How DC printed Villains month

The Sep sales charts are out, and we can make some very interesting observations: (Under the jump, though)

Normally, we have no idea how many comics are printed. Like none at all.  That's because all that the Diamond sales charts report is what is ordered by retailers, but that could be every copy printed, or it could be 1/10th of what is printed. No way to know.

BUT, for Villain's Month, DC sold out 100% of the 3-d covers, and, in fact, ALLOCATED each and every one, so there were NO reorders.  Therefore, it is logical to say that the number that appears on the chart is the number printed (with the sole caveat that this doesn't include Diamond UK)

So, how much faith did DC have in their own promotion?

Well, the previous "normal" issue of BATMAN (#23), ICv2 reports 128,230 copies ordered for the four "Batman" issues of VM?  ICv2 reports:

Joker: 107,680

Riddler: 107,413

Bane: 95,298

Penguin: 89,850

 

So, therefore, DC expected to sell no more than 85% of Batman on JOKER, and 70% on Penguin.... despite giving it the same series code (the mechanism that triggers Point-Of-Sale system to pull subscription preorders) -- and that's WITH the 3d covers!

 

JUSTICE LEAGUE #23: 104k (I'm going to round from here on, look to those links in previous paragraph for "real" numbers)

Darkseid: 78k

Secret Society: 44k

Lobo: 36k

Dial E: 26k

 

Those last two are insane, as the 2D VERSION HAS HIGHER ORDERS FILLED -- 39k on Lobo, and 34k on Dial E. DIAL H #15 (the August issue) was 11k.

 

BATMAN SUPERMAN #3 87k

Doomsday: 68k

 

ACTION COMICS #23:  43k

Cyborg Superman: 50k

Zod: 50k

Lex Luthor: 50k

Metallo: 43k

 

Note that those are in chart order -- while it is by within hundreds of copies, Diamond is reporting more sales of Cyborg Superman than Lex frickin Luthor. Bizarre!

 

BATMAN AND (Nightwing) #23: 56k

Two Face: 50k

Ras al Ghul: 50k

Court of Owls: 50k

Killer Croc: 48k

 

JUSTICE LEAGUE OF AMERICA #7: 94k

Black Adam: 50k

Deadshot: 32k (Suicide Squad #23 was 22k)

Killer Frost: 32k

Shadow Thief: 32k

 

DETECTIVE #23: 62k

Poison Ivy: 50k

Harley Quinn: 49k

Scarecrow: 49k

Man-Bat: 47k

 

GREEN LANTERN #23: 59k

Sinestro: 49k

Relic: 37k

Mongul: 36k

Black Hand: 36k

 

SUPERMAN #23: 42k

Parasite: 44k

Brainiac: 37k

Bizarro: 36k

HEL: 36k

 

AQUAMAN #23: 44k

Black Manta: 37k

Ocean Master: 36k

 

EARTH 2 #15: 41k

Desaad: 32k

Solomon Grundy: 32k

 

FLASH #23: 39k

Grodd: 32k

Rogues: 31k

Reverse Flash: 31k

 

BATMAN THE DARK KNIGHT #23:  46k

Ventriloquist: 32k

Mr. Freeze: 31k

Clayface: 31k

Joker's Daughter: 30k

 

 

TEEN TITANS #23:  32k

Trigon: 32k

Deathstroke: 31k

 

WONDER WOMAN #23: 35k

Cheetah: 32k

First Born: 27k

 

GREEN ARROW #23: 25k

Count Vertigo: 27k

 

JUSTICE LEAGUE DARK #23: 64k  ("Trinty" crossover, #21 was just 25k)

Creeper: 27k

Eclipso: 27k

 

SWAMP THING #23: 23k

Arcane: 26k

 

So, do you see? WHY were these books being pounced on by the speculators?  Because, in most cases, DC PRINTED FEWER COPIES than the baseline orders that THEY established. And, where they DID go up (mostly at the bottom of the chart), it was generally within just 10%.

Some of these are truly crazy -- WW FIRST BORN, for example, may as well be a normal, regular issue of WW, from a plot POV, and it's about 20% UNDER the parent book.  Same with REVERSE FLASH.  And RELIC and HEL might as well be the first chapters of family-wide crossovers... and they're printed well below the parents.

So that's why these books disappeared so fast -- DC absolutely printed far too few of them; even if they were normal covers!

 

-B

Staggeringly Epic, part 2

Just because I'm not seeing anything on any of the News sites, let's print out today's news release:  

************

Due to a production shortage, DC Entertainment announces an update on allocations to these Villains Month 3-D Motion Cover issues:

Batman #23.4: Bane (JUL130188) will ship at approximately 93% of your previous allocation.

Batman/Superman #3.1: Doomsday (JUL130184) will ship at approximately 84% of your previous allocation.

Superman #23.4: Parasite (JUL130183) will ship at approximately 90% of your previous allocation.

All three of these issues are scheduled to arrive in stores on September 25.

As a reminder, the standard editions of these titles are available for advance reorder

 

*************

If you don't speak retailer, that says that three of the final 12 Villains Month comics will have a second, additional allocation on top of the first one.  If you've got speculators chumming for books locally, they'll be chumming for those even more.

Too bad if you dropped your top level orders down to keep quantities even -- your not even going to get 100% of what we told you you were, hooray! So much for planning!

 

-B

Must Watch Direct Market history video

Follow this link to Mark Evanier's site and watch this video of the Mike Douglas show and see video of DM founder Phil Seuling discussing comics on national TV in 1977. Astounding footage! I never had the pleasure of meeting Seuling, or, prior to this ever even seeing video of him -- so this was a fabulous and fantastic find for me. Thanks Mark!!

I especially like how they're just taking the old comics and flapping them around -- "Oh, look, a FAMOUS FUNNIES #1; here, catch!"

Without that guy you almost certainly wouldn't be reading blogs about comic books today... except maybe in the most nostalgic way.

 

-B

Kids these days!

So, I'm waiting for UPS this AM, and because my driver is the most passive-aggressive one in the system (it's a long long story) he's way down on the far corner so he doesn't park where I can instantly spot him (seriously, LONG story!) Then I see two gentlemen strolling down the street in front of the store, carrying  Diamond box.  I dream about Diamond boxes. I can spot one from a mile away, most likely.

I walk outside.

"Uh, excuse me, guys, but would you mind telling me just why you're carrying my box down the street?"

The one not carrying the box puffs up like a rooster, "Yo, bitch! This ain't your box, this is OUR box, got that?"

I roll my eyes.  "Listen, man, you can try and pop me if you think it's worth it for a restock box of graphic novels, but I don't think you could sell that shit to anyone"  The box has the orange restock tag thing on it, that's how I knew it wasn't like DC 3d covers or something.

He advances on me, chest out.

"Besides, my address is on the side right there"

He looks uncertain. "Oh, yeah? What's your address then? Huh?" He covers the label with his hand.

"Seriously? It's just like the sign right there..." (I point) "says: Comix Experience, 305 Divisadero St.  Do you want the zip code, man?"

The two guys look at me, look at the box, look back at each other.  "Uh, our mistake, bro" and they hand me the box and start strolling back down the street again.

 

Retail is never dull!

 

(The UPS driver? Had no idea he'd been ripped off -- he'd already scanned the box and dropped it on the cart. *sigh* He didn't apologize, either.)

 

-B

The staggeringly epic incompetence of DC Entertainment

I've already written a great number of words on the subject of next month's DC "Villain month" cover stunt, and I suggest that you follow that link for some reasoned background. Sadly, the real villain of the month is DC Entertainment. As some of you might know (though, not it would seem, from the actual comics press: CBR, Robot 6, The Beat, The Reporter, I'm not finding a single link as I write this at 8:30 in the AM the day after the announcement) DC announced that each and every 3D cover is going to be allocated, and that they're doing a same-day 2D reprint for $1 less.... oh, and by the way, that's the digital price as well.

Below the jump you'll find a much fuller reaction to this latest news, as well as the actual words from DCE -- click through!

So, there's this press release that DC sent out.... that I don't have a copy of because something is wrong with my emails from DC (and ONLY DC) in the last few weeks. This is (mostly) my own problem, and I am on top of shit enough to have found it, but I think that this shows the perils of not putting out information through the "normal" channels: not EVERY retail customer of DC's is getting ALL of the information through other channels.

Here's the press release, join me after it.

 

Due to unprecedented demand for the September 3-D motion covers, DC Entertainment announces that orders on the 52 Villains Month issues will be allocated. These issues are now sold out at the publisher level.

Now, each 3-D motion cover issue will have a Standard Edition with a 2-D cover, priced at $2.99 US. The Standard Editions are scheduled to arrive in stores on the same day as the 3-D editions, starting with titles on FOC starting August 6 and closing on August 12, which will arrive in stores on September 4.

