“This Old FAMILIAR!” COMICS! Sometimes It’s Not Like Going Down The Pond Chasin' Bluegills And Tommycods.

Time for one last blast of comics magic before I shut down for the holidays. Read it or don’t. I wish you all the very merriest of holidays. And I send out a special thanks to Brian “ I have Top Men on it.” Hibbs for continuing to host my nonsense for yet another year. It is appreciated. Thanks also to Abhay for classing the joint up in his own uniquely spectacular way. And thanks most of all to you for, gee, just being you.  Have a very merry one, everyone.  And now Ho-Ho-Ho-HOOKJAW!  photo HJAWFleshB_zpslw2h6vo8.jpg HOOKJAW! By Boyle, Spurrier, Brusco, Steen

Anyway, this…

HOOKJAW #1 Art by Conor Boyle Written by Simon Spurrier Coloured by Giulia Brusco Lettered by Rob Steen HOOKJAW! Created by Ramon Sola & Pat Mills Titan, £2.49 (2016)

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HOOKJAW! is a comic about a giant Great White shark which kills people. No, really that’s it. Oh, it has a hook in its jaw as well. What more do you want, tap dancing? No, you want a giant Great White shark with a hook in its jaw eating people; preferably with lavish quantities of misanthropy and a thundering commitment to grotesque carnage. Not only is that officially the Acme of Entertainment, it’s also what made the original HOOKJAW! so spectacularly timeless in its vileness. Yeah, it’s another old idea with a new coat of paint. Judging by the brief mention of the oil rig in the book this is actually a continuamination of, rather than a reimaginimagineering of, the HOOKJAW! serial first published in the 1970s UK weekly comic ACTION. There’s a text bit in the back of the comic which covers the whole ACTION and HOOKJAW! business, but I personally have already covered all that in my own lovably tedious way HERE, so you can read that if you want. No skin off my nose if you don’t. All you need to know is that the original HOOKJAW! was a tour de force application of blunt force trauma to the skull of narrative sophistication.  Of course nowadays genre comics are all about sophistication. Well, that’s how the writers like to sell it; really, it’s all about aping middle-brow television while stretching the most minimal of ideas across as many pages as possible. A lack of Sound FX, landscape panels and a surfeit of quips does not sophistication make, alas. Back in the ‘70s a five page episode of HOOKJAW! would cover as much ground as this 35 page comic and leave you reeling with nausea and groggy with cynicism. This new 2016 iteration comes a cropper on the rocks of forced sophistication early with a horrifically muddled and unengaging prologue. Seriously, what was that all about and (more pertinently) why did it take up so much space? Sophistication, I imagine. Don’t fret; this isn’t one of those old-man-upset-at-modern-approach-to-beloved-property-from-his-childhood rants. (You want a Star Wars fan for that.) No, in fact this book is pretty good, which makes the paptastic prologue even more egregious. Yeah, Spurrier’s shaping up to be a bit of a neat comic writer; he picked up and ran with Alan Moore’s CROSSED PLUS 100 with nary a stumble and his CRY HAVOC is intelligent and imaginative business. He’s a clever chap, and I’ll give his stuff a go without excess trepidation. Although, he can be a bit too self-consciously youthfully sparky at times, but then to be fair I am a somewhat dour old bastard. After the fart of an opening Spurrier rallies fast and certainly uses the rest of the pages to good effect. Like a good specialty butcher at Christmas Spurrier lays out an assortment of meaty treats for our titular piscine predator.

