Wait, What? Ep. 111: Things That Go Wrong...

PhotobucketIt's....not easy to explain. Trust me.

Oh, man.  Remember all the questions you guys asked us and we didn't get to?  Well, don't say we didn't start 2013 right!

After the jump:  Show notes,  no more terrifying photos, still kissing with saliva, etc., etc.

0:00-12:00:  Greetings!  Before the comics talk, Graeme and Jeff catch up with what they did during the holidays.  Unsurprisingly, Jeff got sick and moped.  Even less surprisingly, Graeme worked. And worked.  And worked.  Other exciting topics covered:  inadvertent tech problems, deliberate tech problems, Cocoa Pebbles, Cocoa Puffs, and Cocoa Krispies and Honey Monster, the Sugar Puffs mascot. 12:00-29:03: Jeff talks about the first season of American Horror Story, which is another "what we did during the holidays" topic, and that leads into a discussion about things that go wrong, TV, and includes mention of The West Wing and Agatha Christie's Tommy and Tuppence.  And, just as we almost start talking about comics, we swerve and talk about Misfits about which, in a weird reversal of the status quo, Jeff is caught up on and Graeme is not.  Also, you will never know how much coughing I had to edit out to make this sound at all listenable, but it was kind of a lot.  Some of them I had to keep in so we could (sort of) hear Graeme.  Sorry about that. 29:03-36:16:  Graeme lists the comics he's read! Hey everybody, we're talking about comics!  Well, starting to talk about comics! Well, almost…starting to…talk… 36:16-36:52: Intermission Uno! 36:52-38:52:  Hey, who has two thumbs and has been interviewed again by Canadian Television? This guy….Graeme McMillan, whom we all know.  Yes, CL Cool Graeme (Canada Loves Cool Graeme) is burning up the airwaves. 38:52-56:58:  Comics!  We were supposed to talk about all those books Graeme listed so of course…we don't talk about them.  Instead, we talk about Amazing Spider-Man #700. 56:58-1:05:35: And from there, we talk a spot of news--the promotions of Bob Harras and Hank Kanalz over at DC. Also, those great lists of CE's top-selling books for 2012. 1:05:35-1:05:50: And so…we finally get around to talking about the list of comics Graeme bought!  Or….do we? (Hint: we don't). 1:05:50-1:06:38: Intermission Two! 1:06:38-1:07:23: And we're back…and the sound is a bit hinky for some reason? Have we thanked you for continuing to listen to us recently?  We really should! 1:07:23-1:23:23:  Remember that list of comics Graeme mentioned way back when?  Here it is! A delightful batch of old issues Graeme picked up at his local comic book shop's sale: Batman and the Outsiders Annual #1 (1984); DC Comics Presents #60 (Superman and Guardians of the Universe);    Machine Man #10 by Marv Wolfman and Steve Ditko; Micronauts Annual #1 (1979); Mr. Miracle Special by Mark Evanier and Steve Rude (1987); and the DC Comics Mystery In Space DC Presents One-Shot (2004) featuring Elliot S! Maggin & J.H. Williams III, and Grant Morrison & Jerry Ordway. 1:23:23-1:39:12: Also, something comics-related(!):  Graeme and I talk Final Crisis since both of us (weirdly enough) had re-read it in the last month or so:  ccontinuity, the New 52, reverse time, and issues of race, are among the subjects of our conversational hand-wringing. Then…techpocalypse forces us to cut things short in mid-convo and try again. 1:39:12-1:39:32: Intermission 3! 1:39:32-1:42:35: And we are back! (After a few failed attempts, which were a bit on the crazy-making side of things?)  So it's back to more Final Crisis talk--where are those Batman issues?  What about the Legion of 3 Worlds? 1:42:35-end: And now on to some quick chat about new comics--Flash #15 and its amazing second half by Francis Manapul; New Avengers #1 by Jonathan Hickman and Steve Epting (including a shout-out to Abhay's fantastic commentary on Hickman's Secret); Sachie-Chan Good!! by Akira Toriyama and Masakazu Katsura (which inspires Graeme to recount the "Miss Universe" pitch from the Downey Files podcast); Batman Inc. #6; Saga #8; Wonder Woman #15; Fatale #11 by Brubaker and Phillips; Prophet #32; Godzilla: The Half-Century War #4; Witch-Doctor: Mal Practice #2; and (digitally) the first volume of Kikaider by Shotaro Ishinomori (sooooo good!)  And then a little after the two hour mark--we are finished!  For now. [Cue ominous music...]

As I'm a bit out of practice, a bit sick, and staring down the barrel of an early wake-up call, let me just cut through the niceties and say: it's good to be back!  (Hold up, brain: isn't that a nicety right there?)  And blah blah blah blah iTunes, but also right here, and so on:

Wait, What? Ep. 111: Things That Go Wrong

Ah, but no worries we will be back next week--here is to a Happy New Year to all and, as you may have guessed, we thank you for listening!

"Breathe DEEPLY, Kane." Comics! Sometimes There Is An Interruption!

Hello, everyone! Just a short note to say that there will be no posting about comics from an old man with a shaky grasp on quality. Alas, illness comes to us all and I am probably just being a big ninny but I am certainly faring better than my namesake below: Photobucket

Filched image  featuring art and words from Walter Simonson and Archie Goodwin's ALIEN: THE ILLUSTRATED STORY. Which is VERY GOOD! by the way.

Next Time:  More talking about COMICS! Have a good weekend, all!

Arriving 10/12/11

Woke up under the weather -- here's this week, no commentary.

 

ALL WINNERS SQUAD BAND OF HEROES #5 (OF 8) ALPHA FLIGHT #5 AMAZING SPIDER-MAN #671 SPI AMERICAN VAMPIRE SURVIVAL OT FITTEST #5 (OF 5) BALTIMORE CURSE BELLS #3 BATGIRL #2 BATMAN AND ROBIN #2 BATWOMAN #2 BLACK PANTHER MOST DANGEROUS MAN ALIVE #524 SPI BLUE ESTATE #6 BTVS SEASON 9 FREEFALL #2 CBLDF LIBERTY ANNUAL 2011 #4 DAKEN DARK WOLVERINE #15 DC COMICS PRESENTS BATMAN BLINK #1 DC COMICS PRESENTS JLA AGE OF WONDER #1 DEATHSTROKE #2 DEMON KNIGHTS #2 DOLLHOUSE EPITAPHS #4 (OF 5) DUCKTALES #5 ELRIC THE BALANCE LOST #4 ESCAPE FROM PLANET O/T DEAD FEAR ITSELF HULK VS DRACULA #3 (OF 3) FEAR FF #10 FRANKENSTEIN AGENT OF SHADE #2 GARTH ENNIS JENNIFER BLOOD #5 GENERATION HOPE #12 GHOST RIDER #4 FEAR GHOSTBUSTERS ONGOING #2 GLAMOURPUSS #21 GREEN LANTERN #2 GRIFTER #2 HELLRAISER #6 INFESTATION OUTBREAK #4 (OF 4) IRREDEEMABLE #30 JOE HILL THE CAPE #2 (OF 4) JOHN CARTER OF MARS WORLD OF MARS #1 (OF 5) JURASSIC PARK DANGEROUS GAMES #2 (OF 5) KULL THAT CAT & THE SKULL #1 (OF 4) LEGION LOST #2 LEGION OF MONSTERS #1 (OF 4) MEGA MAN #6 MISTER TERRIFIC #2 MORNING GLORIES #13 MY GREATEST ADVENTURE #1 (OF 6) NEW AVENGERS #17 NORTHLANDERS #45 ORCHID #1 PIGS #2 PILOT SEASON CITY OF REFUGE #1 POPE HATS #2 PUNISHER #4 PUNISHERMAX #18 RESURRECTION MAN #2 ROBERT JORDAN WHEEL OF TIME EYE O/T WORLD #14 SHADE #1 (OF 12) SHIELD #3 (OF 6) SPONGEBOB COMICS #5 STAN LEE STARBORN #11 STAND NIGHT HAS COME #3 (OF 6) STAR WARS INVASION REVELATIONS #4 (OF 5) STAR WARS OLD REPUBLIC #5 (OF 5) LOST SUNS SUICIDE SQUAD #2 SUPER DINOSAUR #5 SUPER HEROES #19 SUPERBOY #2 ULTIMATE COMICS SPIDER-MAN #3 ULTIMATE COMICS X-MEN #2 UNCANNY X-FORCE #16 UNEXPECTED #1 UNWRITTEN #30 VERONICA #209 (VERONICA PRESENTS KEVIN KELLER #3) WAREHOUSE 13 #2 WARLORD OF MARS FALL OF BARSOOM #3 WHO IS JAKE ELLIS #5 WORLD OF ARCHIE DOUBLE DIGEST #11 X-MEN EVOLUTIONS #1 X-MEN LEGACY #257 X-MEN REGENESIS #1

Books / Mags / Stuff 100 BULLETS HC BOOK 01 ABSOLUTE IDENTITY CRISIS HC BATMAN ARKHAM CITY HC BATMAN LIFE AFTER DEATH TP BLOOM COUNTY COMPLETE LIBRARY HC VOL 05 COMPLETE CHESTER GOULDS DICK TRACY HC VOL 12 DOCTOR STRANGE TP STRANGE TALES DRAW #21 GLENN BARR FACES HC INVADERS NOW TP JUSTICE LEAGUE GENERATION LOST HC VOL 02 KEEP HC MARVEL FIRSTS 1960S TP NAOKI URASAWA 20TH CENTURY BOYS GN VOL 17 NEW MUTANTS PREM HC UNFINISHED BUSINESS NUTS HC PRINCE VALIANT HC VOL 04 1943-1944 PUNISHERMAX PREM HC FRANK STAR WARS THE CLONE WARS STRANGE ALLIES TP THE CABBIE HC VOL 01 ULTIMATE COMICS AVENGERS BLADE VS AVENGERS TP WARLORD OF MARS TP WARRIORS THREE TP DOG DAY AFTERNOON X-MEN LEGACY LOST LEGIONS PREM HC ZOMBIES VS ROBOTS UNDERCITY HC

 

What looks good to YOU?

 

-B

Hibbs Returns

I spent almost all of last week sick and in bed -- damn the plague bearing children!

But I owe you some reviews, I think, let's see what I can do, in that Old School format...

BLACKEST NIGHT #5: Really all that one wants out of a big Comics Event (well, or any comic for that matter) is to be surprised a little, to have that "Neat, I didn't see THAT coming!" moment. And this issue of BN certainly gave me that pretty substantially. I also liked that the Rainbow Squad did exactly nothing. I'm going to go with VERY GOOD here, especially given that this is the issue a lot more people are likely to buy because of the GL ring attached to it.

Parenthetically, there's a great deal of talk about "Superhero Decadence", which made me think a lot about some of the issues raised in this article about Soap Operas. It really sounds incredibly similar to me....

CHEW #6: Second arc, and it starts promisingly. I thought the end of arc #1 was a bit telegraphed (I've probably consumed too much fiction over the years to be surprised), but I liked the dynamic set up here, and thought the funny was funny. GOOD.

CREEPY COMICS #2: A much better effort than the first issue (which I thought was, frankly, terrible) -- I didn't exactly LIKE any story in here, but I, at least, didn't HATE them, which is a huge step up. Writing this kind of "Ironic Horror" story is really really difficult, it seems. A solid OK,and let's hope it keeps scaling up.

DETECTIVE COMICS #859: It is almost tiresome how good this is -- how can one keep heaping superlatives on a book month after month? I rather do think this is the best thing DC publishes each month, and it is a stupendous and ballsy project to have in DC's "flagship" title. I even thought Rucka's Lesbian Fascination has extraordinarily well done this issue, comparing it against the dictates (both legal, and moral) of her Army career. I simply can not wait for the Absolute edition of this book, because it is just that good. EXCELLENT.

Sales-wise, for us at least, we're now selling nearly twice as many copies of 'TEC as we are of generic-BATMAN at this point post-relaunch. And something approaching 80% of BATMAN & ROBIN (though that's a function of Tan's art on the latter more than anything else, I think -- there's been a pretty steep drop off between the first arc and #4-6).

GREEN LANTERN #48: Johns is doing a good job "fleshing out" scenes from BN to be full-sized stories in GL, without seeming like padding. That's a neat trick. Now that the Rainbow Squad are all together, I find myself really really enjoying the Orange Lantern characterization. Solidly GOOD.

IMAGE UNITED #1: Jinkies. While I approve, certainly, of "getting the band back together", and I think they're doing a good job with the logistics of having everyone draw their own characters, hrf I think that was pretty sucktastic of a story. It felt more like a circa 1993 Image comic than anything they've published in the last ten years... and that's not really a complement. Robert Kirkman's main contribution, it seems? Pariah. Got to go with AWFUL.

