PEOPLE! Sometimes He's Not Here To Blow Out His 96 Candles But We Lit 'em Anyway!

Ninety six years ago on this date Jacob Kurtzberg (1917 - 1994) was born. Life may harry me and life may hurry me but I will always find time to celebrate the birth of the man who became Jack Kirby; the man who became a King! The King of COMICS!!!  photo Kbirth002PIPE_zps79235240.jpg Anyway, this...

So, today I will be celebrating Jack Kirby's 96th birthday by reading a Jack Kirby comic. Hardly an unusual occurrence there. Unusually though, I will also be donating $9.60 to The Kirby Family endorsed charity The Hero Initiative. It is a worthwhile and fine charity which aids members of the comic community who are in need. Howard Victor Chaykin is on the Disbursement Committe, and that's just one awesome thing about The Hero Iniative.

So, on this day, Jack Kirby's birthday, I will send them something in remembrance and celebration of Jack Kirby. You may wish to do so also. You may not wish to do so. I'm just throwing that out there. I'm not expecting anyone to do anything because I'm not asking anyone to do anything. I thank Tom Spurgeon of The Comics Reporter for bringing this notion to my attention.

I do hope, however, that you take this day to particularly relish the medium to which Jack Kirby contributed so very, very much. The medium of - COMICS!!!

And now, at the risk of transforming from The Count Arthur Strong of bloggers to The Greg Land of bloggers, may I humbly present a visual (and typically sedate, low key and altogether dignified) tribute to Jack Kirby? Well, I'm going to:

(All images repurposed from SILVER STAR (2007, £25.99,VERY GOOD!) published by Image Comics. Except for photographs which I swooped in and stole like a magnificently amoral bird of prey.)

 photo KIRBYBIRTH1b_zps5356e514.jpg

Happy Birthday, Jack Kirby!

Happy Birthday to The King of COMICS!!!

(Unprofessional Behaviour Continuation Notice: Circumstances once more dictate that I shall be unable to post for a short while. After that I shall endeavour to regain some semblance of regularity and aim for more diverse content. I'm talking about my posts not, you know, something else there. I know, sorry. Until then; be well and be happy!)

Wait, What? Ep. 108: Frightful

beepI love, love, love that lonely little "beep."

Man, the holiday season, amirite? Emerging from the primordial swamp of Black Friday, Cyber-Monday, Fat Tuesday and Sexting Sunday, it's the show notes for Wait, What? Ep. 108...right behind the jump!

