readers everywhere. 2.    As the narrations of Rorschach and Dr. Manhattan are the most prevalent  in the work, their panels in this composite issue have a weird interstitial effect of ordering the randomness of the chosen panels. It helps that in many of Dr. Manhattan’s source narrations he was already jumping around the timeline, so it doesn’t feel out of place here. Many of Dr. Manhattan’s panels tied eerily to the next panel, although the placement was random and almost always from a non-sequential section of the story. For example, on page 12, panel 3, Dr. Manhattan narrates, “They’re shaping me into something gaudy and lethal…” Then the next panel depicts Adrian in his gaudy purple suit swinging a post at his erstwhile assailant. On page 13, panel 2, Dr. Manhattan again narrates: “Laurie’s met him several times. She says his name is Dreiberg.” In the next panel Nite Owl and Silk Spectre are locked in a kiss. There are many other pieces of synchronicity, but the best are tied to Rorschach and Dr. Manhattan because of their strong narratives. In my issues 13, the story becomes Dr. Manhattan’s tale to tell, with Rorschach in a supporting role, a victim of the event surrounding him. One could argue that this isn’t too far from the original’s narrative. The fact that it continues to be so in this jumble I have assembled speaks to the focus and intent of the original. Or maybe there were just too damn many Dr. Manhattan panels to begin with. 3.    Almost all of the commentary on politics and the Cold War itself is lost in my issue. Time is the only strong theme from the original work that remains. Again, that is one of Dr. Manhattan’s themes. The lack of that political backdrop robs the story of some of its weight. I felt that when I watched the movie version too. Because although Snyder is almost slavish in adapting the source material, he does it ever so superficially. Sure it’s still set in 1985, but it doesn’t feel like the world is on the brink of a nuclear war in the movie like it did in the book. New York doesn’t really feel like the dirty, crime-drenched metropolis of the ‘70s and ‘80s. In the book, despite all the advances in technology, New York still remains a non-gentrified, citywide slum, which is exactly what the mass media wanted you to believe about New York in the ‘80s. Snyder’s New York is too aestheticized to feel like it ever needed vigilantes in the first place. This also ties into the altered ending as well. I understand that a faux alien invasion spearheaded by a giant squid would have been a tough pill to swallow for viewing audiences of Snyder’s “realistic” superhero movie; but the fact of the matter is, Snyder revealed his ignorance of current affairs when he made that film 8 years after 9/11. In the book, just like after 9/11, it’s believable that the world would stand with the United States after the tragedy that had befallen it. In the movie, however, the fake Dr. Manhattan attacks hit cities around the world, not just New York. Again, not wholly bad, because of the fact that it was Dr. Manhattan and not an outsider, a la the alien, I have a hard time believing the world would unite in global cooperation. What’s more likely is that the world would erupt in furor at the U.S. for creating Dr. Manhattan in the first place. The U.S. would be culpable in the world’s eyes. What’s worse is that in the context of the movie, there’s nothing for the people of the world to not assume that this wasn’t an attack by the U.S. aside from the fact that the U.S. was hit as well. Since the world knows Dr. Manhattan was created in an accident, how does the world know that a preemptive attack by the U.S. on the Soviets didn’t backfire on them when they tried to exploit Dr. Manhattan?

As you'll hear on the podcast, Graeme and I greatly enjoyed reading Miguel's assemblage, and we wanted to give you the opportunity to check it out and get inspired for yourself. [link is 22.8MB]  And as I mentioned to Miguel in an email to him, I found this project and his analysis to be a tremendous DIY counterpoint to Before Watchmen--it really is a way to revisit Moore and Gibbon's story while respecting the original achievement. We are incredibly pleased to have played even the most indirect part in this project.

Hmm, feel like I'm forgetting something?  Oh yes, the podcast, the podcast... As tempting as it would be to add to the artsy shenanigans and leave only these notes and the book as a type of seashell on the beach for you to find, Episode 102 is indeed out there in the world (provided you define "the world" as your RSS provider of choice) and you can listen to it here as well, should you choose:

Wait, What?, Episode 102: Age of Chance

As always, we hope you enjoy...and thanks for listening!

Wait, What? Ep. 90: Back in the Game

Photobucket Ladies and Gentlemen: GRAEME MCMILLAN IS.

The nice thing about writing a post during which you lose your mind and decide the best thing to be done is to embed as many of the lyrics of an Elvis Costello song as you can is you realize: (a) it can't be topped; and (b) maybe you're allowed to go easy on yourself every now and again; and (c) your attempts to give the page a catchy image and a bit of punchy jibbety-jab really only go so far, as it's the actual thing you are introducing that people are (or are not) here for.

(Also, you realize you are addicted to parentheticals and alphabetized lists, and have no idea exactly how you're going to get those particular monkeys off your back. Is there a twelve step group underwritten by the Chicago Manual of Style?)

(Also, these muscle relaxants aren't really capable of doing shit as far as making you feel mellow and floaty, but they're kind of dynamite for making you feel like every word you're typing is WRONG, in a near-sacrilegious way. I feel like Henry god-damned Miller writing this thing!)

Anyway, Wait, What? Episode 90 is here, lemme just shuffle off to Buffalo and bring it on: it's two hours and twenty-one minutes, it's Graeme and I answering the questions on Twitter we forgot about until Rick Vance (I...think?) reminded us, it has us talking Batman: Earth One by Johns & Frank; Skull The Slayer; Steve Englehart (lots and lots of Steve Englehart); Dracula World Order by the fabulous Ian Brill; Batman #10, Andy Warhol's Robocop (not at any particular length, sorry); Spider-Men #1, and our old buddy "much, much more."

