“Thy Opinion Hath Been NOTED, Wrinkled One.” COMICS! Sometimes I Wonder If It's Gil -BERT or Gil-BEAR! And Then I Just Settle for GODHEAD!

In which a vain attempt is made to engage with The Present and some words are written about comics produced during these times known as Modern. In a display of staggering arrogance at no point is any excuse proffered for the extended absence of the author, although he would like it to be known that upon occasion it is necessary for him to work for a living. Would that it were otherwise.  photo BlubFlyB_zpsvt1i7sjw.jpg BLUBBER by Gilbert Hernandez

Anyway, this... Yeah, I know, what the world needs more of is middle-aged white males talking about what they like. Condemned as I am by the circumstances of my birth to a prison of unearned privilege, all I can offer by way of recompense are these words; as ungrammatical and dismayingly keen on cant as they may be. However, in the interests of diversity please note that while there is little I can do about being a middle-aged white male without multiple hospital stays and a bunch of therapy, I did at least show willing and wrote the following while wearing my wife’s knickers.

VALHALLA MAD#1 Art by Paul Maybury Written by Joe Casey Coloured by Paul Maybury Lettered by Russ Wooton Graphic Design by Sonia Harris Flats by Ricky Valenzuela Valhalla Mad created by Maybury & Casey Image Comics, $3.50 (2015)

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I bought VALHALLA MAD for the art of Paul Maybury which I previously encountered in SOVEREIGN, a comic which now appears to be defunct despite its dense pleasures. Chris Roberson wrote that one but this one's written by Joe Casey, who here has done one of those comics which are inexplicably basically about some Big Two characters but, you know, in the literary equivalent of those disguise kits you get from joke shops with the big pink plastic nose, the Groucho 'tache and the lens-less specs fit only to fool only vegetation and estate agents. So VALHALLA MAD is clearly not a comic about Thor and The Warriors Three because there are only three of them in total not four, and they all have different names: The Glorious Knox, Greghorn The Battlebjorn and Jhago The Irritator. (Extra bonus comedy points for Jhago The Irritator).

 photo ValPanelB_zpsrylerx00.png VALHALLA MAD by Maybury, Casey, Wooton, Harris & Valenzuela

It's a light comedy which is amusing enough (they rescue a plane but unbeknownst to they, their arrival caused it to crash in the first place!) Much sport is made of the voluminous verbiage of the Stan Lee Style and a generally pleasant time is had by all, not least our three protagonists who have graced Earth with their presence for a glorified pub crawl. Or there may be more to it than that as the final page appears to promise. It's a lot of talking is what it is, and with the exception of the odd typo (e.g. "feint" for "faint") it's propulsive and amusing enough stuff but visually it doesn't give Maybury much to work with. Good job he packed his Awesome this time out and he goes to town on it nevertheless. His boldly chunky style of cartooning brings the otherworldly and the mundane together while never losing the humour of the juxtaposition. Throughout the molten flow of his line is broad enough to encompass two realities and it's ultimately his art which makes VALHALLA MAD #1 GOOD!

BLUBBER #1 By Gilbert Hernandez Fantagraphics, $3.99 (2015)

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If VALHALLA MAD is the stag do then BLUBBER is the morning after where you wake up in a strange and distant field covered in sick while a stray dog humps the back of your head. Yes, it’s the one man kick to the nuts of rational thought that is Gilbert “Berty” Hernandez. Here he’s unleashed one of those baffling one-off comics that just exist because, well, because he wants it to. Is this the first in a new ongoing series of madcap anthropomorphic laff mags based around mutilation and sexual degradation? Or will the next time we see this be some sixty years hence in some pricey Fantagraphics boxed set big enough to hide a chopped up dog in? Trick question! The next time we see this will be in a court of law when Gilbert Hernandez is called to account for crimes so bizarre and outlandish we’ll have to redefine the concept of human society just to register the correct level of disgust. I particularly like the way this looks like a kids’ comic but it isn’t (unless you want to go to jail or your kids are The Children of The Damned). I was going to moan about how he got the name of his character wrong in the first strip but, y’know, the fact he didn’t murder anyone while making this bizarre farrago of puce faced lunacy probably outweighs that. Hard is the heart that weighs a typo heavier than a human life.

 photo BlubEarnedB_zps3pasgvez.jpg BLUBBER by Gilbert Hernandez

It’s a pint pot of horror poured in a teacup of visual discipline. Because as ostentatiously obtuse and unremittingly repellent as things get “Los Boss” Hernandez sticks to his grid like a fly to a fast moving windshield. It’s this friction between the boiling horror and the discipline of craft that sets that itch you just can't shift to work in your startled mind. Sandwiched inbetween the Charles Manson's Discovery Channel stuff is a bleakly funny exercise in unsettling obfuscation the equal of Lynch or (maybe a Beckett). I could feel profundity pressing against the tender membranes of my eyes as I read. Mind you, at other points I could also feel my mind pulsing and straining, like the overworked and exhausted sphincter of a pensioner at stool, as it tried at punishing cost to impose some meaning, some sense onto this EXCELLENT! comic.