0:00-6:15:  Here we go!  Graeme is in a seasonal mood; Jeff is having tech problems again (the very expensive microphone he picked up?  Had to be sent back and repaired under warranty).  But we are both existential crisis free!  And if you're upset that there aren't any new episodes of "Let's Complain About Our Deadlines and Schedules" podcast, this is the five minutes for you. 6:15-19:16: Here's a dirty secret: I don't usually edit a lot of our on-line talk out but this season I thought I'd try to give all of you the gift of brevity.  There was actually a ten minute conversation about the Angus T. Jones and the Two and a Half Men controversy that I decided to cut just….uh, I dunno?  It had a natural flow to it but it also seemed a little digressive--even by our notoriously loose standards.  So I just cut (clumsily) in to the next "celebrities--what were they thinking?" story we talked about--the recent controversy with James Gunn.  (Our conversation took place just a  few hours before his issued apology.)  Do you guys have a preference about this kind of thing?  Would you rather hear our conversations unfold naturally, or would you just prefer we try to keep the podcast focused on the pertinent parts?  Let us know in the comments… 19:16-35:04:  Anyway, from there, we segue smoothly into talking about whether or not comics culture is inherently misogynistic or not.  Appropriately enough for such a broad topic (uh, pun is not intended there), we cover a lot of ground, talking about Journey Into Mystery and Red She-Hulk, the first issue of Bleeding Cool Magazine, and more. 35:04-35:26:INTERMISSION ONE 35:26-42:40:  All-New X-Men #2.  Graeme has read it; Jeff has not. So join us as Mr. Former fills in Mr. Latter on the story, the art, and  the overall not-as-terribleness of the first issue. 42:40-59:22: Jeff, oddly enough, has read Avengers #34 and New Avengers #34, Bendis' last issues and gets to turn the tables on Mr. Former. It leads into a discussion about whether the art is serving the storytelling in Marvel's current books with books like Indestructible Hulk #1 by Mark Waid and Leinil Yu. 59:22-1:14:40: Captain America #1 by Rick Remender and John Romita, Jr.: read by both, viewed skeptically by both (though more by one of us than the other).  For bonus points, we compare and contrast with Uncanny Avengers #2, and then sort of compare and contrast similar-seeming storylines running through the universe. Coincidence? Too much influence of one creator on another?  Not enough? 1:14:40-1:18:01: Also reviewed at the same time, FF #1 by Matt Fraction and Mike Allred by Mr. McMillan. 1:18:01-1:28:22: Amazing Spider-Man #698 by Dan Slott and Richard Elson is also discussed and *fully spoiled* by Graeme and Jeff.  Let the listener beware! 1:28:22-1:34:20: Iron Man #2 by Kieron Gillen and Greg Land, wherein Graeme coins the term "Greg Land face." Can we see a cure for Greg Land face in our lifetime? Also, bonus points to Graeme for the unexpected shout out to Jack Kirby's Silver Star.  God bless you, Graeme McMillan. 1:34:20-1:35:40: INTERMISSION TWO 1:35:40-1:48:45: Although Jeff wants to maneuver Graeme back into waters into which poor Graeme does not want to go--Grant Morrison's annotations about Alan Moore's opinions on Grant Morrison--we settle instead for discussing Batman Incorporated #5 by Grant Morrison and Chris Burnham.  What can we say?  Sometimes we choose peace instead of war.  That said, Jeff thinks there may be some really interesting subtext in the issue but isn't quite sure where.  Come, puzzle it out with us, won't you? 1:48:45-1:52:39:  Also under discussion, because Jeff is wayyyyyy behind the times, a discussion of Action Comics #14 by G-Moz and Rags Morales. 1:52:39-1:59:27:  Flash #14!  And then some stuff about Judge Dredd because that's what we do these days: talk about Judge Dredd. 1:59:27-2:02:30:  Hey Angel & Faith #16 is a book Graeme was impressed with.  Jeff drags the full spoilers out of Graeme so forewarned--do not listen unless you've read the issue (or, like Jeff, kinda don't care). 2:02:30-2:07:33:  And continuing in the "Let Us Now Praise Non-Big Two Comics" section, Jeff really, really liked Witch Doctor: Mal Practice #1 and Multiple Warheads #2.  Alas, because Graeme had read also read Multiple Warheads, we spend the vast majority of the time talking about that very fine comic and Witch Doctor: Mal Practice #1 unfortunately gets short shrift by comparison. But they're both great! 2:07:33-2:23:02:  Also, a book we both read and decide to chew the fat about:  Masks #1 by Chris Roberson and Alex Ross.  For those of you who play that drinking game where you do a shot every time Jeff gets some little detail utterly wrong, prepared to get snockered. 2:23:02-2:24:20:  Though he doesn't go through them in anything like detail, Jeff read ten volumes of Hikaru No Go (vols. 7-17)  and totally loved it. That was some very enjoyable manga right there. 2:24:20-end: A super-super-super-short discussion about Shonen Jump Alpha going day and date with some stories in 2013. 2000AD online is also mentioned, as is Jeff's wont these days. And then we are out of there…for another week.

This is a thing that is already out there, people, already haunting the diaphanous underworld that is iTunes.  But, of course, you are more than likely to gather around the seance table, join hands, and perform the secret spell of conjuration below:

Wait, What? Ep. 108: Frightful

As always, we hope you enjoy, and thank you for listening.

Burble Burble Burble, Hibbs fufills a promise to review

I said I was going to review, so here's a few quick hits. I've been spending a lot of time this week on the back end of the site, you'll notice some of the real estate has changed. That "uncategorized" number will shrink over the year as I go through the older, blogger-era posts (sheesh, we have nearly 2000 posts here at this point!), but the tag cloud will really only be utilized properly going forward from here.  

If you have any mechanical/aesthetic suggestions for the site, now is the time to do so.

 

Putting that aside, what stuck with me in the last two weeks?