Those what like iTunes will have have already dipped their toes into our radiant tide pool. The rest are invited to remove your shoes, roll up your pant legs, and wade in below:

Wait, What? Ep. 90: Back in the Game

As always, we hope you enjoy and thank you for listening!

Wait, What? Ep. 83: As Good As A Feast

Lovely Hoo boy.  Did not think I was going to make this particular deadline.  I won't bore you with the blah-blah-blahs, but let's just say: papa needs a new microphone and he needs one bad.  I apologize in advance for all the not-especially-discreet cracking and popping going on at various points in the background of this.  We are maybe two weeks away from a solution to both it and the mild echo chamber effect that's afflicted us ever since Graeme managed to transcend this corporeal realm.

Buttttttttt, anywayyyyyyy... Gotta keep this short and snappy so lemme just say this:  Wait, What? Ep. 83 is two hours and twenty-seven minutes long, and Graeme and I do not spend all that time trying to remember if the boss at the end of Crazy Climber was a gorilla or not!

No.  Instead, we do our best to cover a lot of lost ground by jawing about Iron Muslim and Zombies vs. Fanboys from Boom Comics, Kirby: Genesis, the current state of comics and the comics internet including Chris Roberson quitting DC and David Brothers' amazing article over at Comics Alliance, Before Watchmen, Grant Morrison, Brian Bendis and Avengers Assemble #2, as well as the Oral History of the Avengers.

Also?  The eighth issues of Wonder Woman Justice League, OMAC, and Batman, Casanova #3, The Shadow #1, The Boys by Garth Ennis and Darick Robertson, Alabaster Wolves, Saga #2, Archie Meets KISS, Prophet #24, more issues of Glamourpuss, and much, much more.

This show was pretty late making its way to iTunes, but if it's not there yet, it will be there soon.  But even so!  You can also listen to it here and now if you would prefer.  Behold:

Wait, What? Ep. 83: As Good As A Feast

As always, thanks for your patience.  I gotta go jump through hoops for the next ten hours or so, but we'll have more for you next week--and, of course, thank you for listening!

Wait, What? Ep. 80: Bats and Birds

Photobucket Apologies to those of you already pestered with this image on Twitter:  I thought it was worth a re-use, in no small part because I must once again plead mentis mortis (I have no doubt I'm handling this dead language so poorly, a charge of necrophilia could well be leveled), thanks to how late it is that I'm composing this and where I'm at for a variety of reasons that will probably become clear once you hear Wait, What? 81 next week.  (Hint: it's a terrifying topic Graeme and I have tackled before.)

But enough of that for now, there's a podcast to be had!  Wait, What? Ep. 80, in fact, a done-in-one of approximately two hours and twenty-five minutes in length.  Yes, you all know I can be pretty wishy-washy (I prefer the verb "to waffle," for obvious reasons) and Graeme and I both thought there were a lot of great and compelling arguments made for keeping this in one.  I do appreciate the minority views, however, and wish I could figure out a way to appease both parties (or offer some consolation for the two part crowd) .  Hopefully, I'll figure something out.

Yes, so--a done-in-one, with the first forty minutes or so being the mighty Graeme McMillan and I talking the reception to the John Carter movie, the lack of interesting Wondercon news, shelling pistachios, costume design, and conspiracy theories about bad movies.

Then, once it becomes obvious, we should maybe start in on the comics and not worry about waiting for a break, we really hit the gas, and start in on recently read comics, including The Wasteland Omnibus, reading The Flash and writing for the trades, Justice League #7 and the Shazam! back-up, Secret Avengers: The Children's Crusade, Avengers X-Sanction #4, Wolverine #303, Dominique LeVeau Voodoo Queen, Wonder Woman #7, Astonishing X-Men and Wolverine and The X-Men, and a heckuva lot more.

You interested?  Oh, come on!  All the cool kids are doing it!  Look on iTunes: iTunes is doing it!  Look right here at this entry, just below!  This entry is doing it!  Don't you want to try it?  Aw, come on!  It'll be cool:

Wait, What? Ep. 80: Bats and Birds

(See, I warned you--admittedly in debased Latin--about how braindead I was!  Nonetheless, I promise to do better next time.  And, as always, thank you for listening!)

Wait, What? Ep. 58.1: The Minor Fall, The Major Lift

Photobucket [Stellar fixed image courtesy of Ron Salas]

Uh, yes.  I am running sorrowfully late again, so I'll have to kinda dash through all this verbal hubbub and let you know the who's who and the what's what:

Basically? It's Wait, What? Ep. 58.1.  It's a little less than an hour.  In it, Graeme and I not only discuss new DC 52 titles like Blue Beetle, Catwoman, Red Hood & The Outlaws (which I called "Red Hood & The Outsiders" which makes more sense but it a mistake), Batman, and Wonder Woman (and more), but also Chester Brown's Paying for It and initial "sweet jeebis, is it pretty!" pre-review impressions of Craig Thompson's habibi. Oh, and there are lots of shrieks from children outside Graeme's window.  (At least he told me they were outside his window....) We apologize about that.

Anyhoo, the 'cast is in iTunes (probably) and you can listen to it here (definitely):

Wait, What? Ep. 58.1: The Minor Fall, The Major Lift

Part two is around the corner, so there's that.

Oh! And, of course, we hope you enjoy and thank you for listening!