In addition, the entire run of 3-D motion covers will return in December in the Villains Month 3-D Motion Complete Set. This item is on FOC on August 12; see below for details.

“Because of the time needed to create the 3-D motion covers, we were forced to set September print runs much further in advance than we normally would,” said Dan DiDio, DC Entertainment Co-Publisher. “As we got close to the FOC dates, even though we were very aggressive with our sales forecasts for the 3-D editions, it was clear that orders for these issues were going to be greater than the quantities we had printed. Once we saw from the first 3-D edition FOCs that we were oversold on initial orders, we decided to institute a system across the entire 3-D line that was in accord with previous retailers' ordering patterns to minimize the impact of fringe speculators."

“It’s very exciting to see how much interest there is in these 3-D covers, which are latest in a long line of innovations from DCE, like the fold-out poster in Superman Unchained #1 or the die-cut covers from the Death of the Family issues," said Jim Lee, DC Entertainment Co-Publisher. "Our goal every September has been to create great, new ways to draw attention to our entire DC universe line and the reaction to Villains Month capped by the launch of our first universe event 'Forever Evil' has been just incredible." 

The allocations will range from approximately 50% to nearly 100% on different titles. The allocations are based on an average of your orders of each Villains Month titles’ base title over the past few months.

Like the 3-D motion cover versions, the Standard Editions will be first printings of each title.

To give retailers as much time as possible to focus on ordering the Standard Editions and the 3-D Motion Complete Sets, retailers will no longer need to place FOC orders for the 3-D editions for the remaining weeks in August—therefore, the 3-D motion cover issues scheduled to arrive in stores on September 11, September 18 and September 25 will not be listed on FOC.

Retailers will receive an email from Diamond detailing their allocations on each 3-D motion cover edition before the Standard Editions’ FOC date, and should check their allocation on each 3-D issue carefully.

Retailers should watch their FOC lists in the coming weeks for the Standard Editions of all 52 Villains Month issues.

Please note that the digital versions of these issues do not have 3-D Motion Covers. Like the Standard Editions, the digital editions are priced at $2.99 US and will be available for download the same day the 3-D and 2-D print editions ship to stores.

Retailers who wish to decrease their orders on any of the 3-D motion cover issues should contact their Diamond Customer Service Representative or DC Sales Representative. DC’s red-hot 3-D motion covers are set to return in December in the new Villains Month 3-D Motion Complete Set!  This set will include second printings of all 52 Villains Month titles with the 3-D motion covers plus the Forever Evil #1 3-D Motion Cover Variant Edition. (Standard Edition cover shown.)

The Villains Month 3-D Motion Complete Set (JUN138292) will be on FOC on August 12, and is scheduled to arrive in stores on December 11 with a price of $199.99 US.

Please note that because of the longer than normal production time needed to print 3-D motion covers, this is the soonest they can arrive in stores. The issues included in this set will be printed to order; they will not be allocated. Covers in this set, including Forever Evil #1, will be labeled “second printing.”

And don’t forget to order the DC Comics—The New 52 Villains Omnibus HC (AUG130289), which has its own 3-D motion dust jacket and is scheduled to arrive in stores on December 11.

 

So, let's unpack this a bit:

ALL DC comics are order adjustable three weeks before shipping through a process called "Final Order Cutoff" (or FOC). Seriously, each and every product DC offers goes through this process... and, this is important for later, there are a reasonable number of retailers who only put in "placeholder" for "1" copy at their "initial" order -- because DC (and Marvel and Dark Horse and Image and IDW and Dynamite and Boom!) have spent YEARS telling us that FOC is the only order that actually matters.

So, to cancel FOC (and to do so retroactively for at least one of the weeks of this stunt that we've already FOCed) is, at the very least, morally suspect, and is possibly illegal (I'd have to read the Terms of Sale closely)

As I noted in the original piece, even if YOU are an "every Wednesday" guy, that doesn't actually describe the majority of periodical purchasers -- it takes 12+ weeks to contact ALL of them (and even there, "all" is like hand grenades -- "close enough")

Now, at my store at least, the process of taking, placing and filling subber orders involves a LEGAL CONTRACT. In other words, I CAN NOT take orders for 3-D versions and fill those orders with 2-D versions instead. I could be sued for that (though, the ODDS of that happening are laughingly remote, but then that's what they said about a retailer suing Marvel comics....)

We put an enormous amount of effort into trying to educate customers about the 3-D covers, the importance of preordering them, and so on. You have to understand, as well, that a lot of folks weren't at all happy about the idea of a line of $3.99 covers, and there was a certain amount of "talking people into" signing up for them. So, to find out just three weeks before shipping that there's suddenly going to be a version of these comics without the stunts, for $1 less, well this is migraine inducing, at best.

See, if there had been ANY official and public information that this was going to happen, that there would be two versions, that these books could be allocated, the way I presented this to my customers for the last 8 weeks would have been ENTIRELY DIFFERENT.

 

Let me be clear here: I loath speculators, I think that collecting comics for value alone is the work of both the moron and the devil, I think that multiple covers on single stories is purely a way to trick and exploit you the consumer, and to prey upon the lowest and basest instincts and compulsions of the customer base. I think it shows contempt for you.

I run a comic book store that is much more like a book store, and we have active policies explicitly against this kind of game-playing -- things like "no variant covers whatsoever unless they are explicitly requested by the customer in advance of FOC" and so on, and yet I now believe that I have been tricked into going "all in" on a variant cover scheme promotion with an obvious bait-and-switch that I otherwise would have never have participated in if the rules had been explained whatsoever.

Understand this as well: there has been NO official communication -- no email, no FAQ, no blog post, no press release, no solicitation, nothing -- NO official communication whatsoever from DC Entertainment until this moment, three weeks before the books ship, about ANY of this.

Now, yes, if you read Rich Johnston (and many of us do) you've gotten a game of "telephone" version of what seems to have happened in the meetings (Ex: Rich reported it was said that DC was "losing money" on every copy; this appears to actually be "making a smaller profit on each copy"), but DCE never told the other (I'm guessing something on the order of) 2600 retailers who COULDN'T attend one of those meetings a damn thing about even the POSSIBILTY of allocations until after 5 pm yesterday.

So, this means that there ARE retailers out there that have been happily and aggressively promoting this stunt, racking up big preorders, selling full sets in advance of shipment, in some cases EVEN COLLECTING MONEY from consumers, all the while DCE didn't officially or formally tell the retail community that these could be allocated. Whoops!

(Also: once you put "could be" in there? You are ASSURING that it is instead "Will Be")

And some of the people who have been earnestly promoting this are also the same people who put down "1" for their initial orders just like the industry has trained them to. What will these people receive? Tune in on Friday to find out!

So, now this isn't just speculator book, it is out-and-out feeding frenzy at the trough as stores will be unable to fufill 100% of the commitments that they made causes a rippling panic throughout just enough of the customer base that even stores that "get it right" are going to be trampled by people panicking/looking to cash in.

The release says that the allocation will have a relationship to rolling orders of the "parent" title, which I think means that if I ordered 60, 63, 75, 61 on the last four issues of BATMAN, then I won't be allocated on the first 64 copies of JOKER, RIDDLER, PENGUIN, and BANE, though that's far from explicit.

One potential problem with this scheme is SETS, which is well represented by this:

3

100.00

BATMAN #21

$3.99

DC

  142,088

79

18.95

GREEN ARROW #21

$2.99

DC

    26,924

That's a big gap between "parent" titles, and it seems very likely that there are going to be too many gaps in full sets for a number of retailers.

Then there's "so just HOW do we order the 2d versions, with zero time to gather data?" that breaks the paradigm of the Direct Market in many ways, and, what is worse, is that by letting DC get away with this we've just assured that Marvel is going to think of an even bigger way to stunt/no solicit manipulate the market, because it is simply what these companies do.

Ordering an entire month's worth of variant editions, that are priced cheaper, with no ability to solicit orders, this is a mug's game -- there's NO WAY to get it right. Either you'll be horribly over or horribly under, in either case failing our primary mission: to satisfy our customer's demand while remaining profitable doing so.

 

Do you understand? DCE had us collect fake data, based on fake behavioral inputs (price, etc), data that would have ABSOLUTELY have changed (and probably for the BETTER) if they had told us the actual facts in the first place. A comics retailer's job IS data.

This is the comics equivalent of Lucy yanking the football at the last second from poor Charlie Brown. As I thought every time Lucy did it, I think it here: what a fucked up thing to do.

I thought for a second, "Well, shit, I'm already all-in, I can just skip the 2-Ds", but, no, DC is keeping with their "all in" on Digital, and is making digital price parity with the cheaper version, of course, so just defensively we've got to stock both versions.

