God Save The Queen: Hibbs catches back up

I owe you reviews, and I'm stuck working on a Sunday (the first of 13 days in a row, at that!), so let's go!

The worst part, actually, is that I really don't have much to say about the last two weeks of comics -- not a lot of stuff stood out to me, good or ill, so this is going to be fairly short (I suck, I know). And, in fact, we're going to start off with something that ISN'T comics...

 

XXX OLYMPIC OPENING CEREMONY: Man, the Brits are kind of wacky, aren't they? OK, or maybe just Danny Boyle, but someone else had to sign off on that. In the Olympic contest for "Sheer Batshit Spectacle", that has to come pretty close, I think. If you didn't see it, here's a short precis: they showed "UK through the ages", starting with the Olympic Stadium being a bucolic English countryside, complete with milkmaids, and flocks of sheep (!), then it became the Industrial Revolution, and towering smokestacks literally erupted from the sod and soaring to the air as Kenneth Branagh (!) portrayed Abe Lincoln Isambard Kingdom Brunel in a series of vignettes about industrialism, until what looked like live molten steel formed flying rings in the sky, that became the Olympics logo. Is "barking" the correct British-ism for this?

What I loved about the whole thing was that I can't imagine that anyone actually AT the ceremony could have had the slightest idea of what was going on -- even with the television cameras doing close tight up shots, the audience at home could barely tell what was happening, how much worse must it have been in person where every seat (it looked) was rigged up with shifting lights?

Then the entire production shifted to an appreciation of (and I swear I am not making this up) the National Health Service, and I'm so so sad that we didn't have a Mitt-cam focused on Romney's face throughout this spectacular ode to socialism. In America we had Meredith Viera providing color commentary, and she, on several occasions said things like "I have no idea what this represents" -- it was a spectacular paean to ignorance! But I think she mentioned that the 10,000 (!) dancers out there were actual doctors and nurses of the NHS which is just crazy cool.

So the doctors and nurses are running around the glow-in-the-dark-yet-also-trampolines-beds of the sick children, which culminates in, and, honestly I really and truly am not making this up, and the real reason why I felt I could write this HERE, but it culminates into the end of LEAGUE OF EXTRAORDINARY GENTLEMEN: CENTURY: 2009. A giant 100 foot tall Voldemort rises up to menace the children, and is beaten back by scores of Marry Poppins flying down from the sky. He may be communing with Snake Gods, but you can't tell me now that Alan Moore isn't the UK's Single Greatest Psychic.

Then the Queen of England skydove into the stadium with James Bond.

Maybe "Barmy" is the correct word?

Bicycling doves! Sir Paul McCartney! One of the (honestly) most spectacular and over-the-top firework displays I've ever seen in my life! The end of Pink Floyd's Dark Side of the Moon! ("As a matter of fact, it's all dark" Sure, that's an Olympics theme!)

Bra-vo, England, bravo indeed -- it really isn't possible to have real life more resemble an issue of Grant Morrison's Doom Patrol, so good on you! That was EXCELLENT.

 

 

ARCHIE #635: I think I said this before: you have to give Archie props for at least trying to modernize a little, but this issue, where we learn about the "Occupy Riverdale" movement, and the street protests against the 1% (though, as Kevin Keller says: "Riverdale's always been about more than the one percent or the 99 percent -- it's about the 100 Percent! It's a safe place where everyone is welcome!"). Still, it's utterly disconcerting to see characters in an Archie comic book discussing the possibility of being TEAR GASSED. Wow. The actual arguments are.... well, they're exceedingly reductive and poorly explained, but it's an Archie comic, so you can't expect much, I guess.

I also want to say that I very much liked the art by "Gisele" -- recognizably Archie-like, but also somehow close to realistic, and genuinely dynamic in places, a little manga-y, but still sweetly cartoony. This is the nicest I've ever seen an Archie comic look, and I really do think it will appeal to a lot of readers out there. I'm actually recommending this comics: I thought it was pretty GOOD (given it's limitations as an Archie comic). If your LCS doesn't have it,  is also available on our digital store

 

CAPTAIN MARVEL #1:  "Ms. Marvel" was always, sadly, a pretty generic hero -- flight, strength, blasts, toughness, but nothing about her really stood out to me. Kelly Sue DeConnick's solution seems to be turning her, kinda, into Spider-Man, with the quips and all, and the script really does work well as far as keeping my interest page-to-page goes. There's two problems, that I see: first, I wasn't given any real reason to come back for issue #2. No cliff-hanger, no compelling supporting characters, no threat, no suspense. Carol's cool (and I love the new outfit), but there's no hook here.