Like the lady nearly sang, I can't live if living is without - COMICS!!!

Wait, What? Ep. 144: The "Ass" in "Assemble"

 photo 1c33dbd1-01e8-4755-805d-db2b267be697_zps362dac63.jpgFuck yes, Shaolin Cowboy.

Hey, so it's another installment of Wait, What?, and I think maybe this fortnightly thing is going to work out?  (Provided you don't abandon us in droves or something...)  Whereas our last installment was two hours and us whingeing on about the news, this one is two hours and is us whingeing about comics we've read.  Brilliant!

After the jump, Jeff makes some brilliantly incorrect statements about Shaolin Cowboy in service of a perfectly good theory, Graeme fills us in on the most successfully monetized fanfic since 50 Shades of Grey, and we do that thing about the first twenty-five issues of Avengers that would finally allow an old man like me to type 'smh' except I have no idea how to pluralize that. (Plus, guest appearances by two of the more important writers in the science fiction and fantasy genres.)  In short: show notes!

00:00-21:47: Greetings!  As I mentioned, last time was news, this time it’s weather. No, wait, comics, I mean comics! Jesus, I am rusty.  But this every other week thing has made us hungry to talk, let me tell you that.  For example, Graeme knows I’ve got this theory about the most recent four issue run of Geoff Darrow’s Shaolin Cowboy, so I, uh, I really go right into it. Seriously, if you thought the biggest problem with the podcast was Jeff didn’t start throwing around crazy theories in under the first minute, this is the fast-moving podcast for you. It’s very much a full spoiler conversation, as it’s impossible for me to talk about it without talking about the very end.  (Although looking at the first issue again, I see at least one helluva big hole in my theory….and after looking over the last three issues at once think my biggest argument for my theory is also, uh, not quite right.  So…cave canem, y’all!) 21:47-28:11:  The Fox #1 and #2, by Dean Haspiel and Mark Waid!  Not nearly as extensive a theory on Jeff’s part (no theory at all, in fact, just his usual irresponsible opinions) but that means that Graeme gets more than a word in edgewise, thank goodness. 28:11-33:11: The comparisons between Dean Haspiel and Mike Allred lends itself well to Graeme weighing in on Don Slott and Mike Allred’s Silver Surfer.  Also covered: we discuss Steve Englehart’s Silver Surfer... because it is Steve Englehart and because it is our heart. 33:11-53:59:  Exactly five minutes later (exactly!) we end up discussing the Star Trek photonovel, Strange New Worlds, assembled by John Byrne. Somewhere in there, my voice picks up a faint echo, not unlike one of the quasi-omnipotent aliens from the first series?  And then the dogs go cuh-razy? And we discuss how to best be a comic store clerk and not end up in hell?  And Jeff does the best imitation he probably has ever done?  And we talk about how John Byrne’s financial affairs, like that’s even a thing we might know anything about?  So....a little bit of something for everyone?  Or maybe a whole bunch of nothing for someone?  You make the call! 53:59-57:11: Graeme asks Jeff what he thinks about the Joe Casey Captain Victory news.  Jeff, as it turns out, knows nothing about it.  We talk about it super-briefly (because what is there to say, apart from sweet mother of god, that art team!) and then… 57:11-1:01:47: Graeme talks about a bit about what he’s read recently, including the first Constantine trade by Ray Fawkes, Jeff Lemire and Renato Guedes, the second and third Justice League Dark trades by Jeff Lemire, Mikel Janin, and Graham Nolan. 1:01:47-1:22:41: Thanks to the holiday generosity of Whatnaut Matt Terl, Jeff got a free one month sub to Marvel Unlimited, the digital all-you-can eat service offered by Marvel.  Our discussion of it is perhaps inextricably intertwined with  our thoughts about stuff — to be more speciific, Peter Bagge’s brilliant The Death of the Age of Stuff  — the digital economy, why audio never goes viral,  and other things  like Christploitation, The Power of Warlock, The Incredible Hulk, the last thing Jeff will think of before he dies (which hopefully is not the perfect seque into…)  photo e1c287a0-ae69-4206-ab4a-a162dc3a5d28_zps3c3080c5.jpg 1:22:41-1:27:48:  The first twenty-five issues of Avengers! Graeme and Jeff are endeavoring to read the first 300 issues this year and talk about them:  good luck on that one, since (a) our disagreements start from literally the first issue, and (b) if there are more stretches like that first twenty-five issues, then…whew. Anyway, in there Graeme starts cutting out a little bit so we have… 1:27:48-1:28:10: INTERMISSION ONE! Man, I kind of missed these.  I really have to rope Graeme into doing more music for the show. 1:28:10-2:06:45: And we’re back!  And Graeme’s not cutting out anymore! And Jeff no longer sounds like one of those omnipotent threats from the first series of Star Trek!  Yay, technology!!  Technology can’t help where the first twenty-five issues of Avengers are concerned, though: so we have to talk about their slapdash charms (or pseudo-charms, to be honest).  Of particular interest: Stan Lee’s handling of Captain America, the difference between the original team and the new team, celebrity fan letters,  photo ef8f3c3c-99a9-4d64-90c3-adc79bae6e03_zps0b256a55.jpg