The worst part of this is that it will be claimed as victory, regardless of how many retailers get burned one way or another, because it WILL be successful financially. DC isn't publishing all of their shit-selling titles during the month -- and shit-selling titles is most of what the bottom 30 or so of DC's books are these days, and they have pretty much guaranteed that the +$1 versions will be specul-leech bait. I'm probably going to make a LOT more money that month on DCE Product than any other month this year, but my problem is two-fold:

 

1) THIS IS NOT HOW I WANT TO MAKE MONEY. I resent being tricked into carrying two copies of every release for the month, I resent that it will play on my more OCD customer's worst habits, and that I've been railroaded into participating in it, I resent all of the insanely stupid extra work this is unnecessarily cause me in trying to track and pick and manage the two versions, work that exists purely because THEY DIDN'T TELL US THE RULES.

2) IT LEADS TO NOTHING. Great, so OCD-guy will now give me $6.98 instead of just $3.99 for that issue of PENGUIN, but how does that lead to a sale NEXT month? Let alone next year? I have limited promotional time and space, and I've been selling a bill of goods that didn't actually represent what the product really was adequately, and doesn't move forward my goals as a retailer, and I've done so because they misrepresented what the product actually was. That's shameful.

That's EVIL.

-B

 

 

Comix Experience Best Sellers: First half of 2013, Books

Same thing as the previous, just this time focusing on the BOOKS part of the business. This is the list that genuinely excites me, again, under the jump!

Like the other, here we go first by QUANTITY sold.

As you can see, our best sellers are dominated by Image comics -- 6 of the top 10, 10 of the top 20.

I talked before about just how well SAGA is doing -- that number is HUGE, almost triple the sales on HAWKEYE, but even more impressive to me is how SAGA v2 is already our #4 book for the year... with just ELEVEN on-sale days. Wow!

I also want to give Special Note to that HAWKEYE book at #2 -- it has been a while since I've had a Marvel TP perform like that... AVX is the next best-seller, and it is way down at #42.... -- and, again, these are just huge, huge numbers, numbers rivaling any number of periodicals back on that list.

I am really really happy with the breadth and diversity of this list!

1 SAGA TP VOL 01 (BKV)
2 HAWKEYE TP VOL 01 MY LIFE AS A WEAPON
3 LOEG NEMO HEART OF ICE HC
4 SAGA TP VOL 02 (BKV)
5 PROPHET TP VOL 01 REMISSION
6 MANHATTAN PROJECTS TP VOL 01 SCIENCE BAD
7 FABLES TP VOL 18 CUBS IN TOYLAND
8 WALKING DEAD TP VOL 01 DAYS GONE BYE
WALKING DEAD TP VOL 18 WHAT COMES AFTER
10 ADVENTURE TIME TP VOL 02
11 ADVENTURE TIME TP VOL 01
CURSED PIRATE GIRL HC VOL 01
DARTH VADER AND SON HC
VADERS LITTLE PRINCESS HC
15 ALAN MOORE NEONOMICON TP
MANHATTAN PROJECTS TP VOL 02
17 FATALE TP VOL 02 DEVILS BUSINESS
18 CHEW TP VOL 06 SPACE CAKES
OGLAF BOOK ONE
SANDMAN TP VOL 01 PRELUDES & NOCTURNES
WALKING DEAD TP VOL 17 SOMETHING TO FEAR
22 HARK A VAGRANT HC
NINJAGO GN VOL 06
WARREN ELLIS GUN MACHINE HC
Y THE LAST MAN TP VOL 01 UNMANNED
26 AVATAR LAST AIRBENDER TP VOL 04 SEARCH PART 1
FATALE TP VOL 01 DEATH CHASES ME
OATMEAL HOW TO TELL IF YOUR CAT IS PLOTTING TO KILL YOU
ONE TRICK RIP OFF DEEP CUTS HC
PROMETHEA TP BOOK 01
31 ADVENTURE TIME ORIGINAL GN VOL 01 PLAYING FIRE
ECONOMIX HOW & WHY OUR ECONOMY WORKS & DOESNT WORK GN
33 HAPPY TP
34 MASSIVE TP VOL 01 BLACK PACIFIC
NINJAGO GN VOL 01 CHALLENGE OF SAMUKAI
NINJAGO GN VOL 02 MASK OF THE SENSEI
NINJAGO GN VOL 05 KINGDOM O/T SNAKES
PREACHER TP VOL 01 GONE TO TEXAS NEW EDITION (MAR050489) (MR
TRANSMETROPOLITAN TP VOL 01 BACK ON THE STREET
V FOR VENDETTA NEW EDITION TP (MR)
WALKING DEAD COMPENDIUM TP VOL 02
42 AMULET SC VOL 01 STONEKEEPER
AVENGERS VS X-MEN TP
FABLES TP VOL 01 LEGENDS IN EXILE NEW ED
FABLES TP VOL 17 INHERIT THE WIND
INVINCIBLE TP VOL 17 WHATS HAPPENING
KICK-ASS 2 PRELUDE HIT-GIRL PREM HC
LOEG III CENTURY #3 2009
MIND MGMT HC VOL 01
NORTHLANDERS TP VOL 07 THE ICELANDIC TRILOGY
51 BATMAN DARK KNIGHT RETURNS TP (new $19.99 printing)
BATMAN HUSH COMPLETE TP
BLACK HOLE COLLECTED SC NEW PTG
BTVS SEASON 9 TP VOL 02 ON YOUR OWN
CHEW TP VOL 01
CHEW TP VOL 05 MAJOR LEAGUE CHEW
CRIMINAL TP VOL 01 COWARD (MR)
DRINKING AT THE MOVIES SC
FLEX MENTALLO MAN OF MUSCLE MYSTERY DLX HC
JULIOS DAY HC
MARBLE SEASON HC
ORC STAIN TP VOL 01
PREACHER TP VOL 02 UNTIL THE END OF THE WORLD NEW EDITION (M
SANDMAN TP VOL 02 THE DOLLS HOUSE NEW ED
SILVER SURFER BY STAN LEE AND MOEBIUS #1
UNDERWATER WELDER GN
UNWRITTEN TP VOL 06 TOMMY TAYLOR  WAR OF WORDS
UNWRITTEN TP VOL 07 THE WOUND
WATCHMEN TP
70 BATMAN INCORPORATED TP
BATMAN THE KILLING JOKE SPECIAL ED HC
BATMAN TP VOL 01 THE COURT OF OWLS
BATMAN YEAR ONE DELUXE SC
BONE COLOR ED SC VOL 01 OUT FROM BONEVILLE
CHEW TP VOL 03 JUST DESSERTS
CHI SWEET HOME GN VOL 01
GLOBAL FREQUENCY TP
GODZILLA HALF CENTURY WAR TP
KINGDOM COME TP NEW EDITION
LEGEND OF ZELDA HYRULE HISTORIA HC
LOEG III CENTURY #1 1910
LOEG III CENTURY #2 1969
LOEG VOL TWO TP (FEB058407)
MY FRIEND DAHMER SC
NAO OF BROWN GN
R CRUMBS HEROES OF BLUES JAZZ & COUNTRY WITH CD HC
SANDMAN TP VOL 04 SEASON OF MISTS NEW ED
SOLO DELUXE ED HC
THE INFINITE WAIT
WALKING DEAD NOVEL SC VOL 01 RISE OF GOVERNOR
WRINKLE IN TIME GN
Y THE LAST MAN DELUXE EDITION HC VOL 01
Y THE LAST MAN TP VOL 02 CYCLES (OCT058281) (MR)
Y THE LAST MAN TP VOL 03 ONE SMALL STEP (MAR068027) (MR)
95 ARKHAM ASYLUM ANNIVERSARY ED SC
ASTERIX WHERES ASTERIX HC
AVATAR LAST AIRBENDER TP VOL 01 PROMISE PART 1
BATMAN HC VOL 01 THE COURT OF OWLS
BEST AMERICAN COMICS HC 2012
CHEW TP VOL 04 FLAMBE
DIAL H TP VOL 01 INTO YOU
DRAMA GN
FABLES TP VOL 02 ANIMAL FARM
FATALE TP VOL 03
KICK-ASS 2 TP
KOKO BE GOOD GN
LOGICOMIX GN
PARKER THE HUNTER SC
PRISON PIT GN VOL 04
PUNK ROCK JESUS TP
PYONGYANG A JOURNEY IN NORTH KOREA TP
RELISH MY LIFE IN KITCHEN GN
SCOTT PILGRIM GN VOL 01 PRECIOUS LITTLE LIFE
SHARAZ DE HC
STAR TREK COUNTDOWN TO DARKNESS TP

 

And here is the chart, sorted instead by DOLLARS SOLD.  Not a TON of changes, the most obvious might be WALKING DEAD COMPENDIUM v2 rising up so strong, but again, it shows you just how important price points become to the profitability of a store. Hardcovers, Artist Editions, that Disney Animation box set, and so on -- A dolla makes me holla!