INVINCIBLE IRON MAN #20: Here's where I don't get Marvel's marketing -- this book has two covers. One is exciting and futuristic looking and encapsulates the story, and might even sell some comic books just on its own virtues; while the other one is a too-blown-up version of a (IIRC) house ad, that looks craptastic from being blown up, and blows the "punchline" by having it on the back cover of the book. When retailers say "Really, we'd like to be able to order covers as we want them in our store, please", I think I might point to this as exhibit A -- this decision will almost certainly have me selling FEWER copies of IRON MAN, than more.

Total shame, too -- Fraction is doing astonishing work on this book, writing a futurist with a plan; I can't even imagine how hard it is to write someone who is clearly that much smarter than the rest of us -- and he's doing it completely convincingly. Without a doubt this is my absolute favorite Marvel comic released each month right now, and, hopefully, this arc will keep the quality as high. VERY GOOD.

JUSTICE LEAGUE CRY FOR JUSTICE #5: Its getting better. OK

JUSTICE LEAGUE OF AMERICA #39: This, on the other hand, is as generic of a BN-crossover as one can be. Wow, Vibe AND Steel? I'm scared! AWFUL.

JUSTICE SOCIETY OF AMERICA #33: Since the start of this arc, we've lost over half of our readership for it. And when they split this into two titles next week ("JSA ALL STARS"), I think we're going to lose half of it again. This is a classic case of "What the hell are you thinking?!?!" While I guess I like a DC management who wants to publish many JSA comics more than I liked the DC management who once famously said "No one whatsoever wants to read about these characters" when canceling the Mike Parobeck run, one needs a plan a bit more substantial than "publish a lot of books, maybe someone will want them". This story arc couldn't even be arsed to hint at why all of these characters were attacking, or why they weren't attacking the SSK, all the while rubbing the "Heh, see the A-storyline has NOTHING to do with the B-storyline WHATSOEVER" in the audience's face. Completely AWFUL.

NEW AVENGERS #59: Pretty preposterous that everyone acts that stupid because the plot dictates that they do, and, god, will I be glad when "Dark Reign" is over (and, based on my sales, my customers are even more eager for that then I am), but if one were to ignore all of that, this was a solid enough action-packed issue. OK.

NEW MUTANTS #7: With better art this could have been great. Heck, with backgrounds (instead of just swaths of color) this could have been great. Instead, it's just kind of EH.

POWERS #1: Two years later? Lost a lot of momentum. Not really feeling it anymore, but maybe that will change again if issues come out regularly. OK

SECRET WARRIORS #10: What happened to the premise of the book? You'd especially think that in the run-up to the end game of "Dark Reign" this would actually be about the "Secret Warriors" rather than just one character, but maybe that's me. OK.

SUPERMAN #694: While this felt more like a "Superman" comic than any other recent issue, it's still just a Mon-El comic in somewhat different clothes. Which is fine, I guess, but not what people want from "Superman". Our sales have been really atrocious on this whole line lately. OK.

SUPERMAN SECRET ORIGIN #3: This is closer to what I was hoping for from this project than what we got from the first two issues -- actually adding facts and information and perspective to the legend of the character. I'll go solidly GOOD on this one.

THOR GIANT SIZE FINALE (BY JMS) #1: Dismissing the story he'd been writing up to this point in about 5 pages, the rest putting the Don Blake/Thor status quo back to where it was in 1968... "There's no heart to this" drips from every page. Too bad, this was one of the most exciting Marvel projects in a bit, and now it's been folded awkwardly back into the general Marvel U -- I'm expecting the sales to drop back pretty Darn Quick. EH.

ULTIMATE COMICS AVENGERS #4: Sometimes I wish Millar wasn't as enamored with being as clever as he thinks that he is, and that he was just clever once again. OK.

What did YOU think?

-B

NYCC: The Dream

One of the big downsides of being sick is that you sleep a lot, but you're not really sleeping WELL -- tossing and turning all night long, waking up in pain, and the latest one, now that the antibiotics have started to work, the pain in the tonsils has switched to a sinus drip in the back of the throat, so that sleeping at night is sort of like being slowly waterboarded in your sleep. Joy.

But, last night I finally had like 6 solid hours of REM sleep, and what do you know I dream about a comics convention.

Actually, it was more like New York City itself had been turned INTO a giant comics convention, because my dream took place nowhere near the Javitts.

The first bit I remember (because I think it had been going on for a while before then) is that Peter David and I were coming back from some sort of CBLDF event (I was on the Board of the CBLDF for about 2 years, a while back), and we were meant to go to something in (of all places) Connecticut, so Peter went to go get his car, while I waited in the nearby park (I think it was Tompkins Square Park). While I'm there I'm hailed by Bryan Talbot, who, for some reason, is walking around with Piers Morgan, and a 12-year old boy with a british accent and mohawk wearing a name tag saying "Phillip Tan" (?!?!!?). I hang out with them for a few minutes before I realized that I've totally lost wherever Peter is supposed to meet me.

A car pulls up with several of my customers in it (including Shelton Yee, who used to own a comics shop in SF many years ago), and they offer to drive me around the park to look for PAD. Of course they take the wrong turn, and just as they pull away we get stuck in horrible midtown traffic (yes, we've shifted that far in dream logic) because there's an Iron Man float coming down the street to promote the movie.

In the rear view window, I see a distant PAD waving frantically, so I hope out into traffic, and dodging cars (including the Speed Racer cars, and a procession of vehicles from the new Indy movie), make it across the street, where I am now in Washington Square Park, except that it has these long ramps added around the edges, with another "level" of park added. This additional level is Escher-like.

I'm trying to puzzle out how to navigate this when The Joker runs past, gassing people in the park. Batman then comes running, and kicks the shit out of him in front of me. Blood and teeth everywhere. I then see Dave Sim (circa 1989), Jeff Smith (current), and Rob Liefeld (!!) (circa Gap Commercial) and ask them if this is a promotion for the film, and Dave tells me, kind of archly, that no, Batman is real and has been running around New York for weeks, where have I been?

"Well, I'm trying to get to Connecticut," I say. Oh, that's where we're going, the three of them say in chorus, in the same voice, and then Tzipora walks in the door of the room where I'm sleeping and I wake up and there's no more.

At least my throat has stopped hurting.

I'm now going to go back to sleep, because my NYCC sounds more fun than the real one!

-B

Tonsillitis

Tuesday, while I was in the middle of pulling the comics, I started to get chills, then fever, then chills again, and I was feeling very logy.

When I got home Tuesday night, I passed out for nearly 24 hours.

On Wednesday, the searing throat pain began, and the only reason I didn't sleep continuously for the next 24 hours was that pain.

Thursday I finally went to a doctor -- Tonsillitis is the verdict and anti-biotics should knock it back fairly soon, but if you wonder why I've been completely silent here (and only writing Priority One emails), its because I feel like someone stuck a rusty dagger in my mouth, and really all I want to do is sleep.

Regular blogging will probably resume... Monday? Doc says I should be over the worst by then...

-B

Happy Birthday, CE!

Ugh, I've come down with some sort of horrible cold (thanks, Ben!), and I'm sitting here shivering barely able to put two words together, and trying desperately to not nod off at the counter until Carissa comes in in an hour, so I'm going to push off the return of Around the Store until tomorrow (I hope?)

But I did want to note that today is the 19th anniversary of Comix Experience!

Not the state I want to be in for it, but you take what you can get....

OK, back to nodding off...

-B

Ugh, Sick Again: Shipping 5/31

rassen frassen plague carrying children... Been asleep most of the last 48 hours, that's why this is late.

REMEMBER: due to Memorial Day, comics are THURSDAY this week. DO NOT go to your Local Comics Shop on Wednesday, or they will laugh at you behind your back!

ACTION COMICS #850 (NOTE PRICE) AMAZONS ATTACK #2 (OF 6) ANITA BLAKE VAMPIRE HUNTER GUILTY PLEASURES HANDBOOK BETTY #165 BLACK COAT OR GIVE ME DEATH #1 (OF 4) BLUE BEETLE #15 BOYS #7 (RES) CHUCKY MEDORS CVR A #2 (OF 5) COUNTDOWN 48 CROSSING MIDNIGHT #7 CTHULHU TALES RISING ONE SHOT (O/A) DAREDEVIL #97 DARK XENA #2 DEADMAN #10 DEATHBLOW #5 DRAWING FROM LIFE #1 FALLEN ANGEL IDW #16 FRESHMEN VOL 2 SCOTT BENEFIEL CVR A #4 GREEN LANTERN #20 HAWKGIRL #64 HELLBOY DARKNESS CALLS #2 (OF 6) JSA CLASSIFIED #26 JUGHEAD AND FRIENDS DIGEST #20 JUSTICE SOCIETY OF AMERICA #6 KISS 4K #1 MAGICIAN APPRENTICE #7 (OF 12) NEGATIVE BURN #11 NEW AVENGERS ILLUMINATI #3 (OF 5) NEW EXCALIBUR #20 OKKO CYCLE OF WATER #3 (OF 4) PALS N GALS DOUBLE DIGEST #112 PUNISHER PRESENTS BARRACUDA MAX #4 (OF 5) RAY HARRYHAUSEN PRESENTS WRATH OF THE TITANS #1 (OF 4) REAR ENTRY #16 (A) RIDE DIE VALKYRIE #1 (OF 3) SHAOLIN COWBOY DARROW CVR A #7 (RES) SILENT WAR #5 (OF 6) SILVER SURFER REQUIEM #1 (OF 4) SPAWN GODSLAYER #1 SPECIAL EDUCATION #3 (OF 4) (RES) SPIDER-MAN FAIRY TALES #1 STAR TREK NEXT GENERATION THE SPACE BETWEEN #5 (OF 6) STAR WARS KNIGHTS OF THE OLD REPUBLIC #17 TAROT WITCH OF THE BLACK ROSE #44 TEEN TITANS #47 TEEN TITANS GO #43 ULTIMATE FANTASTIC FOUR #42 USAGI YOJIMBO #103 WALT DISNEYS COMICS & STORIES #681 WHEELA (A) WHITE PICKET FENCES #1 (OF 3) WITCHBLADE CHRIS BACHALO CVR A #106 WOLVERINE #54 X-23 TARGET X #6 (OF 6)

Books / Mags / Stuff 52 VOL 1 TP AVENGERS NEXT REBIRTH TP BLEACH VOL 19 TP BOYS VOL 1 TP (RES) CIVIL WAR COMPANION TP DC COMICS COVERGIRLS PX HC EC ARCHIVES SHOCK SUSPENSTORIES VOL 2 HC ELVIS ROAD HC FEAR AGENT VOL 2 MY WAR TP FUN HOME TP GIRLS VOL 4 TP HOUSE GN HOUSEWIVES AT PLAY FRIENDS & NEIGHBORS TP (A) JUST WHEN YOU THOUGHT IT COULDNT GET WORSE SC MARTIAN MANHUNTER 13 INCH DELUXE FIGURE MARY SCARY HC NEW X-MEN CHILDHOODS END VOL 4 TP OUR GANG VOL 2 SC PENNY ARCADE VOL 4 BIRDS ARE WEIRD TP PREVIEWS VOL XVII #6 (NET) PRISM COMICS LGBT GUIDE TO COMICS MAG 2007 PUNISHER MAX VOL 3 HC SOULFIRE DYING OF THE LIGHT TP THREE PARADOXES GN (RES) ULTIMATE GALACTUS TRILOGY HC WIZARD MAGAZINE WORLD WAR HULK CVR #189

What looks good to you?

-B

Your Turn To Curtsy, My Turn To Critic: Most of Jeff's Reviews of 05/09 Books....

Someone spun the Savage Critic Wheel of Unwellness this week and it's still pointing at me--I've felt like ass on a stick for the last 72 hours and I'm not happy at about it at all. On the other hand, if I end up calling in sick on Monday, I can stay in and watch Mario Bava movies all day. So things could be much, much worse, I guess.

AMAZING SPIDER-MAN #540: This isn't over yet? Seeing as I've read, I dunno, maybe six to eight other Spidey books between last issue (shipped on 3/21?) and this one, the narrative drive seems significantly diminished here--if this had been a weekly event or something, maybe it'd be easier for me to still think that maybe May will die or maybe Peter will kill the Kingpin. But currently? Nah. Between that and the feeling that artist Ron Garney at his most evocative feels like John Romita, Jr. at his most tepid, and I'd call this Eh.