 photo 30d8f3c8-058b-47da-b667-615d630e8b24_zps3eb19735.jpg

the world’s worst person, terrifying comic ads,  photo d575f392-4c43-4b4a-9a80-4472e38ec7ba_zps75530791.jpg

the origin of the mighty Marvel subplot, early continuity, and much, much more. 2:06:45-2:08:57: Penultimately, Graeme has some breaking news (at the time of recording) about Agents of SHIELD and Deathlok. You can actually hear Jeff’s ambivalence about this news manifest itself as a low sonic hum. 2:08:57-end:  Closing comments! Remember to come back in two weeks!

Aaaaaaand...scene.

This sucker is already up on iTunes and our RSS feed, but it is also the kind of thing we'd like to make available for you here:

http://theworkingdraft.com/media/podcasts/WaitWhat144.mp3

As always, your thoughts and comments are appreciated and obsessed over to an inordinate degree!  We hope you enjoy and, of course, thank you for listening!

Last Issues, First / Last Issues, Second Issues (that could be first issues) and so on...

Get after it, Pope.  

Grand Champion of the Kumite Brian Hibbs is going all Howard Beale above and below this post.  Go check 'em out and get smart.  Or, read me going on about comic books.  Win / win, right?

Disclaimer: This is not to say that Hibbs will follow down the awful rabbit hole Beale goes in Network.  He's just mad as hell and he's out the window telling you about it.  You're human beings, damn it!  Your lives have value!

Capsules of the last weeks after the jump!

 

Dial H # 15

Mieville / Ponticelli

At $4.99 and stuffed with 38 pages of story Dial H #15 doesn’t disappoint in the “crazy be crazy” department.  My interest in the series had waned after the initial arc but I kept on with it and now at the abbreviated end I’m glad that I did.  Ponticelli’s rough madness grew on me throughout and Mieville introduced some elements I’d never thought of let alone seen in a Dial H comic.  These radical takes on existing property seem to get shorter and shorter runs at relevancy and I’m left wondering what a juggernaut like DC is doing trying to have main line (52) contributions from books like these on a sales level.  One hopes that Vertigo provides a lifeline with realistic expectations.  Oh, also, does anyone give a rip about those Channel 52 things?  Seems an indulgent house ad with no discernible value when “costs keep going up!” (by the by – 7 pages of ads in this one – mostly house and house adjacent)

Though…this is pretty funny.

Holding the line at...stupid!

 

Prophet #38

Graham / Milonogiannis / Roy

$3.99

 

First, I got the Jim Rugg cover and it’s pretty great.  I highly recommend seeking out SuperMag #1 by the man himself.  Stylistically and in all different types of delivery Rugg is really and truly a virtuoso talent.  Stunningly flexible. Check it out.  Amazing. (Additional superlatives needed)

Anywho, Prophet is lean and mean as a comic book.  The gang throws us 29 pages of story content with nary an ad.  Even the inside front and back covers are dedicated to story.  It’s a generous gesture and almost certainly costs someone money.  I can’t stress enough how immediately – by breaking the opening page monotony – Prophet slams you into the narrative.  By changing the pace you change the experience.  Not cookie cutter comics.

Also worth mentioning is the continuing and “as the wind blows” back-up selection.  This month, Kate Craig brings us a precious story about the emotional and psychological benefits of not always trying to annihilate anything that has the temerity to exist outside our immediate scope of meticulous plans and schemes.  Being decent, essentially, is its own reward.  The whole thing is enjoyably paced with a nice, emotive style.  Kate also draws amazing and weird hands / paws.  Cool.