1 SAGA TP VOL 01 (BKV)
2 HAWKEYE TP VOL 01 MY LIFE AS A WEAPON
3 LOEG NEMO HEART OF ICE HC
4 SAGA TP VOL 02 (BKV)
5 WALKING DEAD COMPENDIUM TP VOL 02
6 MANHATTAN PROJECTS TP VOL 01 SCIENCE BAD
7 CURSED PIRATE GIRL HC VOL 01
8 PROPHET TP VOL 01 REMISSION
9 FABLES TP VOL 18 CUBS IN TOYLAND
10 ALAN MOORE NEONOMICON TP
11 WARREN ELLIS GUN MACHINE HC
12 AVENGERS VS X-MEN TP
13 ONE TRICK RIP OFF DEEP CUTS HC
14 ADVENTURE TIME TP VOL 02
WALKING DEAD TP VOL 18 WHAT COMES AFTER
16 WALKING DEAD TP VOL 01 DAYS GONE BYE
17 WALKING DEAD COMPENDIUM TP VOL 01
18 SANDMAN TP VOL 01 PRELUDES & NOCTURNES NEW ED
19 ADVENTURE TIME TP VOL 01
20 METABARONS ULTIMATE COLL ED
21 DARTH VADER AND SON HC
22 SOLO DELUXE ED HC
23 OGLAF BOOK ONE
24 AVENGERS VS X-MEN CHEUNG HC
25 VADERS LITTLE PRINCESS HC
26 HARK A VAGRANT HC
27 MANHATTAN PROJECTS TP VOL 02
28 ABSOLUTE SANDMAN HC VOL 01
29 KICK-ASS 2 PRELUDE HIT-GIRL PREM HC
30 ABSOLUTE SANDMAN HC VOL 04 (JUL080211) (MR)
31 LEGEND OF ZELDA HYRULE HISTORIA HC
32 MAD ARTIST ED HC
33 INVINCIBLE COMPENDIUM TP VOL 01
34 FATALE TP VOL 02 DEVILS BUSINESS
35 Y THE LAST MAN DELUXE EDITION HC VOL 01
36 MASSIVE TP VOL 01 BLACK PACIFIC
V FOR VENDETTA NEW EDITION TP (MR)
38 CHEW TP VOL 06 SPACE CAKES
WALKING DEAD TP VOL 17 SOMETHING TO FEAR
40 PROMETHEA TP BOOK 01 (APR068028)
41 ECONOMIX HOW & WHY OUR ECONOMY WORKS & DOESNT WORK GN
42 WILL EISNER SPIRIT ARTIST ED HC
43 WALKING DEAD HC VOL 01 NEW PTG
44 BATMAN HUSH COMPLETE TP
45 ABSOLUTE BATMAN & ROBIN HC BATMAN REBORN
46 Y THE LAST MAN TP VOL 01 UNMANNED
47 PREACHER TP VOL 01 GONE TO TEXAS NEW EDITION (MAR050489) (MR
48 FLEX MENTALLO MAN OF MUSCLE MYSTERY DLX HC
49 MARBLE SEASON HC
50 INVISIBLES OMNIBUS HC
51 FATALE TP VOL 01 DEATH CHASES ME
52 SHARAZ DE HC
53 NAO OF BROWN GN
54 OATMEAL HOW TO TELL IF YOUR CAT IS PLOTTING TO KILL YOU
55 HABIBI GN
56 BATMAN DARK KNIGHT RETURNS TP (new $19.99 printing)
JULIOS DAY HC
MIND MGMT HC VOL 01
SANDMAN TP VOL 02 THE DOLLS HOUSE NEW ED
WATCHMEN TP
61 BLACK HOLE COLLECTED SC NEW PTG
UNDERWATER WELDER GN
63 INVINCIBLE TP VOL 17 WHATS HAPPENING
NORTHLANDERS TP VOL 07 THE ICELANDIC TRILOGY
65 TRANSMETROPOLITAN TP VOL 01 BACK ON THE STREET
66 BLACK INCAL DLX HC VOL 01
67 R CRUMBS HEROES OF BLUES JAZZ & COUNTRY WITH CD HC
68 BTVS SEASON 9 TP VOL 02 ON YOUR OWN
ORC STAIN TP VOL 01
70 BEST AMERICAN COMICS HC 2012
71 BATMAN HC VOL 01 THE COURT OF OWLS
72 HOUSE OF SECRETS OMNIBUS HC
73 DISNEY ANIMATION STUDIOS ARCHIVES BK 05 9 OLD MEN FLIPBOOK
74 DOOM 2099 COMPLETE COLLECTION BY WARREN ELLIS TP
MAGE HC VOL 01 THE HERO DISCOVERED
76 CREEPY PRESENTS RICHARD CORBEN HC
LUCIFER TP VOL 01
78 BATMAN INCORPORATED TP
SANDMAN TP VOL 04 SEASON OF MISTS NEW ED
WRINKLE IN TIME GN
81 BONE ONE VOL ED SC
82 UNWRITTEN TP VOL 06 TOMMY TAYLOR  WAR OF WORDS
83 HAPPY TP
84 TECHNOPRIESTS SUPREME COLL OMNIBUS
85 LOGICOMIX GN
86 FABLES TP VOL 17 INHERIT THE WIND
87 GLOBAL FREQUENCY TP
88 STAR WARS MILLENNIUM FALCON OWNERS WORKSHOP MANUAL
89 WEIRD HORRORS & DARING ADV JOE KUBERT ARCHIVES HC VOL 01
90 AVATAR LAST AIRBENDER TP VOL 04 SEARCH PART 1
91 WOODWORK WALLACE WOOD 1927-1981 HC
92 BATMAN THE KILLING JOKE SPECIAL ED HC
KINGDOM COME TP NEW EDITION
94 ADVENTURE TIME ORIGINAL GN VOL 01 PLAYING FIRE
95 MY FRIEND DAHMER SC
96 DRINKING AT THE MOVIES SC
FROM HELL TP
MAUS SURVIVORS TALE COMPLETE HC
99 CHEW OMNIVORE ED HC VOL 03
100 JOHN K PRESENTS SPUMCO COMIC BOOK HC
WALKING DEAD HC VOL 08

And that wraps this up.  Always interested in your thoughts on anything you see here!

 

-B

Comix Experience Best Sellers: First half of 2013, Comics

Hey, hey, that time of the year again, where we peek in and see what is doing well at Comix Experience.  Find it down below the jump, if you are interested!

As usual, I'm scrubbing out any back issue related sale here -- including quarter and dollar books, starter sets, and single back issues.  This first list is presented in QUANTITY SOLD -- these are actual sales to actual consumers, NOT just my orders or the like.

If Image had gone back to press on SAGA #9, all issues would have charted even higher -- hard to max sales when part 3 of 6 is OOP.... #7 & 8 would have also been in top 10, I think, if we could have got more 9s.

What's so striking about these sales for SAGA is just how well the book is ALSO doing (next post!) -- it is selling spiffy in EVERY format.  I sure hope there is a v1+v2 combined HC coming for Christmas.....

 