BLACK PANTHER #27: Books like this make me really miss Jack Kirby (hell, I'd settle for Rich Buckler and Joe Sinnott at this point): although overused to the point of visual cliche and pushing characters' reactions into utter melodrama, Kirby's dynamism could nevertheless give stories like "The FF come home from a cosmic adventure; get attacked by giant cosmic bug" a much-needed vitality. As it is, this has absolutely no "oomph"--I felt like I was reading the storyboards to a dull French cartoon--until the last page which, to be honest, borrows all its oomph from elsewhere. It's a competent but very Eh little issue.

BLADE #9: Silly but more or less effective until the end when it's revealed, if I'm reading it rightly, is that the people Blade thinks are the bad guys are in fact the good guys. As twists goes, it's pretty uninteresting--not only is it pretty shopworn, but it's really hard to imagine Blade giving a damn: it might work in a book where the hero is a crusading do-gooder (like Superman) but the current incarnation of Blade seems driven more by vengeance and it just seems...limp. The rest of the book is fun, though, so I think it's in the OK park, overall.

COUNTDOWN #51: Ugh. I'm surprised by how much of this feels wrong, and not in a "Oh My God, you have perverted the laws of God and man," kind of way but in a "why are you going out with your pants on backwards and your underwear on your head?" kind of way. I mean, after all the coverage of 52 where nearly everyone everywhere praised JG Jones' astonishing cover work and singled it out as something that quickly solidified the book's identity on the stands, why would you kick off your next weekly series with a cover more appropriate to a "Justice League and Friends" coloring and rainy-day activity book? After widespread ackowledgement that the best parts of 52 were from the organic growth of the writers' interests, why would you have your first issue read like a bullet point memo from the desk of Dan Didio?

I mean, the book itself, based on the quality of the bland art and the clunky, exposition-heavy dialogue, is really just Eh, but that whiff of publisher hubris in the air--the idea that people are going to like what Dan Didio has in store for them because, dammit, he's Dan Didio and who cares about the cover artists and who cares about the A-list writers and who cares about all the lessons learned over the last year (except, oh, yeah, lose that real time thing)--is enough to make Graeme call it Crap (because it's even worse than he feared) and Brian call it a low Good (because it's much better than he feared) when it's really just Eh. If nothing else, I think that points to how much good will DC and Didio have burnt away post-Infinite Crisis and how much work everyone on this book has cut out for them. I was willing to give 52 between 10 to 12 issues to get things going; based on this issue, Countdown's got about 4 to 6. Hop to, guys.

GARTH ENNIS CHRONICLES OF WORMWOOD #3: This is the first issue I picked up and it was better than I was expecting--I guess maybe something more like Dicks, I guess--but between the near-wistfulness in Ennis' descriptions of Heaven and Jacen Burrows' suprisingly Dillonesque art, I thought this was the closest thing to Preacher I've read in a while--and not just Preacher as it tends to get remembered (twisted humor and over-the-top explicitness) but as I remember reading it (three amusing characters shooting the shit). A real pleasant surprise, although it might be a bitch to hunt up those back issues now. Highly Good.

GHOST RIDER #11: Dumb, dumb, dumb, but did have the benefit of having one sequence so over-the-top in its dumbosity (Ghost Rider rips out a guy's heart, causes it to burst into flames and then jams it back into the guy's chest) that the comic was, for one shining moment, enjoyable. Makes me wish they could figure out a way to set this on Awesome and Dumb rather than Awful and Dumb--this book is apparently selling no matter how terrible it is, so why not go for it?

GREEN ARROW #74: Yeah, whatever. I'm not really down with the marriage of Green Arrow and Black Canary so no matter how well it's done, it's essentially lipstick on a pig to me. But I would've preferred a bit less of the fiery couple checklist ("Arguing, then passionately kissing?" "Check." "Teh sex for hours and hours?" "Check." "The 'you make me want to be a better man' speech?" "Check.") and maybe a little more, I dunno, interesting stuff. Eh.

GRIFTER MIDNIGHTER #3: Reading this, I got the sense Dixon is auditioning to be part of the Wildstorm Cool Kids Club--"Hey, guys! I can write stories where nothing happens with a bit of smart-ass prickish narrative flair! See?"--but it reads like someone who--as Mark Twain said of his wife's swearing--"got the words right but don't know the tune." The art is pretty though, with a very lovely green miasmic color scheme going on, so I'd bump it up to Eh.

IMMORTAL IRON FIST #5: I am so in love with this book right now--any quibblage I've had in the past about action is gone now as this issue hurtles along from one neat scene to the next. And as in awe as I am at the skill with which Brubaker and Fraction have opened up the potential for the character, I think I'm even more astonished by David Aja's art which reminds me a lot, I think, of Gene Day on Master of Kung Fu but possessing none of Day's occasional stiffness (as I recall, it was only when characters stopped moving that Day's work suffered). There's still one or two things I think could be added to the mix, but I'm a lot more confident that they're coming. This book is Very Good stuff, although you might bump it down a grade if you have no former appreciation of the character and up a grade if you do. It's really a terrific, gorgeous-looking superhero book.

INDIA AUTHENTIC GANESHA #1: Another book that had me musing about Kirby, as this book is far too reverent and uninspired with regard to its source material to be at all interesting. Deepak Chopra's introduction has a little more juice to it since he's writing about the symbolism underlying Ganesha, but that's about all you're gonna get that has any vigor to it. Disappointingly Awful.

NOVA #2: Didn't bother with the first issue, but this issue was shockingly good. It's not just a post-Civil War comic that does a better job presenting Tony Stark as a complex figure than any other Marvel book out there, it's also a good Nova comic--featuring characters from the original series, concerns from previous incarnations that feel less like a continuity bog and more like the writers doing their research and crafting a fully-rounded character with some history. Admittedly, as a '70s Marvel nerd, my rating of Very Good is, like Iron Fist, rooted in absolute awe that characters I like are actually being handled with care by talented creators who know what they're doing, but I think the casual superhero reader would like this as well. Wow.

ULTIMATE POWER #5: If only this book had come out three or four years ago when I was still interested in either The Ultimates or Supreme Power...it could have totally turned me off to both ideas back then and save me some cash. Now, I just shake my head and wonder how either book is going to have any readers left in six months. Awful.

Arriving 3/14

I'm probably stupid to have not mentioned this before, but my understanding is that we DO have a large confirmed order of CAPTAIN AMERICA #25 (1st printings) coming in this Wednesday, and we currently have a list going at the store if you want to "get in line" for one. We are, last time I looked (Saturday) about 16 deep now, so we should be able to fill any request before Wednesday with no problem (with the normal cavaet, as we are with all books at all times, you're limited to 2 copies max, unless you preorder something) I also forgot to mention my appearance on issue #231 of the Comic Geek Speak podcast. I show up around the 51 minute mark, blabbing about sales and how retailers order things like 52 and COUNTDOWN. You can find that at http://www.comicgeekspeak.com/episodedetail.asp?episodeid=319 -- if you pay attention, you can hear the start of my cold, and maybe even me cooking dinner, or Ben in his bath. I really really want us to eventually do at least one test podcast ourselves here at Savage Critic, because I think that would rock.

This early daylight savings time is weird. I *think* I like it, but that's only because it gives me a decent chance of a second park trip with Ben in the afternoon for a couple of weeks here. We had a GLORIOUSLY beautiful day here in San Francisco for the changeover which was nice, except that I'm on tail-end of sickness, and desperate to catch up on paperwork and stuff, and Tzipora has gone into full-bore sickness -- 2 days behind me. Of course, she's fifty times healthier than I am, so she's not sleeping for 16 hours a day, just being low energy. Still, sucks to have a LOVELY day, and to be not at 100%.

Right, that's me catching up. Here's what's shipping this week:

2000 AD #1525 2000 AD #1526 52 WEEK #45 A LATE FREEZE AMAZING SPIDER-GIRL #6 ANGEL AULD LANG SYNE #5 ANT #11 AVENGERS EARTHS MIGHTIEST HEROES II #7 (OF 8) BATMAN STRIKES #31 BATTLE POPE #13 BATTLESTAR GALACTICA #7 BATTLESTAR GALACTICA CYLON APOCALYPSE #1 BETTY & VERONICA #225 BETTY & VERONICA DIGEST #173 BLADE #7 BLADE OF THE IMMORTAL #123 BPRD GARDEN OF SOULS #1 (OF 5) BUFFY THE VAMPIRE SLAYER #1 CARTOON NETWORK ACTION PACK #11 CIVIL WAR THE CONFESSION CVO AFRICAN BLOOD #3 DAMNED #5 DETECTIVE COMICS #829 FABLES #58 FRANKLIN RICHARDS MARCH MADNESS GARTH ENNIS CHRONICLES OF WORMWOOD #2 (OF 6) GEN 13 #6 GHOST RIDER #9 GREEN ARROW #72 GREEN LANTERN CORPS #10 GRIFTER MIDNIGHTER #1 (OF 6) GRIMM FAIRY TALES #13 (RES) HACK SLASH VS CHUCKY HELLGATE LONDON #3 (OF 4) IRREDEEMABLE ANT-MAN #6 JACK KIRBYS GALACTIC BOUNTY HUNTERS #5 JLA CLASSIFIED #36 JUGHEADS DOUBLE DIGEST #129 KNIGHTS OF THE DINNER TABLE #124 LONE RANGER #5 MAD MAGAZINE #476 MARTIAN MANHUNTER #8 (OF 8) MARVEL ADVENTURES FANTASTIC FOUR #22 MARVEL SPOTLIGHT CIVIL WAR AFTERMATH MOON KNIGHT #8 CW MYSTERY IN SPACE #7 (OF 8) NEW AVENGERS #28 NEW X-MEN #36 PTOLUS CITY BY THE SPIRE #5 (OF 6) PUNISHER WAR JOURNAL #5 ROBIN #160 SAM NOIR RONIN HOLIDAY #2 (OF 3) SANDMAN MYSTERY THEATRE SLEEP OF REASON #4 (OF 5) SPIDER-MAN REIGN #4 (OF 4) STORMWATCH PHD #5 SUPERMAN #660 TAG CURSED CVR A #2 (OF 5) TALES OF THE UNEXPECTED #6 (OF 8) TEEN TITANS #44 THUNDERBOLTS #112 THUNDERBOLTS PRESENTS ZEMO BORN BETTER #2 (OF 4) TRENTON DOYLE HANDBOOK WHAT WERE THEY THINKING GO WEST YOUNG MAN ONE SHOT WILDSTORM FINE ARTS SPOTLIGHT J SCOTT CAMPBELL WOLVERINE ORIGINS #12 WONDER WOMAN #5 (RES) WONDERLAND #3 WORMWOOD GENTLEMAN CORPSE #6

Books / Mags / Stuff AMERICAN ELF VOL 2 COLL SKETCHBOOK DIARIES OF JAMES KOCHALKA BACK ISSUE #21 BLUE MONDAY VOL 1 THE KIDS ARE ALRIGHT TP NEW PTG CEST BON ANTHOLOGY VOL 2 GN CRISIS ON MULTIPLE EARTHS THE TEAM UPS VOL 2 TP CRYING FREEMAN VOL 5 TP HARLAN ELLISONS DREAM CORRIDOR VOL 2 TP HIP FLASK CONCRETE JUNGLE HC IRON WOK JAN GN #23 KIN-DER KIDS SC KING CITY VOL 1 GN (OF 3) MS MARVEL VOL 1 BEST OF THE BEST TP NEW EXCALIBUR VOL 2 LAST DAYS OF CAMELOT TP PIRACY IS LIBERATION VOL 1 INFORMATION WANTS TO BE FREE GN PVP VOL 4 PVP GOES BANANAS TP SFX #154 SIZZLE #33 (A) STREET FIGHTER LEGENDS VOL 1 SAKURA TP STREET FIGHTER VOL 3 FIGHTERS DESTINY TP SUPERMAN BATMAN THE GREATEST STORIES EVER TOLD TABOO DISTRICT GN (A) TIMES OF BOTCHAN VOL 3 GN (OF 10) TOYFARE HASBRO SPIDER-MAN 3 MOVIE CVR #117 ULTIMATE SPIDER-MAN ULTIMATE COLLECTION VOL 1 TP VIDEO WATCHDOG #129 WARCRAFT VOL 3 GN (OF 3) WOLVERINE ORIGINS VOL 2 SAVIOR PREMIERE HC WORLDS OF AMANO HC WORMWOOD GENTLEMAN CORPSE VOL 1 TP YUKIKOS SPINACH NEW EDITION GN YURI MONOGATARI VOL 4 GN

What looks good to you?