Be Decent

 

Catalyst Comix #2

Casey / McDaid / Maybury / Farinas

$2.99 

Art = NICE.  Each brings an identifiable tone – sense of place – and individual style.  I gushed over each of these in my original review and talked through the motifs they’re employing but I have to say – AGAIN – that the super…SUPER…SUPER star of this thing so far is Brad Simpson.  The color palette for each of these chapters is individual – unique and simply gorgeous.  Colorists just don’t get enough love and this guy is on another level.  A true secret weapon who deserves all the credit in the world for giving this book something to simultaneously help hold it together and break it up.  Get paid, Brad Simpson.  Get paid!

On the other hand your enjoyment of the story is going to be largely dependent on how much you enjoy winking asides.  If, like myself, you generally respond with atrocious and socially unacceptable amounts of sighing and eye-rolling you may want to read this one in the isolation chamber.

At points Casey goes full frontal assault, totally aping Dr. Strangelove, using Vandelay Industries as the company responsible for rebuilding the trashed city (when everyone knows they deal exclusively in latex), and having the group therapy session centerpiece of Change Agents not only fall prey to every, single, boring satirical stereotype trope of such an encounter but also take place in the gymnasium of the Jean M Giraud Fighting Arzachs.

That is to say...it's kind of what you expect from a Joe Casey comic and that's not what I was sold as a "bold re-invention of the super-hero comic experience."

Anywho, all 3 segments here could actually be part of an extended #1 comic.  We’re re-introduced, the supporting cast fleshes out a bit, a new wrinkle is revealed.  I think it’s not a bad strategy early on to give people late to the party a bit of breathing room so, from me at least, the feel of the pace is not too bad.

Still, does this line make any f’ing sense?  I must have read this three times and I was afraid it was going to give me a Lewis Black aneurysm.  Maybe Casey is trying to say the guy talking is just coming right out of his ass with this stuff but…I kinda doubt it.

That comparison is...not apt.

Brain…hemorrhaging….

http://www.youtube.com/watch?v=sJ0s0KUUpxo

"If it weren't for my horse..."

 

Save me…Paul!

 

The Invincible Haggard West #101

Paul Pope

$2.99

32 pages – No ads

All this goes without saying and to prattle about it would really belabor the point but it’s really and truly quite striking as an artistic statement.  From the hand-drawn sound effects to the visual choices made for each character this thing is a note perfect juggernaut.

Quickly

Each sound effect is perfectly and I mean fucking perfectly suited and delivered.

Contrast a well placed “Klop, Klop, Klop” or “TCHOOF!!” with some digitally inserted garbage in Batman / Superman and that tells you there is a difference between art and product.

The design work is so elegant and beautiful it engenders hyperbole.  In action or at rest Haggard’s “flight frame” is a thing of wonder.  His guns are neon tube death machines with impossible innards.  Hell, the man himself is so pulpy when his scarf gets shot you feel him take things to the next level.  (I pulled two vertical panels out of sequence just to show you the elements)

Put it all together and VOILA!

 

The supporting characters are well rendered in a minimum of space.  Haggard’s daughter, Aurora, is on for all of three pages and she’s already got a backbone to envy and a multifaceted personality.

In control

 

This is A work and EXCELLENT.  Battling Boy can’t come soon enough.

Happy reading, everyone!

Them's Fightin' Words, Joe Casey.

In the absence of the dulcet tones of Mssrs. Jeff and Graeme... It should go without saying that all that follows is my opinion.

So, quietly and without much advance hullabaloo Dark Horse Comics made its entry…or rather its re-entry…into the world of Superheroics with Catalyst Comix #1

 

titlebumper

 

There’s a lot to recommend this book.  There’s a lot to recommend this series, really.   But, as with all things...a caveat.

 

 

First, if you’re a fan of offbeat capes and unique delivery systems this book may be for you.  The story starts by spinning out the various circumstances of the principal characters at the time of a major crisis.  It’s a cool set-up.

Second, if you’re in the mood for that trademark Casey dialogue (Snappy, knowing, and biting all the right brassy reference points) this book may be to your taste.