1 SAGA #11
2 SAGA #10
3 SAGA #9
4 SAGA #12
5 BATMAN #17
JUPITERS LEGACY #1
7 BATMAN #16
8 BATMAN INCORPORATED #8
SAGA #8
10 EAST OF WEST #1
11 UNCANNY X-MEN #1 NOW
WALKING DEAD #106
13 WALKING DEAD #108
14 BATMAN #18
15 EAST OF WEST #2
WALKING DEAD #107
17 BATMAN #20
HELLBOY IN HELL #2
19 BATMAN #19
HELLBOY IN HELL #3
WALKING DEAD #109
22 AGE OF ULTRON #1 (OF 10)
23 BATMAN INCORPORATED #9
24 ACTION COMICS #16
25 HAWKEYE #8
SAGA #7
27 BATMAN #21
HELLBOY IN HELL #4
WALKING DEAD #110
30 BATMAN INCORPORATED #6
HAWKEYE #7
JUSTICE LEAGUE #16
33 BATMAN INCORPORATED #10
GUARDIANS OF GALAXY #1 NOW
35 ALL NEW X-MEN #5
AVENGERS #3 NOW
37 ACTION COMICS #17
38 AGE OF ULTRON #2 (OF 10)
AGE OF ULTRON #3 (OF 10)
BATMAN INCORPORATED #7
STAR WARS #1
UNCANNY X-MEN #3 NOW
43 ALL NEW X-MEN #6 NOW2
AVENGERS #4 NOW2
AVENGERS #6 NOW2
EAST OF WEST #3
GUARDIANS OF GALAXY #2 NOW
JUSTICE LEAGUE OF AMERICA #1
STAR WARS #2
UNCANNY AVENGERS #4 NOW
51 BATMAN AND ROBIN #16
DETECTIVE COMICS #18
HAWKEYE #9
SUPERMAN UNCHAINED #1
55 ACTION COMICS #18
ALL NEW X-MEN #7 NOW2
ALL NEW X-MEN #9 NOW
DETECTIVE COMICS #16
GUARDIANS OF GALAXY #0.1 NOW
UNCANNY AVENGERS #3 NOW
61 ALL NEW X-MEN #10 NOW
AVENGERS #5 NOW2
DETECTIVE COMICS #17
DETECTIVE COMICS #19
JUSTICE LEAGUE #18
JUSTICE LEAGUE #19
67 BATMAN AND ROBIN #18
HAPPY #4 (OF 4)
HAWKEYE #10
JUPITERS LEGACY #2
JUSTICE LEAGUE #17
JUSTICE LEAGUE OF AMERICA #2
NEW AVENGERS #1 NOW
UNCANNY AVENGERS #5 NOW2
WALKING DEAD #111
76 AGE OF ULTRON #4 (OF 10)
AVENGERS #8 NOW
FATALE #12
PROPHET #32
SUPERIOR SPIDER-MAN #1 NOW
UNCANNY X-MEN #2 NOW
82 AGE OF ULTRON #5 (OF 10)
ALL NEW X-MEN #11 NOW
FATALE #11
X-MEN #1 NOW
YOUNG AVENGERS #2 NOW
87 ADVENTURE TIME FIONNA & CAKE #1 (OF 6)
AGE OF ULTRON #8 (OF 10)
ALL NEW X-MEN #8 NOW2
AVENGERS #10 NOW
AVENGERS #7 NOW
BATMAN INCORPORATED #11
FATALE #13
MARA #1 (OF 6)
NOWHERE MEN #3
STAR WARS #3
97 AMAZING SPIDER-MAN #700
AVENGERS #9 NOW
BATMAN AND ROBIN #17
DETECTIVE COMICS #20
PROPHET #33
SEX #1
UNCANNY AVENGERS #8 NOW2
UNCANNY X-MEN #5 NOW
WALKING DEAD THE GOVERNOR SPECIAL

 

Let's also present the same data, except sorted by DOLLARS SOLD.  Not a lot of changes here, but you can see some shifts, like how AMAZING SPIDER-MAN #700 soars way up the list. SUPERMAN UNCHAINED #1 suddenly becomes a Top 20 book (I ordered too many, though, and are not yet where I want to be with profit on that one...)

Also? #46.

Either way, you can see just how much an impact $3.99 price points can have on the bottom line, and it isn't like there's any real market resistance (on an individual book level!) to the price point.

I'm always interested in your thoughts on any of this....

 

1 SAGA #11
2 SAGA #10
3 SAGA #9
4 SAGA #12
5 BATMAN #17
6 DETECTIVE COMICS #19
7 BATMAN #16
8 AMAZING SPIDER-MAN #700
9 UNCANNY X-MEN #1 NOW
10 BATMAN #18
11 EAST OF WEST #1
12 JUPITERS LEGACY #1
13 BATMAN #20
14 BATMAN #19
15 SAGA #8
16 BATMAN INCORPORATED #8
17 AGE OF ULTRON #1 (OF 10)
18 SUPERMAN UNCHAINED #1
19 EAST OF WEST #2
20 ACTION COMICS #18
21 GREEN LANTERN #20
22 BATMAN #21
23 WALKING DEAD #106
24 GUARDIANS OF GALAXY #1 NOW
25 COPRA COMPENDIUM
26 WALKING DEAD #108
27 ACTION COMICS #16
AGE OF ULTRON #3 (OF 10)
JUSTICE LEAGUE #16
30 AGE OF ULTRON #2 (OF 10)
AVENGERS #3 NOW
32 UNCANNY X-MEN #3 NOW
33 WALKING DEAD #107
34 ALL NEW X-MEN #6 NOW2
GUARDIANS OF GALAXY #2 NOW
36 ALL NEW X-MEN #5
37 JUSTICE LEAGUE OF AMERICA #1
38 HELLBOY IN HELL #2
39 DETECTIVE COMICS #18
40 HELLBOY IN HELL #3
41 WALKING DEAD #109
42 ALL NEW X-MEN #7 NOW2
ALL NEW X-MEN #9 NOW
DETECTIVE COMICS #16
GUARDIANS OF GALAXY #0.1 NOW
46 JUSTICE LEAGUE OF AMERICA #1 COMPLETE PACK (*sigh*)
47 ALL NEW X-MEN #10 NOW
DETECTIVE COMICS #17
JUSTICE LEAGUE #18
JUSTICE LEAGUE #19
UNCANNY AVENGERS #4 NOW
52 AVENGERS #4 NOW2
53 BATMAN INCORPORATED #9
54 ACTION COMICS #17
AVENGERS #5 NOW2
JUSTICE LEAGUE #17
NEW AVENGERS #1 NOW
UNCANNY AVENGERS #3 NOW
59 JUSTICE LEAGUE OF AMERICA #2
60 HAWKEYE #8
SAGA #7
62 AGE OF ULTRON #4 (OF 10)
UNCANNY X-MEN #2 NOW
64 EAST OF WEST #3
65 AVENGERS #8 NOW
66 PROPHET #32
67 HELLBOY IN HELL #4
68 HAWKEYE #7
69 WALKING DEAD #110
70 AGE OF ULTRON #5 (OF 10)
ALL NEW X-MEN #11 NOW
AVENGERS #6 NOW2
X-MEN #1 NOW
74 ADVENTURE TIME FIONNA & CAKE #1 (OF 6)
75 SUPERIOR SPIDER-MAN #1 NOW
76 AGE OF ULTRON #8 (OF 10)
ALL NEW X-MEN #8 NOW2
AVENGERS #10 NOW
AVENGERS #7 NOW
UNCANNY AVENGERS #5 NOW2
81 BATMAN INCORPORATED #10
82 BATMAN INCORPORATED #6
83 AVENGERS #9 NOW
DETECTIVE COMICS #20
UNCANNY AVENGERS #8 NOW2
UNCANNY X-MEN #5 NOW
87 PROPHET #33
88 GARTH ENNIS RED TEAM #1
89 STAR WARS #1
90 PROPHET #34
91 BATMAN INCORPORATED #7
92 FATALE #12
93 BATMAN AND ROBIN ANNUAL #1
94 ADVENTURE TIME FIONNA & CAKE #2 (OF 6)
BATMAN SUPERMAN #1
96 AGE OF ULTRON #6 (OF 10)
UNCANNY AVENGERS #6 NOW2
UNCANNY X-MEN #4 NOW
UNCANNY X-MEN #6 NOW
100 STAR WARS #2

I Am Truly Happy That SAGA v2 is Being Released Tomorrow

This is partly twitter-bait (since the headline's here auto-post under my "personal" Twitter account), but man I really owe you a full post of just how well SAGA v1 sells for us.  I was sorta holding out for the end of the month, where I'll have the half-year of what's selling at CE, but I'll spoil the big reveal to note that v1 is now my second-best selling title in the store's history of point-of-sale.  Nearly seven years. It just passed into that spot a few days ago, where it passed the previous #2, THE WALKING DEAD v1.  Understand, that is for sales of TWD v1 OVER THE LAST SEVEN YEARS. Uh, yeah.

What's the most remarkable about SAGA is that it steadily sells even at this point.  When it crossed into #2 position, it was something like 243 copies sold in 248 days -- even at this point, months and months after it first came out, we're still selling 5+ copies a week.

Let me put this in perspective: this simply doesn't happen, normally.  We're generally selling less than 5 copies of TWD v1 or WATCHMEN (our #1 of all time) a month.

It really is the perfect "go to" book of the moment: there's not a person, male or female, older or younger, that's come back to me and said "that sucked!" -- usually it is them coming back and begging for v2!

So, yeah, Thanks so very much to Brian K. Vaughan and Fiona Staples for giving me a comic that I can sell so well!! That's rare these days.

 

-B

 

Mainstream Comics, Ellen Burstyn & Jim Broadbent star in “The Momentum of Things”

This...is important.  This...means something!  

That's 30 issues, fella.  That's over $120 of cascading plot.  That's probably over 70,000 words of dialogue. (Eyes boggle)

To be, or not to be, that is the question:

Shakespeare – Hamlet 1:1

According to the work in the public domain there are about 32,000 words in Hamlet, FFS.

 

Given my druthers, I'd rather have a blast of something like this:

Your context free comic book highlight!

Follow me!  Into the maw of insanity!

So, gang, here's your problem.

 

Tragedy at the Walgreen's "Out of eye shadow?!?!"