 photo HJAWGirlsB_zpsx3zmppg9.jpg HOOKJAW! By Boyle, Spurrier, Brusco, Steen

Most clearly positioned to elicit our sympathy is the central group of marine scientists who seek to catalogue, analyse and basically further our understanding of sharks. (HOOKJAW! HOOKFACT: Surprisingly little is known about sharks' mating habits and reproduction cycle, largely because they don’t have The Internet.) Within that group there’s the ‘comical’ Australian lady of advanced years who swears a lot. This old-lady-swearing joke isn’t as funny as Spurrier thinks it is, so she deserves to get eaten. There’s the hippy-dippy nature-is-magical dolphin aficionado who is clearly going to get an object lesson in nature and the redness of its tooth via HOOKJAW! Our actual protagonist is a plucky young woman, and we are supposed to root for her, but she is young and resourceful so I hope HOOKJAW! gets her because I am like that. Even younger is the wee Somalian lad who acts as cook and liaison with the frequent pirate boarders. His joke is actually funny, as he translates what the pirates say (normal, eloquent conversation) into what the scientists want to hear (stereotypical native “lawsy-lawsy!” bullshit), but a hallmark of HOOKJAW! is that it was unafraid to have kids get it, so he should die just on general principle.  This bunch are soon joined by Somali pirates (whose arrival is received with genuinely amusing ennui as it is so frequent as to be routine) who represent the depths indigenous people can sink to in a “failed state” which lacks sufficient sexy petroleum based resources for the West to interfere, but there’s no excuse for armed piracy so they too deserve to be devoured by HOOKJAW! It’s all getting a bit crowded by now, but Spurrier finds room for a group of Navy S.E.A.L.S. representing the cocksure swagger and fatally complacent arrogance of the Western military industrial complex, and who therefore absolutely deserve to be devoured by HOOKJAW! Basically (and thankfully) HOOKJAW! isn’t big on moral grey areas. HOOKJAW! doesn’t care if your Dad didn’t hug you enough, HOOKJAW! is hungry and you are made of meat and in his path! Well, this bunch are, and by the end of the issue the screaming has started.

 photo HJAWCoffeeB_zpska68itoc.jpg HOOKJAW! By Boyle, Spurrier, Brusco, Steen

Conor Boyle’s art is entertaining enough, a kind of embryonic, scrappier Carla Speed McNeil style. Despite being saddled with such a large human cast he manages to make everyone  distinctive and while it shouldn’t be so impressive that a comic artist can draw young people, old people and people who are somewhere inbetween, it is. Whether that’s testament to Boyle’s abilities or a harsh critique of most other artists is a question for a less joyful season. He’s also good at the sea which, it stands to reason, is quiet important. (HOOKJAW! HOOKFACT: Sharks live in sea water.) Boyle also successfully distracts from the bulk of the book being set aboard a single ship, and also being quite talky, with a restless POV. There’s a brief burst of human on human violence which is efficiently staged, but let’s face facts, a book called HOOKJAW! sinks or swims on its sharks. After all, the sharks are the stars of HOOKJAW! Boyle’s sharks are imposing and not a little intimidating, and his art and Spurrier’s script work in tandem to differentiate them, because there’s a bunch of them. Oh yeah, there’s a whole harem of lady sharks before The Big Lad hoves into view. The true mark of Boyle’s success is that when the Big Fella shows up it’s a proper Elvis walking out on stage M*O*M*E*N*T. HOOKJAW! is here and everything else was prologue. Of course, that’s the last page because, modern comics pacing. But still, it works. And that’s the point.

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HOOKJAW! By Boyle, Spurrier, Brusco, Steen

The book’s been well researched and is keen for us to know this via the scientists’ shop talk and, also, a text piece at the back full of Fun Facts about sharks. (HOOKJAW! HOOKFACT: No shark has ever paid money to watch an Adam Sandler film.) Unfortunately, I didn’t have time to read that bit, but it is important that you understand HOOKJAW is not real and should not be taken as representative of the true behaviour or nature of Great White sharks. While I derive a quite unseemly level of pleasure (verging on the sexual. Hurrr!) from seeing HOOKJAW munch on hapless humanity, I am also aware that due to negative media attention the great white shark has become a particularly vulnerable species. While it is probably somewhat less than helpful to the cause of the Great White to have a comic in which a colossal carcharodon carcharias chows down on a bunch of people, it is quite fun. Just remember it’s only a comic, and in the same way that millionaires rarely dress up as bats to combat crime, Great White sharks rarely eat people. And on that somewhat mundane and uncharacteristic note of responsibility I declare HOOKJAW! to be GOOD! And never forget that all your science, philosophy and finer feelings are but comforting mummery in the shadow of the mighty maw of HOOKJAW! Merry Christmas, and don’t have nightmares!

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HOOKJAW! By Boyle, Spurrier, Brusco, Steen

NEXT TIME: It’ll be a new year, so who knows? But it’s most likely going to involve - capybaras COMICS!!!!

"Justice Has A Price. The Price Is Freedom." COMICS! Sometimes I Hesitate To Correct An Officer Of The Law But I Think You'll Find That In This Case The Price is £9.99 Fortnightly. OW!