Third, all the art here makes some really bold style choices.  The list of influences is long enough to go up one arm and down the other.  Scioli / Kirby is all over Frank Wells.  Er, FRANK WELLS!  I see a fair amount Ross Campbell waiting in the wings of Amazing Grace.  The Change Agents benefit from an odd marriage of Sylvan Migdal’s Curvy and Geoff Darrow of all things.  Also, it should be noted there may be many - MANY - more influences here.  I am a stupid neophyte, not Frank Santoro.

frankwells

amazing grace

 

warmaker

A quick aside:  As all contributors are given credits as ART it’s hard to tell whether Brad Simpson colors the whole thing.  He is the sole credited colorist and could be the standout player for bringing such a diverse sensibility and individuality to all three chapters.  But, since it’s a little unclear, I hesitate to take credit for the color choices away from the individual artists.  It’s a really nice component of the book.  Especially worthy of note is the Change Agents chapter.  The colors there really set that section apart.

But then…there’s this.  And, from this point, for me, what was a nice exercise in genre bending becomes something else.

 

CatalystMission

 

Whoa.  As the title says, Them’s Fightin’ Words.

So, by this, you’re led to believe that Casey’s taking some bold stance.  Some US VS. THEM classic bully wrestling storyline.  DAMN THE MAN and all that shit.

Except he’s using existing IP.

http://en.wikipedia.org/wiki/Comics%27_Greatest_World

 

And, really, the US VS THEM manifesto should be retired.  If I could give this venture one bit of advice it would be to ditch the shrill “NO!  WE’RE DIFFERENT!  WE’RE RUSHING THE GATES!” mentality.  It’s passé in 2013.  We’ve played that game out.  Walking Dead, The Image re-emergence, SAGA, Vaughn and Martin’s Private Eye…

That game’s over.

There is no US VS THEM.

There’s only US.  Start pitching this series as what “WE” do at Dark Horse.  This is how “WE” chart the course.  As long as you’re hung up on showing “The Mainstream” they’re outdated you’re playing by their rules.

But, therein lies the problem.  You’re using THEIR methods.

This comic is riding generic names like Titan and Amazing Grace because it’s easier to do that than create your own thing.  DH Publisher Mike Richardson said yes to this because Dark Horse OWNS THE COPYRIGHTS.  He was one of the original creators!  So, you know, go ahead and show me how not mainstream you are by doing the ONE THING mainstream comics are reviled for more than any other ONE THING amongst the comics going Secret Society.   Don’t blame me when I ask if Barbara Kesel, Randy Stradley, Jerry Prosser, and Chris Warner are getting their royalty checks off of this “bold new line in the sand.”  When people ask Brandon Graham what he’s doing working on Prophet when he doesn’t own it he smiles because he’s in on the joke.  He’s taking money for work and not trying to pass it off as anything more than that.  It’s a check and he’s never pretended anything different.  NEVER.

Dark Horse and Joe Casey in particular are pretending to kick down the door of Superhero books but decades on from the ownership disasters of Miracleman and Zenith no lessons have been learned.  Kirby, who Casey so openly apes in the Frank Wells chapter, might SPIN knowing that this is being put forward as CHANGE and DIFFERENT.

A talented car crash of artists is pouring their work into a corporate funnel and this is the new version of “line drawing?”  This is the bold new stance?

It’s a good comic with lots to recommend it but please…don’t tell me it’s one thing – pretend to me it’s new ground – when it’s plainly more of the same.  Let it be what it actually is, the Dark Horse Corporate Super Hero Line.

Don’t tell me you’re re-inventing the wheel when it's the same old grist stone that's made a fine powder out of creators for the length, breadth, and depth of the industry.

I have no title, and I must scream! Hibbs' 5/22/13

Thoughts on Twelve Angry Comics from this week, below that jump

 

AVENGERS #12: I've tried, really I have, but I find Hickman's AVENGERS titles so bloodless and over-plotted that I just can't get into them whatsoever.  Here we are at what would be the "one year mark" for a "normal" comic, at the five months-old mark (and people wonder why Marvel is driving sales now?), and I'm so very very cold to this one and it's sibling title. Only "Spider-Ock teaching those kids how to be selfish" showed any real spark. I find this so very EH.

BOUNCE #1: I don't understand what Joe Kelley is trying to do here? "Speedball, except with swearing and explicit drug use?" That's not so very appealing, and then the first issue ends with an "alternate reality", and I'm trying to figure out what I'm rooting for? Some of the wilder ideas (A superhuman who IS a drug, shadowy conspiracies run by lizard-eaters, etc.) probably work a lot better with the mainstream-like art by David Messina that some of Casey's other co-creators.  I liked it fine, but I'm having a hard time deciphering the actual premise. Call it a very strong OK?