Tragedy at the Walgreen's  "Out of eye shadow?!?!"

Of course, not JEM specifically but rather this meandering blech that is now mainstream comics.  Don't believe me?  Listen to Vince Gilligan!

It’s helpful to have an end date. Most shows are designed to go on into perpetuity – to go on indefinitely. You don’t want it to end, but, actually, desiring an end date from early on held us in good stead.

Vince Gilligan – Creator – Breaking Bad

 Our desire to apparently complicate the uncomplicated is a real thing.  A real big problem.  It's strangling something we love.  To be honest, it's ripping it to pieces.  You pick up something in the middle of that 30 issue diagram and your brain is going to turn into oatmeal.  PORRIDGE, I SAY!

What is needed, for both thee, me, and the royal WE is a little bit of a format redefinition.

And that realization left me gasping.  How, where, to what degree?  And then, a bolt from the blue.  Combing my rapidly dwindling longboxes this week I came across a massive stack of What If… from the volume II era (late 80’s).

WHAT IF… The Avengers Lost the Evolutionary War? WHAT IF… Steve Rogers had Refused to Give Up Being Captain America? WHAT IF… Iron Man Lost the Armor Wars? WHAT IF… The Fantastic Four all had the Same Power? WHAT IF… The Vision had Conquered the World? WHAT IF… Phoenix Rose Again? WHAT IF… The X-Men had Stayed in Asgard? WHAT IF… The Avengers Lost Operation Galactic Storm?

In the strictest sense, a lot of this was CRAP comics. Tryout art. HACKneyed dialogue.

 

And here I am!  With my cliche intact!

Uuuuuuurgh

But on further inspection, and I say this with some level of seriousness, this is (or, rather, was) the last vestige of verve and piss in mainstream comics.

Look at 'em react to Reagan.  Like a father, he was!

 

I challenge any individual to the patented“What if…” F You set-up. Can anyone find a comic that goes from the equivalent of the panel above to the panels below in less than two pages?

 

Take two aspirin and call me in the morning, Cap.

 

What you can’t really debate or put down about it was the amount of single issue ambition here. Sure, they’re imaginary stories. But as we famously know, “Aren’t they all?” What I was absorbed by in these stories was the sheer amount of FINISH on display. Things get done here. Wrapped up and put down all the way through. Whether that be Cannonball marrying a dwarf princess or the Fantastic Four all getting Human Torch powers – burning down a slum irresponsibly – and killing an adorable street urchin through their reckless hubris.

Things get done.

Yes, throw their lives away!

What I really found myself asking – as retailers and publishers struggle to identify the best delivery method for comics - Is whether or not long form serialized storytelling is rewarding or merely masturbatory?  When something so deliriously underproduced, rushed, and throwaway could give me such a jolt I was left wondering  why the "brightest minds" in the comics biz spend years telling stories that go nowhere and do - largely - nothing of lasting consequence.

Many (in internet terms) weeks ago I stumbled into a volley of barbs between the unanimously loved DEAR LEADER Brian "SAVAGE" Hibbs and one Jennifer de Guzman. Jennifer is, according to twitter bio and I have no reason to doubt it, PR and Marketing Director at Image comics.

This person, dear reader, is the tip of the spear when it comes to how the most bleeding edge – for all intents and purposes mainstream – comics company chooses to represent itself to the world. She must be very good indeed. So, in one corner the world-weary retail mastermind. In the other, the probing, challenging new method seeking distribution executive. Should be smooth sailing, yeah?

Well…

The crux of the “AHEM” discussion seemed to be the legitimate viability of short term “mini-series” versus ongoing titles in the current marketplace.

Now, fair being fair, these two fine folks must work together to simultaneously sustain and reinvigorate comics. This was all one night’s worth of twitter spit balling. I was a few cups in reading it so I can only assume they were a few cups in writing it. Logical, right? So, anywho, get these two together in a room and legitimately good ideas will come of it because they are both dedicated and passionate individuals who believe comics are worth a great deal of their waking hours and unlike us have committed their professional lives to that (slightly more than) 4 color gambit.

The problem is – neither of them can wave a magic wand to get the books selling like early 90’s Aunt May wheat cakes again. The question that arises from that problem is – where do they BEGIN to get books selling like the aforementioned wheat cakes?

 

Sholly Fisch!  Ha!

Side Note - Yes, that is Uncle Ben as Silver Surfer.

 I think it’s fair to say that at this point anything is worth a shot.  I don't want to speak for Brian.  He knows via hard earned experience what sells in his location.  As a fellow small business owner I can say for myself that I tend to look at “tried and true” methods.  Publishing companies seem to feel a bit more comfortable working on different delivery vehicles. It’s the thing they can control – format of content – via their solicitation or publishing choices. Whether it’s a mini, maxi, annual, prestige, jumbo, or even the most elusive prey of all – THE DOUBLE SIZED ISSUE – publishers have long been tweaking the delivery system.

How – How – HOW?!?! How to get the people back?

Is it like this?

Look on my DIAGRAMS ye mighty and despair! - Jonathan Hickman (Allegedly)

A Traumatizing Apologia for New Avengers

Nuanced. Oo, yes. Swaive and De-Boner as the old man used to put it. But lemme ask you this:

Does it put butts in seats?

The simple answer is no. Now, this kind of thing does bring some proverbial milkshake to the yard. Established readers, with a deep investment, a subtle appreciation of nuanced characterization, a willingness to follow the Byzantine pathways of a critical and calculating mind dedicated to telling what is - for all intents and purposes – a multi-year story….Ah, ah, ah. Navel Gazing. YOU ARE NAVEL GAZING.

Now, listen, until Watchmen and its 80’s brethren made it passé to have clunky in-issue recaps of what had immediately come before (try reading a couple hundred issues of Amazing Spider-Man digitally and tell me it’s a seamless story) we had what were largely anthology comics.

In an anthology any comic basically makes use of the archetypal nature of the protagonist and tells a story that can fit with what any schmoe can understand from that single issue. It can be picked up by anybody and they can be sucked in by art, wit, word play and technical skill. “Hero, got it.” “Villain, check.” “Cool fight scene at Rockefeller ice rink.” “Oh, he called him a canucklehead!”  "What a neat twist - his glasses broke on the steps of the library!"

Somewhere along the line - and wiser comic heads than me will know the date - some bright bulb figured out if you made an issue only PART of the overall story then the hapless chump buying the thing (That's US, by the way) would need to buy the next one to get the story.  But then, why bother with two parts when you can have three?  Or Twelve?  Or THIRTY?

This...is important.  This...means something!

 

The problem is, Writers can totally play it safe with a meandering 12 issue story. You can break it into two six issue chunks, plod around for the first four issues of both chunks, deliver a lightweight resolution or, GASP, CONTINUATION

 

Yes - AGAIN!

…and then hurry home in the last two issues to the status quo. “Look, everybody, they didn’t kill the Human Torch after all!”

That’s what diagrams get you. That’s what laziness and a navel gazing market conspire to get you. That’s what serialized fiction in comics has mutated into.

Marc Maron recently sat down with Sam Simon, (He of Simpsons greatness and glory) talked about his terminal cancer, and the shitness of serialized fiction vis a vis the new Charlie Sheen piece of garbage he’s working on half a day a week as a favor to a friend.

Sam Simon's WTF episode

“It’s called a 10 / 90 show…ugh, it’s death. It’s just the end of anything being good. You do 10 and then they pick up 90. What? Like if it’s no good after 40 episodes what do they do with it?”

He burns people in this thing – why not, right? And it’s breathtaking.

The takeaway for comics and writers - REGARDLESS of delivery method – is that there is a real need to break out of the cycle wherein they commit to these long form pointless wank explorations of nothing that ouroboros-like wind up back at the start and return to the status quo.  That's why readers bleed from titles if you ask me.  If you're telling me facets of the same story for 30 friggin issues with a whole lot of...

Highway to Heaven...or HELL!?!

...then no wonder people are falling off left and right?  Who has the freaking endurance?  Not everybody was put on Earth to run marathons, comics!  Some of us just don't have the wind!

Look, it's simple.  If you want status quo then develop characters and story arcs that fit into anthology style universes. Bart Simpson is 10 years old forever for a freaking reason and it's a GOOD ONE.  Interesting, funny, weird shit happens to 10 year olds.  If you want serial fiction then you must NOT spend years of issues going nowhere! It’s fundamental! It’s elemental!  Sliding timeline be DAMNED!

I'm going to leave you with a big, important quote.  This quote explains why it's awesome when Cap gets shot in the head and the book ends.  Why it's great when The Vision conquers and becomes benign dictator of Earth.  Why it's possibly the greatest comic thing ever when Superman flies into the Sun to save us all.