-B

Miles to go before I wake

So, I've been asleep for about 30 of the last 36 hours. Neat! I think I'm largely over my cold now, but I'm still moving at just a fraction of normal speed here, so take pity on the old man for missing a day of daily blogging. Let's do just a couple of comics before I have to go pick Ben up from school and go to work:

MIGHTY AVENGERS #1: Its big and goofy, filled with explosions and people hitting giant monsters. Its basically just fun. THAT'S pretty much what I've been wanting from an AVENGERS comic for a while, and this was the first time in (uh, like 3 years?) that I've thought that Bendis had the rythym of the "suepr team". I'm just a little less excited by the thought baloons (because they're mostly being used for shtick), but overall, I thought this was a fun little Marvel funny book, and a nice change from the sturm und drang of CIVIL WAR. Shockingly GOOD.

CIVIL WAR: THE INITIATIVE: Every single copy we recieved has mis-printed -- the Tbolts story repeats, and the final story is only the final 4 pages. Still, I think I can judge the contents pretty well. Its basically "BRAVE NEW WORLD" for 5x the price. How well that sits with you is likely to come down to how much you like Mark Silvestri's artwork, and I think he's over-rendered, and a mediocre story-teller. The price tag would have been less insulting had the "previews in the back" not been stuff out THIS week (or, worse, LAST week), but man, $5, seriously? AWFUL.

FANTASTIC FOUR #543: Wow, there's something deeply creepy about that cover, isn't there? Probably the worst-timed 45th anniversary ever, given what's going on in the Marvel U right now, and sadly, filled with a big bunch of "I don't buy it"s. I don't buy that Reed and SUe "reconcile" that easially. I don't buy that Johnny & Ben are so wedded to the FF as a *concept* that they're looking for new members. I don't buy that Panther and Storm make ANY sense whatsoever. So, the lead story? Pretty meh. But the backups pretty make up for it -- Stan Lee and Mike Allred, both being pure-injections of themselves, on one story, PAUL-freakin'-POPE on the other. Wow. That pulls the wqhole thing up to a GOOD for me, man.

OK, back later with more....

what did YOU think?

-B

And on the 8th day came the plague: Hibbs & 3/7 (part 1?)

All that "tired" I've been feeling this week has turned into full-fledged "sick", and my nose is leaking like a sieve. So, in the interest of being able to go to sleep early, just one book today:

CAPTAIN AMERICA #25: I was less of a fan of the telegraphing of the issue (ie: all the "And here's why Steve is just the ginchiest!" stuff, and I thought the "Remember" flashback was pretty awkwardly staged as a story beat, and I also thought that as an "epilogue" to CIVIL WAR, this wasn't the statement *I* would have made (America Dies) in the wake of what they seem to want to be presenting as the through line (Surrending civil liberties is a good idea!), and I wonder how many people in the offices see that meta-textual read. Also, this is the SECOND assassination attempt during CIVIL WAR (remember, that's what turned poor ol' Robbie into PAINMASTER, THE GOTH-MAN AVENGER)

Also, as is probably not to be surprised, I don't much buy that Steve Rogers is "dead dead" -- I can think of at least 2-3 ways out of this story without even straining, and I'm no fancy writer-man, AND that doesn't even count the "cheap" kind of resurrection of Captain Marvel in THE RETURN. Steve will be back, probably within 3 years, more likely by issue #50. I do hope that Bucky doesn't become Cap -- Sharon'd be a much cleverer choice (but then, I think Ralph and Sue should come back as crime-solving ghosts, ala TOPPER, so what do I know?), but, for the most part, I trust Brubaker on this.

See, despite my sort of base level hesitations as noted above, I thought this was a pretty competent and well told story; one that, if a civilian were to read it, might possibly get them interested in comics over the long-haul. There's certainly craft on display here.

I wish Marvel had laid out the score for us a lot better -- certainly when Superman was killed, we knew MONTHS in advance, and it resulted in millions of copies ordered. Even with the supposed generous overprint, I'll be surprised if we end up with even the same number of copies of CAP #25 on the market as CIVIL WAR (ie, nowhere near enough). The REAL problem is, because (I'm guessing) the reorders are going to fill from newstand copies, and because of the way that Diamond and Marvel work with OSDs (over-short-damage), it seems likely that reorders won't arrive for 2 more weeks. That's going to be way too late, I think.

Anyway, all that aside, yeah, good craft, I'll go with a (low) GOOD.

What'd you think?

-B

It's not all Civility, you know: Graeme reviews other books from 2/21.

So, Kate's sick. I know this because she keeps telling me, just in case I'd forgotten since the last time she told me. In between updates on her condition, she's keeping herself entertained by watching all of the television we have on TiVo from this past week, which we hadn't managed to watch because we had houseguests who - horror of horrors! - weren't fans of shows like The OC (Arune! Please tell me that you were getting all choked up at the end of it as well), Veronica Mars or Kate's current favorite, Spike's reruns of Star Trek: Voyager. Me, I'm getting 'round to reviewing things and fielding Kate's questions as to when I'm going to make her soup or hot chocolate, so I'll be quick for a change. AMAZING SPIDER-MAN #538: Ehhhh, Awful. This issue just seems to show that J. Michael Straczynski either isn't getting updates from editorial or doesn't care what's happening in other books - the Kingpin is shown to be a mover and shaker, even though he's already been defanged and disposed of in Daredevil (Yes, I saw the "this takes place before" caption, but even still, it's an odd choice to place the character center stage of this latest "status-quo" changing event, knowing that he's due to be written off entirely soon), and the tie-in to Civil War #7 reads as if he doesn't know what actually happened in the issue itself, especially with the "some who will never get up again" bit," considering that only Clor died in CW. Maybe it's that, or maybe it's the story itself, but the entire book had the feeling of filler, trying to squeeze out as many extra pages as possible before dealing with the cliffhanger from last issue. And when that cliffhanger gets resolved - in the last couple of pages - it's dumb to the point of slapstick: Aunt May gets shot by mistake! Because she just happened to be in the line of fire, which means that Peter, Mary Jane and Aunt May were all standing in an exact line! No fun, and I still don't see why Spidey's going to wearing his black costume next issue. Whoever said that it's because black is slimming and helps hide Peter's comfort-eating may be onto something, though.

THE BRAVE AND THE BOLD #1: God, remember when DC superheroes could team up without crying or rape? Mark Waid does, providing a Very Good revival of the old team-up title that captures some of the goofy fun of the classic Bob Haney era: Bruce Wayne and Hal Jordan going undercover in a casino where Hal wins the money and the ladies! Batman versus aliens! High concept murders (64 identical victims killed in identical ways)! This is what I want from my superhero comics, and I'm even willing to forgive unclear action sequences - what exactly happened in the Batcave? How did the penny get involved? - for lines like "Batteries to power... Turbines to speed" and the nerd glee they provide. Here's hoping that they can keep it up in the following issues.

NEW AVENGERS: ILLUMINATI #2: Okay, so that was unexpected. We've all heard of Deus Ex Machina conclusions, but never Deus Ex Disappointed In You, Reed ones like we get here. If this issue isn't setting up some kind of conclusion for the Civil War universe, then I really have no idea what the point of it was - The Illuminati have all powerful cosmic gems that allow them to control time and space and stuff and say they're never going to use them and... well, that's it. It seems to contradict recent continuity, as well - If it happens after the end of Dan Slott's first She-Hulk series, did Professor X still have his powers by that point? Wasn't he vanished or something? (Paul O'Brien, where are you with your knowledge of X-Men continuity?) - and all seems very strange in light of what happened after that time: Why didn't the magic gems get used during Civil War (to, I don't know, go back and time and prevent the destruction of Stamford, for example?) or to deal with the Hulk instead of sending him into space? It's a retcon that doesn't make sense at all, in an issue that doesn't seem entirely convinced of it itself. Crap.

LOCAL #8: Brian Wood mentions in the text at the end of the issue that he's realized that this series is really all about Megan's life as opposed to a series of one-off stories that just happen to feature the same character in some way, so it's probably fitting that I ended up reacting to this less as the return of a series as seeing a friend for the first time in too long. I admit it; I'm a soft touch for Wood and Ryan Kelly's tour around America and a life, especially as both creators seem to be getting better with each issue - Kelly in particular puts in a stellar performance here, managing to give Megan the sense of seeming older than she was last issue without it being immediately obvious. Good, and hopefully Wood and Kelly's lives have settled to the point where we'll see this every month again.

SPIDER-MAN FAMILY #1: Worth buying for the reprints alone, as the Len Wein/Ross Andru Amazing issue and "Spider-Man J" both manage to amuse and entertain. The brand new stories less so, with both of them less complete stories and more filler to point towards later events with generic script and art. Okay, even if it's clearly aimed towards the Spider-Man 3 fanbase (Black costume Spidey versus Sandman? I would never have seen that coming).

THE SPIRIT #3: I don't know why I'm surprised, but another Excellent issue, as Darwyn Cooke revisits the Spirit's origin and sets up what looks like an ongoing plotline for future issues with style and speed - Moreso than earlier issues, the star here is the art, with Cooke and colorist Dave Stewart teaming up to give the flashback scenes a look that's both beautifully 1950s retro and contemporarily original. Each month, this book just keeps raising the bar on what you to expect from an ongoing mainstream superhero book. Which, of course, means that Superman will probably show up by #9 to crossover from Countdown to bring the tears. Pessimistic? Me?

PICK OF THE WEEK, despite the awesomeness of Spirit, is actually The Brave and The Bold, because sometimes you want ice cream instead of steak. Or something. PICK OF THE WEAK is Civil War #7 (or New Avengers: Illuminati #2, if you want one from this set of reviews), because, well, you know. TRADE OF THE WEEK, for me, is between a couple of pre-release sneaks that I got sent this week - AiT/PlanetLar's The Homeless Channel and First Second's The Professor's Daughter. Proper reviews for both coming when I finish the next set of book reviews, but for now, pre-order both safe in the knowledge that the houseguests loved The Professor's Daughter, at least.

Next week: Wondercon! Which probably means no reviews, sadly. But is anyone here going?

It's not you, it's... No, you're right, it's you: Graeme's letter writing to the book of 1/24.

Dear Marvel, I believe that the acronym that the kids today would use today to describe my feelings about your much-hyped one-shot addition to the whole Civil War "event", CIVIL WAR: THE RETURN, would be - if you will - "WTF?". I have read your comic in question multiple times by this point, admittedly because the first time I read it, I was kind of stunned by it. I read it, and my mind kind of locked up. And not in a good way, Marvel. Not in a good way.

Here's my thing, Marvel: I don't understand what you're doing. I don't get why you're bringing this particular character back, or why you're bringing this particular character back in this particular way. If this were not really a letter that I'm writing to you, but instead a post for an online review blog, I would feel compelled to tell anyone who really cared that it's time for a Spoiler Warning right now, so that we could talk openly, Marvel. I feel that we should talk openly, don't you? Good. So, Marvel, here it is. I don't care about Captain Marvel. And I don't really think that anyone else really does, either.

I mean, seriously. When was the last time that anyone was screaming for the revival of Captain Marvel? Or, for that matter, that anyone really talked about Captain Marvel outside of the context of the fact that he died? That's been the entire value of the character, for the last twenty-odd years - That he was dead, that he was staying dead, and that he died in mundane circumstances that brought a gravity and realism to the Marvel Universe in a way that exemplified the whole "world outside your window" Marvel thing in a way that had never really been done before with one of the main characters before - much in the same way that Barry Allen has been much more worthwhile as a sacrificial Crisis lamb over at DC. So, you know, bringing him back for no immediately apparent reason and in such a dumb, pointless manner (Never mind a manner that was done last week in 52, and in a much more fitting manner, which has really got to hurt, especially considering Steve Wacker, editor of this book, was also editor on 52 when that storyline started... Hey... wait... Does that mean that this could possibly be a more deliberate reference to the Booster thing...? And, now that I've mentioned Barry Allen, dude! This is exactly the way they always have Barry guest-star to be the Silver Age icon in Flash or Green Lantern or whatever! And it's cheesy even then, even when it's very clearly temporary!)... I don't get it. What's the point?

It hasn't been a good couple of years for death in the Marvel Universe, let's face it. Bucky is back, Colossus is back, hell, even (an) Uncle Ben is back, so perhaps this is some kind of weird post-modern self-commentary thing. Are you trying to make some kind of point about the revolving door, worthless nature of "death" in ongoing superhero narratives, Marvel? Is the fact that Captain Marvel returns to us not as the character that he was before, but instead as a buff depressed Emo kid who wants to listen to Evanescence who just happens, is that meant to represent the insecure overly emotional loner that each comic reader is, and... Oh, no, wait, never mind. I forgot, Emo is in at Marvel again. Especially in Paul Jenkins books, where he's overloading on the "To be a hero, I must feel pain" thing (Sentry: "To be a hero, I must be schizophrenic and deal with the fact that I could accidentally destroy the world!" Penance: "To be a hero, I must pierce myself with spikes!" Captain Marvel: "To be a hero, I must use my super-bracelets that give me special mutated cancer!"). Never mind. Maybe I should just go and get some eyeliner or something so that you'll be my friend again.