DAREDEVIL #26: this book is moving from strength to strength, and I think that the new enemy is one of the strongest ones that DD has ever faced... but, damn, I can't for the life of my recall his name. Akemi? Ashema? Somewhere in that range. Too bad it wasn't something like "Devildare" or something else easily remembered (Like, dunno, "Bullseye", maybe?), as that would mark a perfect nemesis. Either way, this book is VERY GOOD.

FANTASTIC FOUR #8: There's been something just a few degrees off from this renumbering, that I wish I could put my finger on -- but it's just dying in sales on our racks. Plummmmmet. Which is a damn shame, because this was as near as perfect of a single issue of a superhero comic book that I read this year. Ben Grimm on his one "day of being human", visiting the past of Yancy Street even before his sainted Aunt Petunia, and its just a great great little Done-In-One. VERY GOOD.

FLASH #20: Excited, oddly, about a new "Reverse Flash", but, like much of the Manapul/Buccellato era, it's just not delivering it's potential in my eyes. I really really want to believe, but the fairy is dying right in front of my very eyes. It tries so very very hard, and I desperately want to like it but like a poor marksman, it. keeps, missing. its. target. (KHAAAAAAAAAAANNNN!)

(Christ, I'm a nerd)

I honestly can't generate more than an OK, though I *want* it to be a VG, y'know?

 

GREEN LANTERN #20: And so ends an era. Really, this deserves an essay of its own, but Geoff deserves some amazing props for turning what was a (lets face it) second string character into a genuine franchise. Some people deride the "rainbow corps" (and, yeah, it probably went a step too far), but at least there are really legitimate differences and motivations and backstories between the various Corps.

I am personally of the mind that Geoff's run ran 3-4 years too long -- I'm not convinced that anything after "Blackest Night" was really particularly good -- but you GOT to give it up to Geoff for what he's accomplished in the run, overall.  I think even moreso because MY expectation is that the franchise of GL is going to crater out without Geoff at the helm... largely I think that the audience was essentially tolerating much of the excess in the line due to perceiving it as a creative vision. We'll see.

This last issue, sadly, wasn't much special -- the villain of this story has been uninteresting, and the final crossover dragged on way too long, with way too much handwaving and gnashing of teeth -- so I'm not inclined to go over an OK, but I do want to make special mention of the "text pieces" scattered throughout the issue which (and this is really straight from Jeff Lester, I am sorry for stealing!) read like nothing more than signatures collected in a high school yearbook, with all of the empty insincere praise that entails -- I'm shocked there's not a "Have A Great Summer!" in there somewhere, honestly -- the nadir probably being Diane Nelson's. I'd be shocked if she could recite the rest of that.

Yeah: "Have A Great Summer!"

 

GREEN TEAM #1: Here's the good news: We're guaranteed to get more issues of this than from the first series (which had just two issues, after it's debut in "1st Issue Special", both cancelled before they shipped), as this will last AT LEAST until issue #8. It's hard to think that it will get much more beyond that, however, since there wasn't a ton of ACTUAL premise on display in this first one. I get that on paper it's "rich kids buy superpowers", but that only happens for ONE of the "team", and that only on the last page. Has no one heard of "in media res"? Plus? I liked them better as, y'know, little kids. Well, copyright resecured, I guess.

I *love* this description of the cancelled first series: "In the first of the two unpublished adventures, the boys were pitted against giant lobsters and the Russian Navy. In what would have been the third issue, the Green Team face a villain called the Paperhanger who had special wallpaper that grew plants and trees, and who was a dead ringer for Adolf Hitler. They dispatch all menaces, then disappear into history in their private jet." Oh oh, the wacky wacky 70s...

This was highly OK, but needed to be so so much better to escape the event horizon of the current DCU

 

HALF PAST DANGER #1: Nice try, but another example of "burying the lede" and starting the story long long before the story should actually be started -- "WW2 adventurers FIGHT nazi dinosaurs!" is a great idea, but so much of this comic was walking through woods and sitting in bars and things that were not actually fighting nazis OR dinosaurs. Plus Stephen Mooney's art is just too anatomically awkward in places.  There's virtually no genre serialization that couldn't learn a lot by studying the structure of, say, an episode of Star Trek, and applying that to EACH INDIVIDUAL issue of the comic. Yet another OK on display in this one.

 

OCCUPY COMICS #1: I think this might be a year too late to do any good, but I liked virtually every page of this polemic of a comic. You could also call this "time capsule comics", because that's likely how this will seem in a decade (sort of like how the 9/11 comics are today), but that doesn't stop this from being a solid little anthology, and (I thought) VERY GOOD. POWERS BUREAU #4: there are times that I think that Bendis has single-handedly done more harm to the very idea of creator-owned comics than another other guy in comics. As a working retailer, I am constrained to point out that this issue is nearly a full month late, and that's after they utterly wasted having a few issues "banked" by shipping the first two bi-weekly and bragging how they were absolutely "guaranteed" to ship on time. And now we're already selling fewer copies than we did of the prior series, *sad trombone noise*

And the shame of it is that the book is very readable again, after a pretty dire patch of thinking it was better than it was -- I thought this issue was solidly GOOD.