Dread is an underutilized emotion on TV. This is most likely due to the shackles of serialized storytelling that, impossibly, demand both constant forward momentum and deeply settled consistency. Most shows, even the very best of them, traffic in the illusion of change, not the thing itself: The Sopranos was never really going to whack Tony, and Nicholas Brody isn't going to be martyring himself on Homeland as long as Damian Lewis is winning Emmys. It's hard to feel like something terrible is going to happen when the multiseason model of television remains too invested in nothing happening at all. Because Game of Thrones began its life, like Samwell Tarly's insider knowledge of castles, as a series of marks on paper, it's not bound to this risk-averse small-mindedness. I give the show a lot of grief for all the ways its fealty to pre-existing source material hampers the dramatic burst and bloom of a typical television season, but it's in episodes like last night's that the advantages are made abundantly clear. Only Game of Thrones can blow up the present like this, because only Game of Thrones already knows its future.

-Andy Greenwald Game of Thrones, Season 3, Episode 9: It's Like 'Rains' on Your Red Wedding Day

Over 5 million people watch this show.  And it's growing.

 No more TO BE CONTINUED.  COMICS.  I BEG YOU.

More Hibbsian thoughts about the market and how it works

One of the things that I keep thinking I need to break my habit of is writing posts in the comments threads of consumer news sites, because, frankly, most people really want to talk about Superman plotlines, or whatever. Here are a couple of things I've been posting over to the Beat which quickly scrolled away with no, or few comments, that I thought might be more reasonable to "archive" over here (and, dunno, maybe generate some actual conversation?). They're below the jump.

(Reviews? Later today?)

From the post "$143,379 Later, Lady Sabre’s Kickstarter Closes"

Speaking as a retailer, there is not a single book that has been “kickstarted” yet that went on to sell a meaningful number of copies at retail for me. I’m at try #9 or 10, I think, and 10 and 20% sell-throughs are just death for us.

I attribute this to two main things: 1) The marketing attention, the “mindshare”, has already been long spent by the time that the work actually arrives, and it is tricky (though far from impossible) to get a second wave for the ACTUAL BOOK.

2) Kickstarter is, sort of by definition, the MOST PASSIONATE fans. Take them out of the equation (as they’ve already got the fanciest version), and you’re left with an anemic customer base for a work. Further, KS seems to invert the traditional publishing model where at least a certain percentage of customers are given the opportunity to double- or triple- dip through various incarnations of a work — serialization, collection, upscale collection, super-limited upscale collection — and if you’ve already given them the filet mignon, why would you expect to sell much skirt steak?

Someone, eventually, will crack the code on how to KS something that leads to long-term, lasting, and meaningful sales in a variety of markets, and I hope Rucka & Burchett are the people who can do so, but as the market stands this instant, KS-ing a book marks it as “super risky” in the retail market.

-B

 

From the post "Coloring books, Paul Jenkins and the Big Two" (Excellent piece, BTW)

In my experience (sorry!), the audience is really pretty good about catching sincerity (NOTE: this is DIFFERENT than “quality”), and books that are “coloring books” generally don’t have all that much sincerity.

This is why, say, in the last comparison here on the Beat, DC’s SUPERMAN is down 26.5% at the one-year mark (from #7 to #18) while AQUAMAN is only down 14.5% in that same time period — one has a creative team that would appear to just be hired by Editorial in order to fill a slot, while the other has a creative team that has some actual passion for the work/character.

In the long run, as a pure publishing concern, customers desire explicit passion, and there’s really only so long you can coast on “good will”/external-marketing-driven circulation stunts.

-B

 

One post down, in the same thread:

One other point: “Standard attrition” is NOT (*N*O*T*) a function of “retailers ordering less” in the manner in which you imply — it is a function of our guesses about the consumer behavior. The Diamond order numbers are reflective of WHAT HAD HAPPENED MONTHS BEFORE.

What I order of (let’s stay with SUPERMAN)#18 is “How many of #16 did I sell, plus or minus what I perceive the TREND to be” I actually think it’s pretty easy to parse out what sell-through was on any comic (typically after #4) by simply looking at what the next order is.

Here’s the data collected by Marc-Oliver from that report:

03/2012: Superman #7 — 66,588 (- 4.4%) 04/2012: Superman #8 — 64,486 (- 3.2%) 05/2012: Superman #9 — 62,232 (- 3.5%) 06/2012: Superman #10 — 59,081 (- 5.1%) 07/2012: Superman #11 — 56,066 (- 5.1%) 08/2012: Superman #12 — 53,326 (- 4.9%) 09/2012: Superman #0 — 60,493 (+ 13.4%) 10/2012: Superman #13 — 52,155 (- 13.8%) 11/2012: Superman #14 — 52,572 (+ 0.8%) 12/2012: Superman #15 — 51,225 (- 2.6%) 01/2013: Superman #16 — 50,621 (- 1.2%) 02/2013: – 03/2013: Superman #17 — 49,666 (- 1.9%) 03/2013: Superman #18 — 48,236 (- 2.9%)

See it? Everything that’s outside of ACTUAL “standard attrition” (1%-ish) is reactive to the issues before. DC gets that HUGE spike on the #0 because that’s SPECULATIVE — it’s *actually* “what we really sold of #11, plus 10% or so” of us HOPING that people might jump back on, but #13 warps immediately back to the level that #12 *sold*, since that was the most recent data point. The next little boost? #14, which is reflective of how consumers *actually* BOUGHT #0 — it worked a LITTLE, but not as much as WE were hoping.

By #16 & 17 there you’re seeing that, for the most part, we all guessed correctly on #13 & 14 (They are in “SA” range), but that the audience didn’t much like #16 (a middle point in the Superman “Family” x-over), because #18 takes a too large jump downwards. And so on.

If you’re seeing 3%+ drops on books on comics past issue (say) #6, that’s a fairly clear sign that the audience is not responding to the work. If MOST retailers are getting MOST titles MOSTLY right MOST of the time, they’re not going to be able to stay in business. The math is just too brutal otherwise for the (let’s call it) 6-700 SKUs that the “Premier” publishers flood the market with every month.

To paraphrase Mr. Miller, I’d say “There’s nothing that can’t be fixed in the comics publishing industry that can’t be fixed. With my fists.” — EVERY problem that (Premier) publishers have in selling comics comes down to their own behavior.

(Non-”Premier” publishers have a different set of challenges, but that’s a different essay)

-B

 

So, yeah, didn't want that to scroll away and be lost forever.

Any thoughts?

 

-B

 

 

TILTING AT WINDMILLS #223 is live!

As always, you can find it at Comic Book Resources.  

Quick addition to the piece:

One other thing that I forgot to mention in the piece is that "A series of mini-series" is the WORST OF ALL POSSIBLE WORLDS.

See, what happens with POS systems is that they track "series" by an internal number assigned by Diamond called a series code.  However, each mini-series RESETS that series code, making it more difficult to track subscription orders, or to see changes in the series over time, etc. Things like, say, BPRD, which was producing at least 12 issues a year, but renumbering them every few months, didn't show any native relationship to one another when looked up... unless the retailer took extra time and effort to "marry" (and edit!) the various series.

I know that for myself, a lot of time when I'm rushing to get the order form done in time, I'll just "lowball" the next series rather than ordering precisely perfectly in the way that I would with an ongoing book. And why wouldn't I? It is "just a mini-series"!

-B

Hibbs? Why is HE stinkin' up the joint?!?!

Hi, it is me, the y'know, original founder of this blog.  You might have noticed I've been just a little slack in posting since around Christmas time. The Season soaked up my time, then I started my new consulting business, but mostly, I needed a break from writing reviews.  It happens! I was going to start posting a few weeks ago, but that was the week where Abhay descended out of the blue for a solid week of posts, and I didn't want to step on his toes.

This week, we welcome our newest SavCrit -- the artist formerly known as J_Smitty (Yes, eventually every regular commenter will be given a seat in the big chair*), now unveiled as Jordan Smith, whose first post is directly below this one, but I felt like I couldn't put off my return for much longer (it is MAY!), so join me below the cut, would you?

Hi!

Now, I am hella hella rusty, so forgive me as I get back up to speed... and I also picked a maybe not so great week to do this, since it be a little thin on the new comics beat, but let's see where we get how we get when, shall we?

AVENGERS ASSEMBLE #15AU: I haven't especially been a fan of this title since it launched -- I really don't feel like it has had a point or direction of any particular value (Except, maybe, "Let's try to capitalize on the Avengers movie 15 months ago"), and THIS issue is a tie-in to one of the most drama-free Big Crossover Events. I mean, let's face it, "Age of Ultron" isn't really going to have any real impact, even if they DO take away Logan's healing (though, looking at the new Wolverine movie trailer, one assumes that that is REALLY being done to tie in with the film...), or bring Angela into the Marvel universe.