Borag Thungg, Earthlets! Clearly I have nothing useful to do with my time because I have bodged up a master list of the JUDGE DREDD MEGA COLLECTION. As each volume is released I will update the list and the accompanying image gallery. Should I “review” a volume I will link to that volume in the list. So, interested in the JUDGE DREDD MEGA COLLECTION as “reviewed” by yours truly, then this is the list for that. Pretty clear stuff. No questions? Anyone? Good. If anyone wants me to look at a particular volume, just drop me a comment. The volumes aren't released in order so it's not like I have a sensible plan of attack. If anyone wants me to stick them where the sun don't shine I suggest you keep that sentiment to yourself, cheers. Right, that laundry won't wash itself. Pip! Pip!

 photo JDMCMickMB_zpsizu2lmf4.jpg JUDGE DREDD by Mick McMahon & Pat Mills

Anyway, this... JUDGE DREDD THE MEGA COLLECTION Published by Hatchette/Rebellion UK, 2014 onwards.

Judge Dredd Created by Carlos Ezquerra, John Wagner & Pat Mills

Volumes:

01 – JUDGE DREDD: AMERICA  photo JDMC01CovB_zpszwn41pta.jpg Cover by Colin MacNeil

02 – JUDGE DREDD: DEMOCRACY NOW  photo JDMC02CovB_zpsq911wtwo.jpg Cover by John Higgins

03 – JUDGE DREDD: TOTAL WAR  photo JDMC03CovB_zpsivydbs9u.jpg Cover by Simon Coleby

04 - JUDGE DREDD: THE DEAD MAN  photo JDMC04CovB_zpsmn7ydfuh.jpg Cover by John Ridgway

05 - JUDGE DREDD: NECROPOLIS  photo JDMC05CovB_zpsnuqsvxj5.jpg Cover by Carlos Ezquerra

06 - JUDGE DREDD: JUDGE DEATH LIVES  photo JDTMC06CovB_zpsaq3ditzq.jpg Cover By Brian Bolland 07 - JUDGE DREDD: YOUNG DEATH  photo JDTMC07CovB_zpsob9kouak.jpg Cover by Frazer Irving

08 – JUDGE ANDERSON: THE POSSESSED  photo JDMC08CovB_zpsuvcgvenl.jpg Cover by Brett Ewins

09 - JUDGE ANDERSON: ENGRAM  photo JDTMC09CovB_zpsdkyt2b50.jpg Cover by David Roach

10 – JUDGE ANDERSON: SHAMBALLA  photo JDMC10CovB_zps4dorgz0v.jpg Cover by Arthur Ranson

11 - JUDGE ANDERSON: CHILDHOOD'S END  photo JDTMC11CovB_zpslu5tzgiw.jpg Cover by Kev Walker

12 - JUDGE ANDERSON: HALF-LIFE  photo JDTMC12CovB_zps5utk9y9a.jpg Cover by Arthur Ranson

13 -

14 – DEVLIN WAUGH: SWIMMING IN BLOOD  photo JDMC14CovB_zpsvyswy0fh.jpg Cover by Cliff Robinson

15 - DEVLIN WAUGH: CHASING HEROD  photo JDMC15CovB_zpsnimjxsr9.jpg Cover by Colin Wilson

16 - DEVLIN WAUGH: FETISH  photo JDTMC16CovB_zpscuk0v1s1.jpg Cover by Cliff Robinson 17 -

18 -

19 - LOW LIFE:PARANOIA  photo JDMC19CovB_zpsgg7guzae.jpg Cover by Henry Flint

20 - LOW LIFE: HOSTILE TAKEOVER  photo JDTMC20CovB_zpsyngdx9uy.jpg Cover by D'Israeli

21 - THE SIMPING DETECTIVE  photo JDMC21CovB_zpsitffoknj.jpg Cover by Cliff Robinson

22 -

23 - JUDGE DREDD: BANZAI BATALLION  photo JDTMC23CovB_zpsvjxnlmkj.jpg Cover by Jock

24 - JUDGE DREDD: MECHANISMO  photo JDMC24CovB_zpsbk8cffzz.jpg Cover by Colin MacNeil

25 - JUDGE DREDD: MANDROID  photo JDMC25CovB_zpstmax9ipf.jpg Cover by Kev Walker

26 - 27 -

28 - JUDGE DREDD: THE LIFE AND CRIMES OF P. J. MAYBE  photo JDTMC28CovB_zpst5nqiyjj.jpg Cover by Cliff Robinson