Don't get me wrong, though, Marvel. The Captain Marvel story, as shitty as it is - and boy, am I glad to know that he's going to be seen in an all-new Captain Marvel #1 real soon! - still wasn't the worst thing about the book. I love that you keep giving work to Paul Jenkins, because who else could make the second story in a oneshot, a story that's been advertised by the editor of changing the entire status quo of the character and making the new Mighty Avengers series possible in the first place, such a non-event. Any hack could've made that half of the book dull, but only Paul could've made it center around a decision that most readers of Civil War thought that he'd made months ago. I mean, how is there any dramatic tension in wondering if the Sentry is going to register with the Superhuman McGuffin Generic Political Act of 2006 - 2007 when we've all already seen him team up with Iron Man and fight people who don't want to register for the last couple of months? There's something to that kind of thing, Marvel - Call it balls, call it gusto, hell, call it laziness that betrays a disdain for the fans who have shelled out money for this bullshit - that's just impossible to ignore.

So, yeah. I don't know what to tell you, Marvel. I was kind of impressed that you'd managed to get some kind of fan expectation about this obviously-last-minute-addition-to-the-schedule oneshot, especially considering the general apathy that's settled into "fandom" about Civil War in general, and to see the book itself be something so breathtakingly worthless and naval-gazingly, cringeworthingly Ass... It kind of brings a lump to my throat.

Oh, no, wait. That's bile. Sorry. Very easy to get the two confused.

Best to the kids. See you this summer!

Love, Graeme

***

Dear Internet,

I'm sorry that I don't have time to write anymore reviews this week - especially considering that Wolverine #50 proved once and for all that, as nice a stylist as Simone Bianchi is, a Wolverine comic that has art that looks like Heavy Metal and a script that reads like it's been produced by a computer fed with Mark Millar and Chris Claremont comics for years on end is still pretty Crap - but it's been an endless fucker of a week - The one highlight of which was the "She's Such A Geek" reading last night at City Lights, headed up by Charlie Anders and Annalee Newitz (who were both very nice to meet, even if I was sick and potentially just talking shit endlessly because I was nervous. If so, I'm sorry, the two of you. And also sorry to Devin Grayson, who was one of the authors doing the reading, and whom I probably bored to tears even though she hid it very well). For those of you who are free next Thursday night and in San Francisco, they're doing another reading at Modern Times on Valencia, and if it's anything as good as last night's, is highly highly recommended - and the Savage Critic illness curse has struck again, so I'm on reduced Criticing for a week. If you want non-reviews, though: PICK OF THE WEEK is probably Criminal #4, PICK OF THE WEAK is easily Civil War: The Return, and TRADE OF THE WEEK is Bryan Lee O'Malley's Lost At Sea, which I finally read this week after months of meaning to do so.

Okay, now I'm going to finish preparing the house for the arrival of my mother-in-law, and also to make a Theraflu and feel sorry for myself.

What did the rest of you read this week?

The Sick Trick: Jeff's Review of 12/13 Books.

I'm not capital-S Sick but I am little-s sick: mildly feverish and runny nose to beat the band, sore throat when I wake up, etc. Combine that with the newsletter deadline and a shortened workday on Friday so I could attend the non-CE holiday party, and you've got the makings for a whiny, weepy & short set of reviews. Speaking of whining and wailing, has anyone made the jump from Blogger to Blogger Beta and, more specifically, the jump from Haloscan to Blogger Beta's improved commenting system? We're going to be making the jump soon (like by the end of the year soon) and I'm trying to figure out if I should muck about with the template so that Haloscan is still accessible. Any comments or advice you'd want to share would be welcome.

And with that:

52 WEEK #32: It would've been nice, although too much to ask apparently, that Ralph's tour through the magical side of the DCU showed how the universe's magical side had been broken post-Crisis rather than highlighting how much it's always been broken. Here, Mr. Dibny gets an "all is love; time is an illusion" message from Rama Kushna that doesn't quite seem to jibe with, you know, hell and everything that Ralph's already visited--to me, it just underlines how the magical DCU is a bunch of utterly contradictory ideas and intentions awkwardly jammed under one celestial roof. An overall Eh issue, I thought.

BATMAN #660: I spent most of the issue thinking, "Johnny Karaoke? That's an awesome idea! No, wait, that's a horrible idea! No, wait, awesome!" It seems to require a certain balancing act that maybe Mr. Morrison could have pulled off, but Mr. Ostrander certainly cannot. Finally, that final line of Batman's ("Get ready to bleed.") seems very pre-OYL Bats, doesn't it? (And also kind of silly: is the bad guy supposed to let out the choke on his corpuscles or something?) Considering this shipped only two weeks after the last one, you'd think the editor might've taken a little more time to straighten things out. Drops to an Eh for me, because I expect more from an issue with a character named Johnny Karaoke, and more from an issue of Batman than a "hmm, what've we got in the inventory drawer?" approach.

BLADE #4: Despite that awesome cover and the hilarious blurb from the Spurge, and an enjoyably candid letters page, I was pretty meh about the issue--I just didn't buy that a body-shifting creature would work itself into a corner that easily. It's still probably the best Blade title Marvel's ever published, but my OK rating is still being a bit too generous, probably.

BULLET POINTS #2: Hibbs entered his judgment of "Who cares?" back with the first issue, and this second issue proves him right on the money. While there's some lovely visuals--that Hulk rampage looked fantastic, I thought--the point seems less "how completely different the world will turn out" and more, "and that's how Matt Murdock became Galactus's herald" which I had more than enough of back when I was reading What If. Will likely prove to Hibbs right, in short, and utterly Eh-worthy as a result.

DAMNED #3: This is the issue in which I realized I will be picking up the trade--it's clever and sharp and not quite readable without the other issues nearby. Good stuff, though, and worth picking up.

ESCAPISTS #6: Despite the character beats feeling a bit rushed, I liked the ending to this quite a lot--it seemed very faithful to the Jack Kirbyishness of the Escapist, as our heroes miraculously turn defeat into victory. It's kind of a shame that Dark Horse finally gets a creative team that can handle Chabon's ideas with something approaching the original novel's alacrity and it has to end after only six issues. I guess that's the way it rolls in our to-the-trade industry but it's a shame I won't have more Good issues to be on the lookout for.

EX MACHINA #25: Took a character I didn't much care about--Bradbury--in a title I've been cooling on, and manages to turn it all around on a dime. My bipolar love affair with Ex Machina continues as I found this to be a pretty Good little done-in-one.

EXILES ANNUAL #1: I liked just about everything this book did--took the classic trope of two versions of the same team battling one another, added a shiny red reset button for anyone who might want to use it in the future, and brought back one of my favorite villains--but I was left pretty cold about the way it did it all. If nothing else, the two teams, despite having largely different line-ups, had essentially the same characterization and that underscored how generic and samey the title has felt for a while. Eh, unfortunately.

GHOST RIDER #6: Bizarro comics week continues as the most annoyingly disposable title in Marvel's line-up becomes compelling thanks to the addition of artist Richard Corben. The story was pretty disposable, cutting badly back and forth between the present and the past, but Corben's art made it all spooky, funny and strange: Hibbs pointed the title out to me because he was impressed with how Corben made the Ghost Rider really look like a flaming skeleton, but I thought Corben brought a glitchy stoner washout look to both Blaze and Blaze's cellmate that was similarly fresh and appealing. I hate advocating books solely on the basis of the art, but for $2.99 you get some damn Good art here.

SPIRIT #1: Now, as long as I'm advocating books for the art, I can totally give this a Good: Cooke's art and visual storytelling are amazing and I kind of can't believe we're going to have the good luck to get it at $2.99 a pop rather than hefty prestige format prices. But once I look past the art, I think this first issue runs dangerously close to being a flop. As relieved as I am that Cooke didn't try for the difficult mix of noir and vaudeville Eisner utilized, going for just the noir isn't going to cut it. If The Pill--more visually grotesque than any Eisner villain I can remember--is an indicator of where the book is heading, then it's a road I'm not going to enjoy travelling down. (And if the little crawlers at the bottom of the NNN broadcast scenes are indications of what we're in for if Cooke tries to develop the humor angle, I'm not too optimistic about that development, either.) I thought the scenes with Ebony were quite good, however, and the art really is first-class so I'm definitely along for the ride. But I think even I weren't feeling sick and lousy, I'd be griping about this title. I guess we'll see, won't we?

WOLVERINE #49: Hmmm. You'd think sticking Wolverine in the middle of Die Hard would be great in a "hot dog wrapped in bacon" kind of way, right? In fact, it's kinda lame although compelling art & some clever dialogue will half-convince you otherwise--Wolverine has to share the spotlight with an underdeveloped John McClane type and the story doesn't end so much as messily stop, and so a lot of the set-up doesn't deliver. (The whole thing suffers by comparison to the iconic wit of the cover, too.) If I didn't have to pay an extra buck for it, it'd be OK, but at that price it too gets consigned to the endless fires of Eh-dition.

PICK OF THE WEEK: Either of the Vaughan books, Damned if you can get all the issues all at once, maybe Ghost Rider, and maybe The Spirit.

PICK OF THE WEAK: 52, Batman, Bullet Points, and probably a bunch of other stuff I didn't get around to reading.

TRADE PICK: Finally, the real reason why I'm cranky comes out: I've got both The Drifting Classroom and Sgt. Frog sitting unread in my pull box where they'll stay until next week. It pains me, it really does.

But I'm sure you weren't nearly as cranky as I was. What'd you think?

Arriving 11/22

I really wanted to get reviews done last week, but I got flattened by the Flu (also known as: Children are Disease Carriers, yes) -- it would be nice if my blog had, you know, content from me. So, Tuesday, for sure, I'll have soemthing up on last week's books, promise.

Here's what's coming this week:

24 NIGHTFALL #1 (OF 6) 52 WEEK #29 ACTION COMICS #845 ALL NEW OFF HANDBOOK MARVEL UNIVERSE A TO Z #11 AMAZING SPIDER-MAN #536 CW ANGEL AULD LANG SYNE #1 ANGRY YOUTH COMIX #12 ARCHIE & FRIENDS #105 AVENGERS EARTHS MIGHTIEST HEROES II #2 (OF 8) BETTY & VERONICA DOUBLE DIGEST #147 BIG BANG COMICS PRESENTS PROTOPLASMAN #3 BIG QUESTIONS #9 BLUE BEETLE #9 BOYS #5 BUCKAROO BANZAI #3 (OF 3) CARTOON NETWORK BLOCK PARTY #27 CASANOVA #6 CIVIL WAR FRONT LINE #8 (OF 11) CLASSIC BATTLESTAR GALACTICA #2 CONAN #34 CONNOR HAWKE DRAGONS BLOOD #1(OF 6) CREEPER #4 (OF 6) DAMAGED #1 DAREDEVIL #91 DEAD AT 17 VOL 2 #2 DEVILS PANTIES #6 DRAIN #1 DWIGHT T ALBATROSS THE GOON NOIR #2 (OF 3) ELEPHANTMEN #0 ENIGMA CIPHER #1 (OF 2) EXILES #88 FANTASTIC FOUR THE END #2 (OF6) FATHOM #11 FUTURAMA COMICS #28 GODLAND #14 HAUNTED MANSION #5 HAWKGIRL #58 HELLSTORM SON OF SATAN #2 (OF5) HEROES FOR HIRE #4 HORRORWOOD #4 (OF 4) IMPALER #2 (OF 4) JACK OF FABLES #5 JOHN WOOS SEVEN BROTHERS #2 JSA CLASSIFIED #19 LOOKING GLASS WARS HATTER M #4 (OF 4) MAN CALLED KEV #4 (OF 5) MARVEL SPOTLIGHT BRIAN MICHAEL BENDIS MARK BAGLEY NEW EXCALIBUR #13 PERHAPANAUTS SECOND CHANCES #2 (OF 4) PIRATES OF CONEY ISLAND #2 (OF 8) PLANETARY BRIGADE ORIGINS NEWSCHOOL CVR #1 (OF 3) PUNISHER WAR JOURNAL #1 CW RED MENACE #1 (OF 6) RUNAWAYS #22 SAM NOIR SAMURAI DETECTIVE #3 SAVAGE RED SONJA QOTFW #4 (OF4) SCREWTOOTH #2 SIMPSONS WINTER WINGDING #1 SNAKEWOMAN #5 SPIDER-MAN LOVES MARY JANE #12 STAR WARS KNIGHTS OF THE OLD REPUBLIC #10 STREET FIGHTER II #5 ALVIN LEE CVR A SUPERGIRL AND THE LEGION OF SUPER HEROES #24 THE EXPERTS #1 TRANSFORMERS ANIMATED MOVIE ADAPTATION #2 (OF 4) TURISTAS OTHER SIDE OF PARADISE BOOK ONE ULTIMATE SPIDER-MAN #102 UNCLE SAM AND THE FREEDOM FIGHTERS #5 (OF 8) UNCLE SCROOGE #360 USAGI YOJIMBO #98 WALKING DEAD #32 (RES) WALT DISNEYS COMICS & STORIES #675 WOLVERINE #48 CW WONDER WOMAN #3 X-FACTOR #13 ZOMBIES ECLIPSE OF THE UNDEAD #1