(which, by the way, is a real "WTF?!!?" moment and, honestly, feels more like a vindictive swipe at McFarlane ["Hah! I'll give it to MARVEL!"] than anything resembling a cohesive creative plan.... or, for that matter, something that any fan, anywhere was looking for)

So, one generally assumes that tie-ins to such a beast would also be inconsequential and uninteresting -- and I think they mostly have been so far to date.

Not so this one, however.

Well, I guess it is "inconsequential" because nothing that happened in this comic will matter in 6 weeks or 6 months, or, probably, even be referred to in the parent book, even -- but so far this was certainly the most interesting bit of  AoA to date, being a look at how AoA is impacting Britain, introduces at least one interesting new character, and had a really tremendous "What If...?" status change for another major character.

AA#15au is written by Al Ewing, who is very rapidly becoming  my favorite new writer, and whom I'm very much suspecting really is The Real Deal, y'know? I want to see Ewing on an original US series of his own creation because based on his doing other people's ideas I would guess he's got his own SANDMAN, TRANSMETROPOLITAN or PREACHER in him (if, y'know, you're about my age, those are big big touchstones....)  I thought this comic was the best Avengers thing I've read in a really long time, and was absolutely VERY GOOD.

 

BATMAN AND ROBIN RED HOOD #20: Snyder's run on the main title, and Morrison's various perambulations through the Bat-mythos have largely overshadowed Peter Tomasi and Patrick Gleason's title, which some months really is the best of the bat-books. I like what they're doing here post-Damien, using the other bat-family sidekicks as stand-ins for the Stage of Grief. On the other hand, I'm decidedly uncomfortable with "Carrie Kelley" (The "Dark Knight Returns Robin"), one because she doesn't seem even remotely like Carrie Kelley in DKR to me, two because it some how seems disrespectful to DKR, and three because bringing in a new Robin this close to the dispatch of the last one, seems like a really lousy idea. We'll see, we'll see, maybe they're just fucking with us, I sure hope so.  I thought (with the exception of the pages she appeared on) that this was pretty GOOD.

 

CHIN MUSIC #1: You'd think that 30s Gangsters and The Occult would go together like buttah, especially when you've got Horror-Guy Steve Niles teaming with Tough Guy Tony Harris on a new creator-owned series, but I got to tell you: I could hardly follow the who and the what and the why do I care here. Interest almost always comes from character, not situation, and there aren't any realized characters on display here.  EH.

 

GARTH ENNIS BATTLEFIELDS #6 (OF 6): Even though you really needed to read an entirely different series of "Battlefields" comics to appreciate the end of this issue, and even though Russ Braun's art is a little too... flat for my tastes (though, good on Garth for loyalty and keeping Braun working), I thought this was a pretty wonderful, poignant, and moral and human ending to the story -- Ennis' specialty, really. This kind of work will never find a wide audience, but I'm so appreciative that Ennis makes sure it keeps coming out. VERY GOOD.

 

JUSTICE LEAGUE OF AMERICA #3:  Three issues now, and I've yet to feel a moment of interest in this set-up or collection of characters -- the story is so Plothammer-y that it ain't funny, and David Finch looks like he had about an hour to draw the issue. Plus, that whole "WTF" thing didn't really work, did it? Most of the "shocks" weren't, or, worse, were merely rhetorical questions. Plus that they're still shipping into May... ugh. this book may represent everything twhat's wrong with the New52 as a whole: plothammered and ugly. But maybe I'm just cranky. Either way, I thought it was fairly AWFUL.

 

UBER #1:  I don't get this comic. I mean who is it for and all that. I can see (somewhat) the intellectual appeal of a story about nazi superman, but when the rubber meets the road, these are the antagonist, and, for this to work as a story, we're required to have protagonists for whom to root. I don't see any in the first issue (or in the #0, for that matter), and the art by Caanan White is "Avatar House Style" enough (and ugly) that that won't be bringing me back. Avatar, trying to harness the Power of Bleeding Cool tried to convince people that the book is "hot" somehow, but it's pretty icy cold on the real world racks (besides the coupla speculator-types that bought #0). I generally like Kieron Gillen's writing, but I think he's pretty much entirely missed the needle here, not just the eye. AWFUL.

 

UNCANNY AVENGERS #8: I truly don't get the point of this comic either, if it's not a showcase for John Cassaday. I like Daniel Acuna's art fine, I guess, but he's pretty far in style from Cassaday, and the story has felt to me like the worst excesses of Rick Remender, trying to do Big Story with characters that aren't strong enough to support it, using obscure and uninteresting bits of Marvel history to do so. This is pretty EH for a "flagship" book.

 

WOLVERINE #3: If you had told me that there would be a Wolverine comic where I'd only be ordering 1 single rack copy by issue #3, and that, by Friday, it would still just be sitting there on the shelf, despite being by Paul Cornell and Alan Davis, I'd laugh at you. But here we are. Honestly, it's not that bad -- really, it is OK, so why are people just not buying this?

 

Right, that's enough to start, I thinketh. Like I said: rusty. But, as always, I want to know what YOU thought....

 

-B

 

 

* = Note: This will NOT be happening; don't get your hopes up, you!

Free Comic Day is Saturday 5/4!

Don't forget that the happiest day of the year, Free Comic Book Day, is Saturday 5/4/2013. Comix Experience is happy to present 33 different comics to choose from.

We ask that adults limit themselves to three choices, while attending children can have anything they are interested in.

FCBD is national event, so if you're not in San Francisco, find a store near you.

 

-B

Rich Johnston & WATCHMEN

Usually, I don't really mind when Rich Johnston gets something wrong -- usually it is future news, he's playing telephone, and publishers don't want to co-operate with him. He's going to get shit wrong, c'est la vie. But history? That's important to get right!

This morning, Rich opened a story like so: "Today, the final issue of Before Watchmen: Comedian is published, a couple of months late. Which is about how late the very original final issue of Watchmen was."

No.

NO!!!!

WATCHMEN was not (especially) late -- certainly not monthS!

Travel back to 1986, and comics really just weren't late at all -- in fact, they had ship WEEKS that, without fail, comics shipped in.  If the comic was going to be late? FILL-IN ISSUE. So I get why people who were there might FEEL that WATCHMEN was very late, because every other comic book around it shipped with clockwork precision.

Thanks to the Awesome John Jackson Miller, we can back things up with actual facts. To wit:

Cover Date Ship Date Capital City Orders C.C. Rank #1 book that month at Capital City Distribution
Watchmen #1 Sep-86 May 13 34,100 5th Classic X-Men #1
Watchmen #2 Oct-86 Jun 20 38,350 10th The Man of Steel #1
Watchmen #3 Nov-86 Jul 8 38,000 10th The Man of Steel #3
Watchmen #4 Dec-86 Aug 12 40,500 8th The Man of Steel #5
Watchmen #5 Jan-87 Sep 9 33,150 11th Superman Vol. 2 #1
Watchmen #6 Feb-87 Oct 14 32,700 15th Superman Vol. 2 #2
Watchmen #7 Mar-87 Nov 11 30,150 Prob. Uncanny X-Men #215
Watchmen #8 Apr-87 Dec 9 28,150 Prob. Uncanny X-Men #216
Watchmen #9 May-87 Jan 13 28,150 15th Uncanny X-Men #217
Watchmen #10 Jul-87 Feb 10 26,850 13th Uncanny X-Men #218
Watchmen #11 Aug-87 May 19 28,300 13th Punisher #1
Watchmen #12 (canc.) Oct-87 31,900 9th Uncanny X-Men #220
Watchmen #12 (res.) Oct-87 Jun 23 34,150 6th Uncanny X-Men #221

See? WATCHMEN shipped 12 issues in 13 months.

I get that 1986 is a long time ago, but let's give perfect fucking credit to WATCHMEN, one of the most intricate and clockwork of comics, one of the highest standards of comics craft and storytelling, AND IT (mostly) SHIPPED ON TIME. Certainly, it DID ship on time according to DC's revised schedule.

Now, Frank Miller's DARK KNIGHT RETURNS? Yeah, that one was months late in the end. (#3 and #4 were very late), and also CAMELOT 3000 which, as I recall, end up 13 months late in the end. Then there are things like SONIC DISRUPTORS where we're STILL waiting (some of us!) for the last four issues to ship.

But WATCHMEN #12? On-freakin'-time.

So I say to you: Shame on you, Rich Johnston, shame!

-B

Comix Experience's 24th anniversary

On 4/1/1989, I opened Comix Experience for the very first time.  I'm crazy pleased to say that today is our 24th anniversary. No party or anything (24 is almost an anti-climax?), but it is... interesting to be the oldest store in your metropolitan area.

Thanks to all of you for your support over the years! Next year: 25!

 

-B