29 -

30 - TARGET: JUDGE DREDD  photo JDMC30CovB_zpsehozji3q.jpg Cover by Jim Baikie

31 – JUDGE DREDD: OZ  photo JDMC31CovB_zpscwshqbub.jpg Cover by Steve Dillon

32 – JUDGE DREDD: THE CURSED EARTH  photo JDMC32CovB_zpsdpn4ydg9.jpg Cover by Mick McMahon

33 - JUDGE DREDD: THE DAY THE LAW DIED  photo JDTMC33CovB_zps0gz5vjru.jpg Cover by Mick McMahon

34 - 35 -

36 – JUDGE DREDD: THE APOCALYPSE WAR  photo JDMC36CovB_zpsfenowryi.jpg Cover by Carlos Ezquerra

37 - JUDGE DREDD: JUDGEMENT DAY  photo JDMC37CovB_zpsd05ohipp.jpg Cover by Carlos Ezquerra

38 - JUDGE DREDD: INFERNO  photo JDTMC38CovB_zpslw7fxonu.jpg Cover by Carlos Ezquerra

39 - JUDGE DREDD: WILDERLANDS  photo JDTMC39CovB_zpsiyoxkwq0.jpg Cover by Trevor Hairsine

40 - JUDGE DREDD: THE PIT  photo JDTMC40CovB_zpspzoxpfzh.jpg Cover by Cliff Robinson

41 -

42 – JUDGE DREDD: DOOMSDAY FOR DREDD  photo JDMC42CovB_zpsrrjlb1lh.jpg Cover by Dylan Teague

43 - JUDGE DREDD: DOOMSDAY FOR MEGA-CITY ONE  photo JDTMC43CovB_zps87xsz7tg.jpg Cover by Colin Wilson

44 -

45 - JUDGE DREDD: ORIGINS  photo JDMC45CovB_zpsl9cheet9.jpg Cover by Brian Bolland

46 -

47 - JUDGE DREDD: TOUR OF DUTY: BACKLASH  photo JDTMC47CovB_zpsxajbvcgy.jpg Cover by Carlos Ezquerra

48 -

49 - JUDGE DREDD: DAY OF CHAOS: THE FOURTH FACTION  photo JDMC49CovB_zpsptwjvupp.jpg Cover by Henry Flint

50 – JUDGE DREDD: DAY OF CHAOS: ENDGAME  photo JDMC50CovB_zpscvwjhrmc.jpg Cover by Henry Flint

51 - TRIFECTA  photo JDMC51CovB_zpshowsktmz.jpg Cover by Carl Critchlow

52 - 53 - 54 -

55 – JUDGE DREDD: THE HEAVY MOB  photo JDMC55CovB_zpsktwwziwe.jpg Cover by Dylan Teague

56 -JUDGE DREDD: BEYOND MEGA-CITY ONE  photo JDMC56CovB_zpspufoidxp.jpg Cover by Brendan McCarthy

57 - CALHAB JUSTICE  photo JDTMC57CovB_zpsufxttikn.jpg Cover by John Ridgway

58 - 59 -

60 – HONDO-CITY JUSTICE  photo JDMC60CovB_zps1nwcymd4.jpg Cover by Cliff Robinson

61 - SHIMURA  photo JDMC61CovB_zpsw3yr3wo4.jpg Cover by Colin MacNeil 62 - 63 - 64 - 65 - 66 - 67 - CURSED EARTH KOBURN  photo JDMC67CovB_zps8x2mgubm.jpg

68 - CURSED EARTH CARNAGE  photo JDTMC68CovB_zps8b1ebsky.jpg Cover by Anthony Williams

69 - 70 - 71 -

72 - JUDGE DREDD: THE ART OF TAXIDERMY  photo JDTMC72CovB_zpskjb2hko5.jpg Cover by Steve Dillon

73 - JUDGE DREDD: HEAVY METAL DREDD  photo JDTMC73CovB_zpsg60x71tu.jpg Cover by John Hicklenton

74

75 – JUDGE DREDD: ALIEN NATIONS  photo JDMC75CovB_zpsoejo0w3t.jpg Cover by Cliff Robinson

76 - JUDGE DREDD: KLEGG HAI  photo JDMC76CovB_zpsfloyfmee.jpg Cover by Chris Weston

77 - JUDGE DREDD: HORROR STORIES  photo JDTMC77CovB_zpspgu4ny8w.jpg Cover by Brett Ewins

78 -

79 - JUDGE DREDD: INTO THE UNDERCITY  photo JDTMC79CovB_zpsypnh5ic8.jpg Cover by Tiernen Trevallion

80 - JUDGE DREDD: DARK SIDE OF THE MOON  photo JDTMC80CovB_zpsxgtpkvlb.jpg Cover by Brian Bolland

Judge Dredd! He is the – COMICS!!!