 

UNCANNY X-MEN #6: Speaking of Bendis, he's just killing it here. KILLING.

I don't know why -- maybe because the Claremont DNA makes "chatty" a good move for x-books? I don't know, but this (and "All New") are absolutely "good" Bendis, and I thought this issue, with art by the incomparable Frazer Irving, was VERY GOOD.

 

YOUNG AVENGERS #5: Really GOOD ending to the first arc, and they're all given a plausible reason to be a team. It's just too bad that "Avengers" comics are as common as STDs on a hooker these days, because the clutter on the shelf (there are FOUR "Avengers" comics just this WEEK) is leaving this one the poor-selling stepchild.

 

Right, then, that's me -- what did YOU think?

 

-B

Wait, What? Ep. 97: How soon is NOW

waitwhat97Just listen.  Trust me.

Episode 97! We are getting very, very close to the triple digits!  And, as you can see with the show notes after the jump, we are still capable of bringing the high weirdness.

(After the jump: Hi, Weirdness!)

So, right.  Show notes.  You are still digging these, I hope?  Because they do add a bit of extra duty to my editing chores...

1:04-2:45: All apologies:  Jeff is late, Graeme is behind.
2:45-13:30: But we are once again quick to start talking comics--more particularly, The Essential Incredible Hulk volumes and the art of Herb Trimpe.  We also talk Hulk and the crucial Harvey character that Jeff can't seem to remember.
13:30-38:39: And since we are talking old comics, Jeff brings up the curious case of Aquaman #56 (1971).  He was able to explode Graeme's mind with this story; hopefully, he can explode yours as well.  (There's also a harbinger of our tech problems to come in the middle of this.)  Also included: words of praise for the mighty Jim Aparo and frustrations about accessing reprints.
38:39-43:30:  On to other comics!  Jeff talks highly of Double Barrel #3 (Master of Feng-Shui!), Amelia Cole #2 (story by Adam Knave!), and Archie #635 (art by Gisele!).
43:30-48:08: Also discussed:  The 64 page 2000 AD sampler (partially read, partially too-completely discussed) and our hopes for their offerings as they leap into the digital marketplace.
48:08-55:34: Unsurprisingly, this leads to talk of Dredd as Graeme has recently read a span of Judge Dredd and tells us about it.  How is Judge Dredd like the silver-age Superman?
55:34-58:33:  And somehow I work in Spider-Man, X-Men, and the near-impossibility of reading every appearance of a superhero character. I assure you it organically flows into our discussion of...
58:33-1:04:34: Miss Thing and the Marvel NOW! announcements.  Graeme makes his picks; Jeff suggests that the Fantastic Four are done with.
1:04:34-1:10:49: And why should that be, exactly?  The answer might lie in a very different area than is typically discussed.  Belated props are given, btw, to Jonathan Hickman and we also mention the Waid and Wieringo run.
1:10:49-1:25:59: Speaking of which, Graeme has been re-reading Waid and Kitson's Legion of Super-Heroes book. Also Waid-related: his recent Four Panels That Never Work  about which we (incorrectly, apparently) assume the worst.  But on the plus side, Jeff hypes vol. 13 of Bakuman which is god-damned delightful and highly recommended.
1:25:59-1:37:58: And then, even though Jeff tries to talk about the new Archer and Armstrong reboot from Valiant, we talk about the second Walking Dead lawsuit between Tony Moore and Robert Kirkman about which...hoo boy.
1:37:58-1:41:13: No, we weren't done talking about the lawsuit, but Skype or Jeff's microphone just up and gave up on us.  It takes a minute or two for us to get back into our groove.
1:41:13-1:49:10: Like, Joss Whedon and his exclusive deal with Marvel? Hell yes, we'll talk about that!
1:49:10-1:52:39: Oh, and Archer and Armstrong?  Jeff does get around to talking about it.  Graeme has some good things to say about other books in the Valiant reboot: the new Harbinger and the new Bloodshot.
1:52:39-1:55:08: Also, Becky Cloonan on Batman #12 is a little bit of all right.
1:55:08-1:58:42: Also, Jeff picked up G0dland, Book Thirty-Six from the other week and found it (and we quote) "Kirby as fuck."  Tom Scioli does tremendous work,Joe Casey ups his game, and Skype (or Jeff's microphone) shits the bed.  (Due to the number of awesome double-page spreads in G0dland, Jeff recommends you do not pick this up in digital.)
1:58:42-end:  Graeme has a closing question!  Also, next week is our skip week...so we will be back two weeks from now.
And, well, there you have it, eh?  I'm a little exhausted at the moment so lemme just point you to  the direct link in case you don't have access to our feed on iTunes:
And, as always, we hope you enjoy!