Books / Mags / Stuff ALEX RIDER STORMBREAKER GN AQUAMAN 13 INCH DELUXE COLLECTOR FIGURE ASIAN CULT CINEMA #52 ASTERIX AND THE FALLING SKY SC BATMAN DARK KNIGHT ARCHIVES VOL 5 HC BETTIE PAGE BY OLIVIA HC BLAB VOL 17 GN CAPTAIN AMERICA RED MENACE VOL 2 TP COMICS BUYERS GUIDE FEB 2007 #1625 COMPLETE OMAHA THE CAT DANCERVOL 5 TP (A) DONT GO WHERE I CANT FOLLOW GN ESSENTIAL CAPTAIN AMERICA VOL3 TP FLASH VINTAGE MESH CAP HAYATE COMBAT BUTLER VOL 1 TP HEROES REBORN CAPTAIN AMERICATP HOT MEXICAN LOVE COMICS 2006 IRON WOK JAN GN #21 JORDI BERNETS THE BEST OF CLARA HC JUXTAPOZ DEC 2006 VOL 14 #12 LUCKY HC MARVEL HOLIDAY DIGEST TP MONSTER WAR TP MOOMIN COMPLETE TOVE JANNSON COMIC STRIP VOL 1 HC NEW X-MEN OMNIBUS HC READ OR DREAM VOL 1 TP SEQUENTIAL ART ANTHOLOGY VOL 2 SCIENCE TP SHOWCASE PRESENTS THE UNKNOWNSOLDIER VOL 1 TP SONIC THE HEDGEHOG ARCHIVES VOL 1 TP SQUADRON SUPREME VOL 1 PREWARYEARS PREMIERE HC SUPERMAN BATMAN VOL 3 ABSOLUTE POWER TP SWAMP THING VOL 9 INFERNAL TRIANGLES TP TEZUKAS BUDDHA VOL 4 FOREST OF UNVELA SC VIDEO COLLECTED ED TP WILL EISNERS CONTRACT WITH GOD SC WILL EISNERS DROPSIE AVENUE SC WILL EISNERS LIFE FORCE SC WIZARD COMICS MAGAZINE IRON MAN CAPT AMER CIVIL WAR CVR #183 WORLD WAR 3 ILLUSTRATED #37 UNNATURAL DISASTERS Y THE LAST MAN VOL 8 KIMONO DRAGONS TP

What looks good to you?

-B

Not Quite Ill, Far From Well: Jeff's Reviews of 7/26 Books....

Maybe it's allergies and not a cold at all. All I know is, between it and all the Walgreen's Rest Easy Nighttime Cough syrup(compare to the active ingredients in Vicks Nyquil Cough) I've been consuming, I'm simultaneously most of the Seven Dwarfs at once: Grumpy, Sneezy, Sleepy, Doc and Dopey (good Christ, do I feel Dopey!) plus a few others left out of the original--Lazy, Coughy, Whiney and Rarely Ambulatory. Any words of condolence you wish to proffer to my wife will be duly forwarded. On the other hand: comic books! They're a pip, ain't they?

52 WEEK #12: I mean, check out 52. I dug this issue quite a lot, although part of that is undoubtedly me being smack-dab in the middle of that "Wow, that JoAnna Cameron was sexy" demographic they're courting with the debut of Isis, and part of it is being able to close the book without the taste of "Jurgenized" continuity in my mouth. But I'd also submit the longer scenes of the last few issues help stave off the sense of the book running in place, and some of the threads are finally coming together. As long as I can pretend that's not really Captain Marvel and not really Ralph Dibny but shabby impersonators, then I can think of this as a solidly Good issue.

ACTION COMICS #841: I also liked this as well, as Busiek has a solid handle on how to keep a Superman story interesting (keep it very, very busy) and the art was solid. There's a few things I could gripe about, but that's probably the cough syrup talking and if they're still bothering me next issue, maybe I'll mention 'em. Good.

AMAZING SPIDER-MAN #534: From what I can tell, JMS is running through a snug gauntlet of continuity (this issue crosses into his FF issue, and parts of it seems to take place between the pages of Civil War #3) and he does a solid little job with it--as I think I've said before, Straczynski seems to have a better handle on how to make the Civil War resonant than Millar does--even though it's really tough to buy that Spider-Man, one of the few Marvel heroes to be genuinely hunted by the authorities, would actually help perpetuate the burden under which he suffered. It kinda works as long as it's kept very rhetorical questionish--"if I'm doing good, why do I feel so bad about it?"--but once Spidey (or the audience) thinks about it for more than fifteen seconds (as he should have by now), things should be changing a lot more quickly than they are (or, presumably, will be). In short, I can feel the plot dampers in place, keeping anything from happening until the story outlines say it should, and that's kind of a drag. OK, though.

ANNIHILATION NOVA #4: One of the books I didn't review last week that I'm throwing in this week, because, you know, how could I have collected comics for over thirty years without becoming strangely compulsive in weird, hard-to-explain ways? Overall, this wrap-up did what it was supposed to do (with the added bonus of making me like Quasar before, of course, killing him off): Annihilus seems like a bad-ass; the Nova/Drax apprenticeship makes sense; and the mini wrapped up without seeming like too much of a blind money-grab. It was pretty OK, and left my chops at least mildly whetted for the Annhilation event.

ANNIHILATION RONAN #4: This ended up my favorite of the four minis and most successful overall, even though the art took an unexpected dive in the last issue because the artist was rushed, or decided to ink with thick sharpies, or something went awry in the repro process and fucked up the fine linework I'd been grooving on. It kinda sorta tied into the Annihilation happenings by having the wave arrive and fuck up everyone's Christmas (apologies to MC Chris for the incorrect use of the term). Also, the Marvel Universe isn't complete without at least one of all-powerful dude with a cosmic stick stuck up his ass, and the creative team made a fine case why Ronan The Accuser is the right man for that job. Good, even though, man, that art was just so tasty in the first three issue and just so very meh in the finale. I cry a little. I really do.

AQUAMAN SWORD OF ATLANTIS #43: Pretty Good, despite being unable to truly please anyone. Hibbs doesn't like it that it's too focused on Atlantis and he doesn't care about Atlantis. I don't like it that it's still too rooted in the DCU, and every other goddamned book is set in the DCU and I want an underwater Conan book dammit. Poor Aquaman: is Itunes the only place he can ever truly win?

ASTRO CITY SAMARITAN SPECIAL: Even though Hibbs probably won't write reviews this week (he has me in some sort of horrific Catch-22/quantum conundrum where if I post, he insists that he doesn't have to, even if all I'm is writing a plea for him to please just put aside some motherfucking time and motherfucking post), I won't cockblock his review and tell you all the cool things he thought about this issue. Instead, I'll just say this was a Very Good Astro-City story, which really doesn't require the reading of any previous issue (except maybe the very first) and posits an interesting twist on the "mad genius" archetype that a "Superman" archetype such as Samaritan might end up with. It reminded me of those later issues of Moore's Miracleman where the writer convincingly portrays the mindset of a vast and timeless intelligence. I liked it.

BATMAN #655: Kinda shocked I didn't love this. The truly deranged opening was a nifty piss-take on the current grimmer-than-grim take on Batman, but rather than it being framed as a dream sequence or a story-within-a-story, Morrison puts forward the idea that Batman and the authorities threw a gunshot Joker in a dumpster and then just drove off. Hmmmmm.... If you can get around that little bit of mission statement asserting itself as continuity (and, to be honest, I couldn't), the rest of the issue is pretty good, with Kubert being a surprisingly strong bridge between the Jim Lee Batman and a more retro (think Adams & Aparo) Batman, and all the story pieces being set into place with wit and charm. With severe reservations, I'll say this was Good, if only because I'm really looking forward to next issue's nine million Man-Bat ninjas.

BIRDS OF PREY #96: As ever with Birds of Prey, I truly love all the character stuff and can barely remember the action stuff. It took me five minutes to remember that the Birds had gotten tricked into fighting Black Alice and, honestly, I still can't remember how the issue ends--at all. (Although, you know, let's be fair and blame all the cough syrup.) (Oh, hey, wait. I remembered the ending! I guess we should blame the cough syrup.) This book is highly OK and Gail is clearly actively working to kick things up a notch and hold the reader's attention span, but in this reader's case, it's still not working. Wish I could say why.

BLACK PANTHER #18: I could spend 3,000 words on this issue and barely begin to touch on why it creeped me out but let me try to concisely summarize, at the risk of being misconstrued and mischaracterized: Say what you will about Chris Claremont, but for many years (before the psychic-rape fixation really kicked in) he made a African (and American) woman a popular figure in a genre that didn't exactly boast a surplus of such characters (or a surplus of such readers, for that matter) and she commanded, for quite a while, a lot of dignity and respect. And say what you will about Reginald Hudlin, but in making Storm a perfect mate for the Black Panther--she's now a princess, she now has family, she now has a love of her life for which she's always pined--he's stripped the character of anything recognizable apart from superpowers and physical appearance. Feminists looking for examples of the whole "marriage as slavery" argument will find a lot of interesting metatext in this issue as, despite Storm being a popular character in the most popular comic book of the last thirty years and the Panther being a cool character who can barely keep a book for the last six, the achievements bandied about by the BET presenters (and what a creepily self-serving plug that is, coming from the President of Entertainment for BET) are nearly all the Panther's, and all of the famous friends--"Reed and Sue Richards, Captain America, Iron Man"--are the Panther's, as well as it being the Panther's rules by which they marry, the Panther's country, the Panther's god which Ororo must appease, etc., etc., etc. In short, the book is creepy, cynical, self-serving, patriarchal and--seeing at it forgets that Ororo already received the approval of the Panther God in that recent X-Men Annual that ties into this story--sloppy. No, sir, I didn't like it. It was Crap.

BLUE BEETLE #5: The guest artist threw this issue off its game--that heavily symbolic showdown at the U.S. border looked more like a slugout in the parking lot of a Petco--but not by much: I'm still enjoying the charm of the writing and the design of the title character. It's a Good book. I hope you're reading it.

CAPTAIN AMERICA #20: The first of two stellar Brubaker books this week. I've groused (Christ knows, I've groused) about Bucky, pacing and what-have-you on this book, but this issue really pulled it all together. Dynamically paced, this was an effortlessly enjoyable read where you could feel every bit of careful character definition start to pay off. Throw in the return of an old-school character that looked enitrely creepy and menacing and you've got yourself one Very Good issue of Captain America.

CASANOVA #2: Last issue, I compared Fraction to Tarantino. This issue, I'm comparing him to Dave Eggers, not least because his afternotes seem, like Egger's preface to A Staggering Work of Heartbreaking Genius, the work of a clever and witty second-guessing control freak deathly afraid of being seen as a second-guessing control freak. Don't get me wrong, it's a very fun issue, and solidly Good work, but I hope the emphasis in the notes of later issues try a little less to jujitsu me into complying with authorial intent.

CASTLE WAITING VOL II #1: Wait, but... is this all-new, or the stuff that Medley left out of the trade but with some new? I'm deeply confused and so held off on reading it although it looks really stellar. I should just cave in and buy it and the hardcover, despite all my original issues languishing somewhere in my storage space.

CIVIL WAR FRONT LINE #4: Looking back through issue #3, I realized I was kind of harsh--I liked the main story and the Speedball story, but the other two pieces really annoyed me. Here, the annoyance is even greater--Paul Jenkins adapts a Billy Joel song about Vietnam into the most cringe-worthy back-up yet--but I liked main story and the Speedball story, aided considerably by Steve Lieber's art, was really good. So I don't know: Ehful? CrEhp? It's been a while since a title's needed the Comic Book Centrifuge to separate out the good and the horrid.