So Ugly it is Pretty -- Hibbs on 8/6/14

Hey, me again -- yeah, bi-weekly it is, I think, for now!  Of course, my jibber jabber seems even more jibber jabbery when surrounded by Abhay.... After the cut.....

 

AND THEN EMILY WAS GONE #1 (OF 5): I thought this had some pretty fabulous art – Iain Laurie is in that “so ugly it is pretty” school like maybe a Mike McMahon or a Ulises Farinas or something – though I know it isn’t everyone’s cup of tea. The story was alright: I felt like I could predict each beat before it came, but that’s not necessarily bad with a horror comic, where atmosphere often counts more than plot.. What kills me, of course, is that, being from a smaller publisher (comixtribe), Diamond had literally no copies for distribution available on Tuesday when I pulled it out of the box, went “Oooh, pretty”, and tried to reorder some more. Backorder-only, which guarantees a minimum of three weeks to get a reorder (and is often 6+, because comixtribe is a UK publisher, and Diamond is wretched with UK publishers), which makes it extremely risky to order up on #2, since I can’t say when/if I will get any more #1s, which just creates this whole vicious circle, and then it’s a mini-series, so by the time we figure out the “right” order, it will be over. Ah, comics! I’m going to go with a strong GOOD.

 

GOD IS DEAD BOOK OF ACTS ALPHA: Three stories in an anthology. The first story, by Mike Costa, was about the same as the main series – ie, I was flipping pages to get to the end as fast as I could because I wanted to be done already; the second story was Alan Moore, and it was wonderfully meta – starring Moore himself and his “snake god”, and if this was ten years ago I’d be betting that this would make the Eisner nominees for “best short story”. I also liked that the inside covers table of contents claimed that Si Spurrier’s story was in the number two spot so I’m reading this, astonished that Spurrier would do such a ruthless Moore piss take, and then I realized it was Moore, and that made it even better. Spurrier’s story, at the back, has a very cute premise about Cherubs and their antecedents, but it practice it probably went on about three times longer that was needed. So, that’s an AWFUL, an EXCELLENT, and an OK in a single issue, which is exactly a perfect case study of why many people generally don’t like anthologies. I liked that Moore story alone just well enough to give the overall comic a GOOD, but I would understand if you ranked it lower.

 

MILES MORALES ULTIMATE SPIDER-MAN #4: Here is what I don’t get, what I truly fundamentally, in-my-core don’t get: why would you relaunch your mult-culti Spider-Man comic, put “Miles Morales”’ name in the title, present this excellent marketing moment and time for the book to explode (seriously, on paper this should be at least as big of a hit as Ms. Marvel), and then have your entire first arc be ENTIRELY about the dead white guy? Miles does nothing but react react react to Peter and Peter’s legacy and Peter’s damn baggage. This was probably 2014’s largest mainstream misfire in its wrong-headedness. Staggeringly EH.

 

MIRACLEMAN #9: I am just the slightest bit surprised to see the Disney corporation publish full-on vaginal birth. I was thinking they were going to cave at the last minute. Good for them. I love Miracleman generally, but as I feared, the wider audience reaction is largely “been there, done that” -- #7 was down below 20k nationally which makes me think that it could be well into cancellation territory before it gets back to brand new stories by Neil Gaiman. Meh, they’ll relaunch that with a #1 anyway. Anyway, I find this specific issue a bit over-written and half-baked, but it sets up a whole lot of wonderful stuff that’s going to pay off wonders, so as long as it is in a rated review column, I’ll say a low GOOD

 

NEW AVENGERS #22: Mostly because I didn’t write last week, and #21 was the single book then that I really wanted to say something about, I really admire the strong morality as the center of the decision that was made in #21, and I thought that who did make that decision was really the perfect one. There’s some real “No Tap-backs” stuff going on here, and it’s pretty much the sole piece of Hickman’s run here that has got me genuinely interested. The rest of the arc feels too expansive, too sprawling and unfocused, too…. White-boardy. Which is why would really want to point out the moments that work, like last issue and this one, with some of the fall-out. VERY GOOD. I do, wish, however, that Marvel would put more than 7 days between issues, sheesh.