Wait, What? Ep. 81: On Tact Cleanses

Uploaded from the Photobucket iPhone App [Image above from the awesome Sharknife: Double Z by Corey Lewis, which we did not discuss in this episode, but believe me it was rad.]

Sorry, sorry, for reasons that will probably be apart for those who listen to the podcast, I've got to pull some serious Hello!, I Must Be Going shit because I'm on night nine of the ten day Flowers for Algernon diet.

So join poor old Graeme McMillan and I for two-plus hours of the jibberty that goes jabberty.  Our topics include The Silence of Our Friends by Nate Powell and Mark Long; Shooters by Steve Lieber, Brandon Jerwa and Eric S. Trautmann; Friends with Boys by Faith Erin Hicks; digital comics and Infinite comics; Spaceman issues #4 and #5; the Wednesday Comics HC; Roy Thomas, Steve Englehart, and Joe Casey; Jim Shooter's Legion of Superheroes, New Deadwardians #1, Avengers Vs. X-Men #0, Scarlet by Bendis and Maleev, and the proverbial much, much more.

Nine out of ten dentists who choose Jif, etc., etc., iTunes, turn, heel, kick--jazz hands!

Wait, What?, Episode 81: On Tact Cleanses

P.S. please if you get a chanse put some flowrs on Algernons grave in the bak yard.

Oooh, colors

Look, Jeff has changed the template! What a mensch! And yes, go read his Fanboy Rampage, as linked below, GO NOW NOW NOW!

(Huh, we need to add those links on the side... and I need a lot more "away from here" links too... give us a few more days folks!)

Ben's asleep (for the mo'), and I dinged 28 in City of Heroes, and I have 30 minutes before I have to get to work, so let's see what else I've managed to read, shall we?

MAJESTIC #1: Wow, fuck yah. I expected nothing from this (not of the previous iterations were all that hot), but I thought this was wicked funny and well characterized all the way through. Silver-age Superman level powers can be FUN, sometimes. Excellent, and barring some big surprise later in the pile, I'm willing to call this one The Pick Of The Week.

UNCANNY X-MEN #447: Damn Alan Davis can draw. Daddy likee. The story was a bit meh -- we've seen this one before from Claremont, more or less. I seem to recall essentially the same conflict circa the 200's -- that Sentinel from the future? Wossname? Nimrod, I think? (heh) But, this looks fab, so let's go with a real strong OK.

MILKMAN MURDERS #2: Despite how shocking this book is looking to be, I like that the first 3 pages were so understated and elegent in what they presented. I liked this quite a bit -- might be the strongest narrative I've seen from Casey, and Parkhouse art is always a joy to look at. Very Good.

HARD TIME #7: "Meanwhile, back at the ensemble..." Now that the Focus "line" has been winnowed down to 2, it's time for a little of that comics Activism for this and Kinetic. Both are very strong books focusing more on human reaction than the garish zow of super-books. Both books have found their rhythm and both should be selling at least twice as well as they do. While I'm not giving this PotW, I really do urge you to pick up a copy the next time you're in the LCS, and give it a chance. Very Good.

MONOLITH #7: It's always smart to try and guest-star Batman to goose your numbers, but, folks, the bottom third of a cover is THE SINGLE WORST part of your cover to put any sales information. MOST stores overlap covers, and that's "dead" sales space. Seriously. (Wake up, there in DC -- Vertigo, especially, has been putting out a lot of covers lately with "misplaced" logos). Very nice art from Tom Coker, a good solid story from Palmiotti and Gray, and now that the story has started moving at a slightly brisker place, you should give this one a gander on the racks. Good.

SOF' BOY #3: Great cartooning from Archer Prewitt. While I've been a bit turned off by the sadism this has sometimes shown towards it's indefatigable, invulnerable lead, this I thought was wonderful and sweet and joyous. And god-damn nicely drawn. $4.95 is kinda a lot to swallow, but dem's the economics of doing askew work like this. This was a terrific issue: Very Good.

And so endeth this session of the Savage Critic. Wow I kinda liked everything is this part of the pile! More later.....

-B