 

PUNISHERMAX #14: I wrote up #13, but #14 compels me to speak again. Jason Aaron has found this astonishing sweet spot to tell the origin of the Punisher that neither directly involves 'nam nor that fateful day in Central Park. I had thought that all veins of the Punisher were as mined out as could be, but Aaron has found a genuinely new place to get us into Frank's head that feels resoundingly realistic to this reader. What's great is just how well Aaron has mastered the language of comics here (ably aided and abetted by Steve Dillon) -- at least I'm assuming that all of the awesome scene transitions and juxtapositions are in Aaron's script. The story is centered around what must be Stock Punisher Cliche Story #1: Frank's in Jail! and yet at no point am I thinking "Damn, been here before". This is possibly the weirdest recommendation coming from MY lips, but I think that this book is one of the five best appearing on the stands "monthly" these days, and, certainly and BY FAR the single best title that Marvel is publishing today from a perspective of craft. This is seriously bravura work on this storyline -- Eisner level work, in spite of the character -- and should be selling 4 or 5 times what it is currently. Flat out EXCELLENT.

 

FEAR ITSELF: FEARSOME FOUR #1: Is really everything that Graeme said in his review, but, damn it, he didn't bring up the fact that half (or so) of the issue is drawn by two wicked awesome illustrators: Michael Kaluta, and Simon Bisley. And each of those sections are gorgeous looking (for wholly different reasons). I mean, talk about two tastes that don't even remotely go together -- soaring, delicate fine linesmanship of Kaluta bouncing against the explosive putrid grunge (and, hm, I mean that in a good way) of Bisley. There's a third artist involved (Ryan Bodenheim) who looks like the same artist that drew the last Howard mini (or was it a one shot? It blurs) in that strange small-bill version, but Kaluta and Bisley are drawing the "real" Howard (mostly). I wonder if it is now more important or less important at Disney HQ that HTD properly looks like Donald? Serously, there could not be a more jarring looking book that makes no visual sense of any kind, but you have to admire the king size stones of an editor that's commissioning pages from such disparate sources and thinking for a second that it might work. It's really and truly an AWFUL comic to try and read, but as a curious-ass artifact of how comics are made? I'll say GOOD. This is something ten years from now you'll kick yourself for not having this issue.

 

GHOST RIDER #0.1: For a "and this is how Ghosty becomes a chick!" comic, I thought this was remarkably entertaining (even though the chick-ing comes in #1, I think, and this is just a way to get Johnny Blaze to not be Ghosty any longer) (is it just me, or is this a really short second run for JB?) -- even though I wouldn't want to hazard a guess if the series to follow this might be any good or not, since it won't be about these characters. I had low-to-no expectations here, and, yeah, I thought it was a low GOOD.

 

KIRBY GENESIS #1: As you will recall I was so-so on #0, but I thought this one was a tremendous comic. Part of it is that the Kurt Busiek that is writing it is the "Astro City Kurt", and the choice is made to squarely focus on the human character. I know that Jack Kirby's worst ideas are probably more compelling that many guy's best ideas, but I'd generally suggest there's a reason that most of these concepts on display didn't go anywhere. I mean, the market has had a few chances to decide it didn't want Silver Star, right? I really didn't care much about the JK characters running around, and yet I still thought that KIRBY GENESIS #1 was the best comic I read the week of 6/15 because of the human heart centering it. So, yeah, a strong GOOD.

 

AVENGERS #14: plot-wise, I dunno, it's really just a bunch of punching, but I thought that Bendis was really smart here by counter-pointing the big stuff with the little-insets-of-oral-history-interview technique that I've previously thought was kind of cloying. This time it worked pretty well, as Romita JR really does excel at the two-big-guys-punching stuff -- it is just wonderfully kinetic -- while the insets let the pacing to work out so that it isn't a 30-second read. I don't find a Worthy-fied Thing nor a Red Hulk at all compelling, and I kinda moaned when the new Avengers Tower came crashing down (plus, like, how does it have force fields that can protect the people inside, but not protect the building itself? Buh?) since that just seemed so cliche, but this was a rare issue of AVENGERS that I thought was (if on the lower end of) GOOD.

 

OK, I have to get back to editing old posts, and getting ready to go into work... what did YOU think?

 

-B