DAREDEVIL #87: The second half of Brubaker's stellar week: this storyline was incredibly well-handled from start to finish, just a stellar transition from Bendis and Maleev to Brubaker and Lark. My only complaint is one of Brubaker's cool little twists got spoiled (Although I really have no one to blame but myself. Well, and Marvel. And the Internet. Come to think of it, those are usually my top three suspects for everything's that wrong with my life...) I'm really excited to see where this book goes next and hope Brubaker can continue to hold on to this high level of quality as his workload increases. Very Good stuff.

ETERNALS #2: Far less inept than issue #1, which is a solid relief. Kind of taking its time, though, which seems to miss a very important component of Kirby's work right there. Hopefully, it'll continue to pick up the pace. OK.

GUMBY #1: If I'd done reviews last week, this probably would've been Pick of the Week--it's funny and charming and kind of melancholy and odd. If they can get Steve Purcell to do an issue as well, I'll be in cutesy clay-kid heaven. Very Good.

JACK OF FABLES #1: You know those shows you've watched maybe one episode of, and every time it comes on TV, it's the same god-damned episode? For some reason, every time I try to pick up a Fables title, I get an issue with naked Goldilocks in it. I have no idea what this says about me, but it's not a good sign since I never pick up another issue. Nonetheless, this seemed OK enough that I'll check out next issue. If anyone has any clues as to my Freudian naked-Goldilocks block, feel free to email me.

NIGHTWING #122: So. Nightwing and what's-her-name defeat one guy by talking about how inadequate he is in bed, and Jason Todd defeats the other guy by ingesting him and regurgitating him. I'm gonna go out on a limb here and guess that Bruce Jones lives in Los Angeles, home of the "sexual bitchery/eating disorder" one-two punch. I think an entire generation of fanboys have learned a vital lesson here: never bitch about Devin Grayson's scripts ever again. Basest Crap.

POWERS #19: There's a fine thesis out there waiting to be written about Bendis's conflation of sexual potency and destructive superpowers in Powers, but to do so a keener mind than mine will have to unravel what happened in those last few Night Queen pages. Her husband walked in on her? She walked her in on herself? Huh? Who? Wha? OK, in a "why did this book get 90% more naked all of a sudden?" kind of way.

SHARK-MAN #1: The main draw is the loveliest work I've ever seen from Steve Pugh (by far) but this very odd superhero book (it's Batman crossed with Aquaman, to put it bluntly) really does everything a first issue should--gives you cool imagery, introduces you to likeable characters and an interesting status quo, and then sets that status quo on its head and throws those likeable characters into hot water right at the end. It's an impressively solid piece of work, with maybe some interesting anti-work-for-hire snarkery going on sub-rosa. Believe it or not, Very Good and worth picking up if you see it.

SHE-HULK 2 #9: Another top-notch little issue. Hibbs, out of his mind on loco weed, thought the spit-take page was a waste. I thought it was hilarious. Very Good.

SUPERGIRL #8: Manages to lay off the ick factor thanks to several choice reveals, but still manages to make barely a lick of sense. Ripping a few pages from Howard Mackie's '90s playbook of "we can't tell you what the mysterious secret is because we haven't figured it out ourselves, but we're going to make it seem really, really ominuous" probably isn't the best maneuver, either. Eh.

XENA #1: Appears to have everything a Xena fan would want. Sadly, I'm not a Xena fan, so it's only OK to me.

PICK OF THE WEEK(S): Captain America #20 or Daredevil #87, definitely, if you've been following 'em. Otherwise, Gumby #1 or Shark-Man #1.

PICK OF THE WEAK: Boy, I did not like Black Panther #18, did I?

TRADE PICK: My loving analysis of Joe Sacco's But I Like It HC will have to wait for another week (it's busy as hell at the moment). But it was great, even if you had that issue of Yahoo from way back when (which I did). At $14.99, (I think?) that Hellblazer: All His Engines SC is more than worth the coin, as is Polly & The Pirates TPB, Museum of Terror and probably a lot more I didn't read. I'd also be a liar (by exclusion) if I didn't confess to the mesmeric hold that Dear John: Alex Toth Doodlebook had over me as well. There appear to be several full stories from Eerie wedged into there!

Lifestyles of the Sick and Craptacular: Jeff's Takes on 7/12/06 Books....

Finally, I am sick. Months after Hibbs and the GMc became deathly ill and recovered, I was struck--on my last four days of vacation--with an ultra-phlegmatic cold that makes me incapable of concentrating on anything but recently rented video games (which, now that I think of it, I was supposed to return last night. Crap.) as opposed to comic books and movies and a writing deadline for the next newsletter. Yes, pity me, boo hoo and all that. It does suck, though, when you return to work and a coworker cheerfully asks you, "Hey, welcome back! How was your time off?" But, before you can answer, you all but yank the tendons out of your neck turning away so you can release a wrenching set of coughs followed by a wheeze that sounds like half-death rattle, half-squeak toy. Good times, my friend. Good times. But enough about me. What about the remarkably healthy comic book industry?

52 WEEK #10: It gives me pause that this has one of the best scenes in the series so far--Clark Kent getting that scoop, old-school style--and it's about a character who's more or less not a character in the book. 52, it seems, suffers from a surfeit of ambition, in more or less the same way that a four-year old does when given two or three too many glasses of Kool-Aid: there's a lot of pointing and shouting and jumping, and one certainly gets the feeling something pretty damn cool is trying to be conveyed, but it's too diffuse to really care about. Rather than convincing me the DCU is one big place, 52 has convinced me of almost the opposite: the DCU is actually a very small place, where whatever Booster Gold is whining about this week is far more important than how people in devastated cities are trying to rebuild their lives...and that's kind of sad. OK, I guess, but I'm a little worried by how many storylines are up in the air 20% of the way through.

AMERICAN VIRGIN #5: This book is notoriously good at making me hate it just as I'm beginning to like it, and vice-versa. At the core of it is, I think, Seagle's essential, um, "fratboyishness" when it comes to sex and religion--respectful to the subjects' faces, but essentially mocking and disdainful at the core of things: how else are we to regard a scene where the hero, overcome in a confusion of religious and sexual longing, tries to fuck a closed casket? Is it anything other than the creator's acknowledgment that he can't take the protagonist's plight too seriously? (Twin Peaks fans, by the way, may remember a similar casket scene, which ended up casting a rather chilling insight on the grieving character when later facts came out.) If American Virgin was written by someone truly mesmerized by sex and religion--and say what you will about Alejandro Jodorowsky but Santa Sangre conveys more in any given 45 seconds about those subjects than American Virgin has in five issues--then I'd be down with it. Similarly, someone with a healthy skepticism, if not blatant disgust, at religious and sexual longings (like, I dunno, Philip Roth?), I'd be down with that, too. But American Virgin can't really decide on the tone it wants and so settles for a very Eddie Haskellish, "Why, yes, Mrs. Cleaver. The desire to know God is a truly wonderful thing. I've frequently said the same thing to Anthony myself." As the notorious comic book critic Revelations 3 put it, "I know thy works, that thou art neither cold nor hot: I would thou wert cold or hot. So because thou art lukewarm, and neither hot nor cold, I will spew thee out of my mouth." Sub-Eh.

ANNIHILATION SILVER SURFER #4: Seemed like a whole lot of work for the end result (Silver Surfer's walking the streets again for Galactus the Pimp? Makes for a pleasing arc for the character, I think) but at least it wasn't the big-ol' suckout of Annihilation Super Skrull. OK, but you should keep in mind I can't remember any details from issue #3 at all, so it might be either better or worse than that.

ANNIHILATION SUPER SKRULL #4: Like I said, big ol' suckout. I know the creative team was trying to be clever with their "Aha! You thought the supporting cast you didn't care about would die so that the title character you don't care about would live, didn't you?" maneuver but it's six of one, half-dozen of the other. So the supporting characters we don't care about are never seen again, and the title character we don't care about will show up in eighteen months, probably without any acknowledgment this mini ever happened. Big whoop. Awful.

CIVIL WAR DIRECTORS CUT #1: Flipped through this just to see the big ol' DD spoiler everyone's been talking about, but I ended up being caught by a chunk of Millar's earlier draft where the inciting incident to the event is the death of Happy Hogan. In Millar's script, Hogan's next to last line in this lifetime is:

[Witty banter]

to which Pepper Potts responds something like:

[Laughter, probably something about Tony Stark]

This has both amused me, and unsettled me, for close to a week now. Do you know how many conversations in the Marvel universe run right along the lines of: [Witty banter] [laughter, probably something about [name-drop important Marvel character here]]? Fucking all of them, that's how many. I can't tell what creeps me out more, that Millar is so obviously aware of it, or that he's so obviously aware of it and still can't be bothered to put it in his early drafts because that's how unimportant it is to his "this is my face when I'm fucking Marvel continuity in the ass" mega-event. Sorry, Speedball; better you than Happy. OK for the painful insight.

CIVIL WAR FRONT LINE #3: I admit it: I read this just to see what piece of verse or concept of national pride Jenkins will screw up in his back-up strip. (Between these and Jurgen's History of the DCU over in 52, we're kind of in a Golden Age of amazingly shitty back-up strips, aren't we?) It was something about some guy who fought in the (first? real?) Civil War and whose last thought before dying was Captain America holding his shield high in the air where it's not protecting anything except Captain America's big ol' forearm. I can't wait for the other seven issues to see how American history gets hilariously trivialized, I really can't. Awful.

ESCAPISTS #1: Liked this when I was paying too much for those damn Escapist anthologies, and I like it here for a buck. Like Jog, I loved Chris Ware's "I Guess," but unlike Jog, I very much enjoyed that story's narrative trick being briefly revisited here. Jog, in fact, condemns this issue as being too cute by half but let's face it, Chabon's The Adventures of Kavalier & Clay is also too cute by half (or more, depending on how you feel about The Escapist saving Salvador Dali from drowning at a cocktail party) so I think it's quite a good pairing. As long as we don't have to wait another eight months for the next issue, I'm hopeful. Very Good, even if I had to pay regular comic book prices but for a dollar? Go get it, is what I'm saying.

GHOST RIDER #1: I didn't like the preceding mini, so it's not particularly surprising I wouldn't like this, right? But I didn't like the Ennis mini because he obviously thought GR was a crap character: here, it's the inept execution. The Ghost Rider has to stay in Hell because he wasn't honest with a shady character he just met? If nothing else, Hell must be filled with women who go to bars and people who answer telemarketer calls at dinner time. Pretty art, though. Eh.

GREEN ARROW #64: I'll be honest, I was gonna cap on this. It has this two page intro to a character we never see again--a dude who owns a movie theater who's been showing the same movie for six months to packed houses but is trying to smuggle the popcorn and oil back into this cordoned off neighborhood when he stumbles across the fight--that's obviously meant as no more than your averrage "average bystander/local color" hook straight out of a '70s Marvel comic, but which I found tremendously interesting, moreso than anything that Green Arrow and his buddy Grout were going to do for the rest of the book. So this review was gonna point that out, that writers should either avoid making their local color more interesting than the main plot of the book, or else realize what that says about their main plot--but thinking back on it, I seem to recall Scott McDaniel did a great job giving the "heroes surrounded by junkie zombies" scenario an intense claustrophobic feel--like something from classic John Carpenter. So the capping is called off. McDaniel's work, which I normally find scratchy and rushed, saves the day, and this was actually pretty OK.

GREEN LANTERN #12: Such is the rough magic of Geoff Johns: he can actually take three concepts I pretty much loathe--that annoying Cyborg guy, the manhunters, and Hal Jordan, as written by Geoff Johns--and draw connections between the three of them that actually intrigue me. That the Cyborg, also in his way a test pilot like Hal Jordan, ends up being the new head of the Manhunters (who are similarly a dark mirror to the Green Lantern Corps) is one of those nifty ways of playing with continuity that's one of the true joys for an old-school comic nerd like me. I'll go Good, even though if someone other than Van Sciver was drawing those Manhunter Transformer robot thingies, I'd realize it was only just okay.

MAN CALLED KEV #1: I skipped the last Kev story (or maybe two) because although I liked the character, he didn't work well with The Authority. So, although I've seen critics I trust suggesting the Kev stories have already been played out, I wouldn't know, frankly, and so quite enjoyed this: it was the first bit of Ennis in a while that really reminded me of his lovely work on Hitman, where you're laughing at lowbrow humor on one page and actually touched when a character dies on the next. So if you're semi-clueless like me: Good.

MS MARVEL #5: Wow. This isn't cancelled yet? So dull Frank Springer should be drawing it. Awful.