 

SUPERIOR SPIDER-MAN #32 EOSV: I might be hard pressed to come up with a worse title for a Spider-Man “event” than “Edge of the Spider-Verse”, which not only isn’t compelling (“edge” kinda means it could topple either way, right?), but it’s not descriptive either. Why not something more punchy like, dunno, “The Infinite Deaths of Spider-Man” (well, that’s awful too). Anyway, it is crazy-making to start off this crossover as #32 of a cancelled series, and that has a premise that’s pretty entirely different than the first 31 issues, and also, since they structure it as a time travel thing, essentially has to end with Ock Spidey surviving and losing him memory of the events, which also makes the starting point at least somewhat “out of continuity / doesn’t count”. But, despite that, mostly because I’ve always been a sucker for multiple-earth nuttiness, I thought this was an entertaining… well, I was going to say “romp”, but the body count was a bit high for that. A trifling GOOD.

 

TERMINAL HERO #1: Where’s the “Hero” part of it? EH.

 

 

What else? Oh yeah, I also liked GUARDIANS OF THE GALAXY, the film, pretty much. I wish they wouldn’t stray what seems like arbitrarily from the source material --the Novas, kind of pointlessly killing Ronan (he accused no one of anything!), and mostly the wussification of Gamora. THAT was “the most dangerous woman in the universe”? She’s beaten up by freakin’ Starlord at one point, eesh. I probably also would have dropped Nebula from the story, as that didn’t really add a thing, but, yeah, other than that? Decent enough film, and I thought the 3-D was very watchable this time. Either way, the 10 year old loved it, so that probably makes it, what, VERY GOOD?

 

That's me, what did YOU think?

 

-B

Wait, What? The Special 2013 SDCC Episode

 photo 0e049fd1-2341-4427-bfc6-87f42cf85d99_zps98ababd1.jpgFrom this month's Megazine and kinda appropriate in many ways....

Yeah, this is as close as you're going to get as podcasting in real time, Whatnauts -- Graeme and I talked for half an hour just a few hours ago, and I decided I'd get this edited and uploaded for you to enjoy.  Super-brief show notes for a super-brief SDCC special after the jump!

0:00-10:23: Very scattered greetings!  Graeme is directly outside SDCC and Jeff is….not.  We have thirty minutes to talk which of course is a stunningly short period of time for us, so this is far from us at our sharpest.  Although the connection is a bit echoey at various points, Graeme gives up the big update on the DC All-Access panel: Aquaman vs. Sharknado -- who does Geoff Johns think would win? Also mentioned: the state of Preview Night 2013; the crazy low prices over at the 2000AD booth; the state of cosplay; the awesome people at Fantagraphics; the upcoming Comic Blogging Panel; and more. 10:23-17:48: Comic books --we do in fact read 'em and decide, hey, why not talk about them?  Covered in today's talk  Justice League of America #6 (Graeme's read it, Jeff hasn't); Walking Dead #112; Batman #22 by Snyder and Capullo; Batman & Catwoman #22 by Tomasi and Gleason; The Invincible Haggard West one-shot by Paul Pope; Deadpool #13; and Batman '66 #3. 17:48-19:16:  Whoever had 16:47 in the betting pool for when Jeff would start talking about 2000AD, pick up your winnings at Window No. 2!  2000AD Prog. 1841 as well as Judge Dredd Megazine #338 hit the apps yesterday and Jeff really liked the Dredd stories in both. 19:16-23:45:  There is a brief chat about the upcoming Al Ewing Avengers book (Jeff is a bit bummed he will not be able to buy it), Avengers books back in the '90s, and Irredeemable which Jeff had followed for a while and is now giving another try.  Graeme read Extermination by Si Spurrier and Jeffrey Edwards. 23:45-end:  Back to SDCC talk. Running into people at SDCC, as well as not running into people at SDCC; Graeme as Dr. Doom; Jeff wussing out on a more extensive part two to this talk.  More bits about what Graeme has coming up (which I guess might make it possible to… stalk him, I'm just now realizing?), some great passerby (or is it passerbys?), and closing comments.

It is on iTunes (maybe?) and it is also right here (definitely):

Wait, What? The 2013 SDCC ConCast1

So yeah, clearly, we're not going to be replacing Twitter anytime soon, but since Graeme was willing to talk, I was willing to do what I could to get it up in a timely fashion.  Obviously, we hope you enjoy!