NEXT #1: DC really specializes at the pretty-looking crash-and-burn, for which this can serve as Exhibit A. Tad Williams, from what I can tell, has written fifty-two kajillion fantasy books (the titles of at least two of which, The Dragonbone Chair and Tailchaser's Song made me laugh like Beavis and/or Butthead for five minutes), at least two of which are trilogies, and seems to assume, like any good fantasy writer, that a truly interesting set-up is worth explaining, and over-explaining, until the reader finally understands how truly interesing this set-up is. Also, like any good fantasy writer, Williams has a sense of humor a little too high on the whimsy side of things for my taste so the captions read as if written by someone over-exposed to the lethal radioactive elements Douglas Adamsium and Monty Pythonite-230. What I'm saying? Is that I thought this was pretty Eh but I realize it's not written for me, it's written for the two dudes in the Firefly dusters I'm gonna be stuck behind for 45 minutes at Worldcon two years from now while waiting in line to see the Wonder Woman trailer, and one of those dudes is gonna say that Tad William's Next was underappreciated, and the other dude is gonna emphatically agree and then they'll both talk about how awesome The Dragonbone Chair was. And who am I to disagree?

PINK SNIPER GN: We got this in and I was bummed it wasn't some insane "Spice Girls Meets Golgo 13" Killer Princesses type title, but regular creepy ol' pr0n? According to the solicit info, "Med school student Niibia is abducted by the sexiest and horniest goddess of the school, Haruana! Pink Sniper is filled with half-animal people, flying sci-fi vehicles, loose women, and Haruana’s giant breasts!" Which begs at least two questions: (1) how many goddesses does any given med school have? and (2) Does any of that sound cooler than a "Hello Kitty" sniper rifle?

ROKKIN #1: A terrible book but an awesome title. A barbarian called Rokkin? My only hope is that he teams up with the thief, Poppin, a mage, Free-Sty-Lin, and together they can successfully loot the mysterious treasure of Beeattt Street. Seriously, though, this suffers from some very lame approach to the narrative and a real deficit of imagination, but the art is occasionally striking and odd--if you can imagine someone trying to make the Ralph Bashki film Wizards look more like the work of J. Scott Campbell, you'll kind of get an idea of the influences--but given a choice in generic barbarian hijinks, I'll take the uglier but more accomplished Claw. Awful, I'm afraid.

SHAOLIN COWBOY #6: The art wasn't at its usual "Sweet Jesus!" level, because everything seemed a little too dark. (The printing process maybe?) But the book had at least two mind-blowing moments--the Cowboy fleeing a pack of attacking sharks by leaping from body to body, and that amazing cross-section panel of the shark (and the head inside the shark's mouth)--and a genuine laugh or two. Not up to its usual standards of making my hair stand on end, but Very Good nonetheless.

SUPERMAN #654: How long until well-done Superman stories get dull? Hey, I'm just glad we've got the chance to worry about it! (We've had far too long to ponder the answer to the "how long until poorly done Superman stories get dull" question.) Like Graeme, I really liked this. Unlike Graeme, I don't have many compelling reasons as to why--if forced, I'd say that by putting the tension on how Clark's gonna keep his job rather than how Superman's gonna save the day is a very, very smart choice and very well handled. Very Good.

ULTIMATE FANTASTIC FOUR #31: You know, when Millar's not trying to fuck somebody or other in the ass, he can actually tell a neat little story. I liked the turns in this one, even if they were told with a remarkable lack of nuance. ("Reed... why was Doom...crying?") Land's art tends to sucks the action from a scene, however, and when he's in a rush, as here, you don't get any of that lovely "wow, it's like the most awesome van art ever!" feeling from it. It's just ugly and inert. Let's call the whole thing OK.

ULTIMATE SPIDER-MAN #97: Bagley's art (or maybe the finishing inks) also seemed rushed here--I assume he's trying to get through drawing his entire run on USM before he drops dead from exhaustion--but don't take my word for it: I didn't even notice this was the part one of the "Ultimate Clone" saga until I finished the book. (Yeah, that'll instill some confidence in my reviews....) Kind of a bummer because I thought Ultimate Scorpion was actually pretty cool before the reveal. Only three issues until the bug-eating? That's coming up quick. Good.

WALKING DEAD #29: Kinda surprised Kirkman chose to milk the misery for another issue, as I thought the big bloody finish to this arc would've started by now, but whatevs. What I found interesting were the number of people in the store who objected to the rape scene as being "too much" despite the fact that it was entirely off-panel. I thought it did an excellent job of being repellent without exploitative, and would only object to it if it turns out to have been done for little more than padding out the issue's page count. Good.

WASTELAND #1: I think the artist dropped the ball here if you ask me--I know it's a challenge to draw dozens of people dressed in rags in a desert near a shantytown and make it visually compelling--but the answer to such a challenge is not a bunch of cheap shortcuts. If nothing else, the reader really could have felt the loss of that tiny little town at the end of the story if more work had been put into it. And don't even get me started on the fights, most of which looked two folded pairs of curtains blowing about in a wind. By contrast, the scripting was very competent and did a good job putting all the pieces and hooks in place, but it seemed dutiful, rather than inspired--more like ultra-competent work-for-hire than the long-brewing personal project Johnston says it is on the text page. The page-to-price ratio is incredibly generous, so let's say call the book OK, but it's gonna take more than this--a lot more--for the book to catch on. I hope it finds what it needs.

PICK OF THE WEEK: Reprint or not, Escapists #1 is a Very Good comic at a great price. Too-dark printing or not, Shaolin Cowboy #6 continues to make a compelling argument that Geoff Darrow be crowned King Crazypants of Comic Book Town and soon.

PICK OF THE WEAK: Almost too many choices, huh? I'll go with Rokkin just so you can imagine me yelling that in a stoner voice while playing air guitar: Rokkin!

TRADE PICK: Dunno--I'd say Buddha Vol. 2 SC but that's just guesswork on my part. But that second Showcase of silver-age Superman stories has been blowing my mind for several weeks. If you haven't checked that out yet...

MANGA FIX: I don't know how many copies of the first volume of Dragon Head Hibbs sold, but it apparently it wasn't enough for him to bother with Volume 2. Lemme get back to you on this one.

NEXT WEEK: San Diego! I'm not going! Are you?

I'm not dead...

...I'm just sick. Which is very annoying, because it means I've not picked up Scott Pilgrim 3 yet, nor had a chance to bitch about Moon Knight #2 from last week or say that 52 #2 was better than #1. Someone who is healthy, however, is Brian, who's got a new Tilting at Windmills up at Newsarama, so go and read that while conducting magical ceremonies to make me healthier.

Arriving 5/3

Yet another sick week here -- this time it wasn't me though, it was Ben. Poor little guy. It started last Tuesday when something in his jaw swelled up like a golfball ("bacterial infection of the salivary gland" was the Dr's best guess -- though he was scared it could be Mumps, despite Ben being immunized). There is nothing in the universe -- NOTHING -- worse than a sick kid. Someone who is normally vivacious, and curious and loving and enthusiastic suddenly just sitting there like a lump, moaning in pain, where's there's virtually nothing you can actually DO for them.

It REALLY stinks.

Well, we put Ben on antibiotics, and wouldn't you know it, though it was very effective in making his cheek swelling go down, it ALSO killed all of the "good" bacteria in his belly, which gave us 4 solid days of diarrhea, which ain't no fun either. The worst part is that he didn't want to eat or drink ANYthing, and there is a serious risk of dehydration (like, to the point of hospitalization) if fluid comes out and out and out, and nothing goes back in. So we had to pin him down and FORCE him to eat yogurt and drink pedialyte. It is seriously no fun to have to force your baby that way, but the alternative is, what? needles at the hospital?

Anyway, as of this morning, Ben is back to normal (hurray!), but that's why I didn't write reviews last week. Well, actually, I did write some, but they were too hostile and whiny -- even for me! -- so I sent them off to the recycling bin.

Here's what's shipping this week:

2000 AD #1482 2000 AD #1483 A G SUPER EROTIC ANTHOLOGY #33 (A) ACTION COMICS #838 ALICE IN WONDERLAND #4 (OF 4) ANNIHILATION SILVER SURFER #2(OF 4) ARCHENEMIES #2 (OF 4) ARCHIE & FRIENDS #100 ARCHIE DIGEST #225 ATOMIKA #7 (OF 12) BATMAN JOURNEY INTO KNIGHT #9(OF 12) BLOOD OF THE DEMON #15 BOOK OF SHADOWS #2 (OF 2) BPRD UNIVERSAL MACHINE #2 (OF5) CITY OF HEROES #13 CIVIL WAR #1 (OF 7) DETECTIVE COMICS #819 DOC SAMSON #5 (OF 5) EXILES #80 EXTERMINATORS #5 FEAR THE DEAD ZOMBIE SURVIVORS JOURNAL FLUFFY #4 (OF 4) FRIENDLY NEIGHBORHOOD SPIDER-MAN #8 FURY PEACEMAKER #4 (OF 6) HARD TIME SEASON TWO #6 HAUNTED MANSION #3 INFINITE CRISIS #7 (OF 7) JOE LANSDALES DRIVE IN VOL 2 #1 (OF 4) JSA #85 JUDGE DREDD MEGAZINE #244 JUSTICE LEAGUE UNLIMITED #21 LOONEY TUNES #138 LOVE & ROCKETS VOL 2 #16 MARSHAL #1 (OF 4) MARVEL ADVENTURES SPIDER-MAN #15 MARVEL ROMANCE REDUX I SHOULDHAVE BEEN A BLONDE MARVEL TEAM-UP #20 MIDDLEMAN VOL 2 #3 SINO-MEXICAN REVELATION MOUSE GUARD #2 NECROMANCER #5 NEIL GAIMANS NEVERWHERE #7 (OF 9) NOBLE BOY ONE SHOT OUTSIDERS #36 PUNISHER #33 RAYMOND E FEIST MAGICIAN APPRENTICE #1 BOOTH CVR REVOLUTION ON THE PLANET OF THE APES #4 (OF 6) REX LIBRIS #4 ROBOTIKA #3 ROCKETO JOURNEY TO THE HIDDENSEA #7 SEA OF RED #9 SEASON OF THE WITCH #4 (OF 4) SENTINEL SQUAD ONE #5 (OF 5) SHADOWHAWK #11 SONIC X #8 SPIDER-MAN UNLIMITED #15 STRANGE GIRL #8 SUPERGIRL #6 SWAMP THING #27 TEAM ZERO #6 (OF 6) TEEN TITANS #35 ULTIMATE SPIDER-MAN #94 UNDERWORLD #4 (OF 5) WAR OF THE WORLDS SECOND WAVE #2 WORMWOOD GENTLEMAN CORPSE THETASTER X-MEN APOCALYPSE DRACULA #4 (OF 4) X-MEN THE END MEN AND X-MEN #5 (OF 6) Y THE LAST MAN #45

Book / Mag / Stuff ART SCHOOL CONFIDENTIAL TP BIZARRO WORLD SC COMPLETE PEANUTS VOL 5 1959-1960 HC CONCRETE THE HUMAN DILEMMA TP DRAGONLANCE CHRONICLES VOL 1 DRAGONS OF AUTUMN TWILIGHT TP ESSENTIAL CLASSIC X-MEN VOL 2TP FORTEAN TIMES #209 GOTHAM CENTRAL VOL 3 UNRESOLVED TARGETS TP HULK VISIONARIES PETER DAVID VOL 3 TP JAMES BOND GOLDEN GHOST TP JIMBOS INFERNO HC JUDGE DREDD COMPLETE CASE FILES VOL 3 TP LULLABIES FROM HELL VOL 1 TP MICHAEL CHABON PRESENTS ADV O/T ESCAPIST VOL 3 TP NUDE MAGAZINE #8 PUNISHER MAX VOL 5 THE SLAVERS TP SAM & TWITCH BRIAN MICHAEL BENDIS COLLECTION VOL 1 TP SANDMAN MYSTERY THEATRE VOL 4THE SCORPION TP SEX ROCK & OPTICAL ILLUSIONS HC SUPERMAN JUMBO COLOR AND ACTIVITY BOOK SWARM VOL 2 GN (A) TEZUKAS BUDDHA VOL 1 TP TRUE LOVES VOL 1 GN ULTIMATE X-MEN FANTASTIC FOURTP UNCANNY X-MEN OMNIBUS VOL 1 HC VAMPIRELLA WITCHBLADE TRILOGYTP WONDER WOMAN SYMBOL T/S YAOI HENTAI VOL 2 GN (A) YEAST HOIST 12 GN

What looks good, what are you getting?

-B