The second problem, for me, is that I just didn't care for Dexter Soy's artwork. It looks like, hrm hrm, my first thought was "like a Comico comic" -- Matt Wagner and Bill Willingham certainly grew into being great artists, right? -- but this looks like still a few steps being ready for primetime, to me. Maybe he'll grow into the gig.

So, yeah, noble noble try, but I walked away from the comic feeling very EH.

 

NATIONAL COMICS: KID ETERNITY:  I have to say that I don't understand this title/initiative. I guess it gives DC a steady flow of new #1s, but with "DC Universe Presents", I don't see what market needs this fills. Maybe it's an attempt to see if Digital (since these are digital-first comics, I think? At least that's what the solicit for "NC: Looker" says, but the comiXology page says NC:KE was released at the same time, so I don't know?) can create the groundswell for the new Sensational Character Find?

I don't see it happening in print though. This isn't a home-run of a revamp. The plot plods on, the character isn't visually exciting, and it's been divorced from the "any character from history" premise to a boring old Spectre-lite police procedural. Gotta give this the thumbs down and say AWFUL.

 

That's it for me (told you I wasn't as motivated this week)... what did YOU think?

 

-B

Wait, What? Ep. 93: Thrill Power Overboard

PhotobucketAbove: The Chocolate Waffle, which is a liege waffle covered in dark chocolate, from The Waffle Window, Portland, OR

Yup, Episode 93.  I would say more but I'm slightly overwhelmed with the amount of shite multitasking I'm currently doing (kinda dashing back and forth between two computers at opposite ends of the room at the moment, which neither makes me feel like a mad scientist or a keyboardist in Journey but just someone who is old, Internet, so terribly old).

On the other hand (and behind the jump):  show notes!

0:00-7:51: Greetings; getting schooled by Graeme on Tharg and the mascots of 2000AD and other British comics, with a half-hearted attempt by Jeff to pitch Mascot Wars [working title] 7:51-11:37:  By contrast, Jeff guiltily admits he's been reading the first volume of the Vampirella Archives 11:37-13:37:  Somehow this leads to a discussion of the fascinating copyright information found in Dynamite Books 13:37-15:51: Bless him, Jeff is not giving up so easily on his Mascot Wars idea 15:51-18:55: Jeff gripes about getting back into the routine after his Portland trip, Graeme gripes a bit about getting back into his routine after the 4th of July holiday 18:55-20:52:And so, finally, we start talking comic news--the announcement of Marvel NOW! and the launch of Monkeybrain comics. 20:52-24:35:  Graeme has a thing about the Uncanny Avengers cover and I really cannot blame him; 24:35-25:57: And since we are on the subject, Graeme has a few things to say about that Marvel NOW! image by Joe Quesada, too. 25:57-38:25: And so we talk about Monkeybrain instead, including Amelia Cole by friend of the podcast Adam Knave, Bandette by Colleen Coover and Paul Tobin, the other launch titles, and what we would like to see from the line in the future; 38:25-41:54:  Speaking of fantastic digital comics, the second issue of Double Barrel is out!  And neither of us have read it. But it is out!  And you should consider getting it.  Because it is also Top Shelf and also coming out in digital, we talk James Kochalka's American Elf. 41:54-49:57: Jeff talks about League of Extraordinary Gentlemen: Century: 2009. Here there be spoilers! 49:57-1:06:42:Graeme's interesting rebuttal concerns whether bad art can be forgiven if it is suitably ambitious. We have a tussle of sorts and then move on to discuss when does the creator develop that "not so fresh" feeling.  (Bonus: Graeme does a pretty great job of justifying our existence, pretty much). 1:06:42-1:15:37: Incentivizing the singles? Does it work?  Brian Wood's The Massive, Ed Brubaker's Fatale, and more discussion of the Monkeybrain publishing plan and a discussion of what works in the direct market. 1:15:37-1:29:48:  Who is stronger, Watchmen or Walking Dead?  Fight! 1:29:48-1:38:32:The possible Thief of Thieves TV show and the need to keep creating new IP for Hollywood; and when or if the Big Two will come around on that. 1:38:32-1:42:37: Uncanny Avengers.  We are a little fixated. Also, Graeme sings the ballad of Cafe Gratitude (except he doesn't sing and it's not a ballad).  And then some clever Brass Eye jokes that Graeme has to explain to Jeff.  Again. 1:42:37-1:47:36: On the other hand, Jeff did get to the comic store that week so he has that going on for him.  His quickie reviews while Graeme listens on helplessly:  Batman, Inc. #2, Fatale #6, The New Deadwardians #3 and 4; Mind MGMT #2; Prophet #26; Popeye #3 (which is awesome and must-have-ish); Tom Neely's Doppelganger; Flash #10; and Action Comics #11. 1:47:36-2:04:08: San Diego Comic Con! Graeme has two questions about it.  Crazy predictions are made and anxiety dream stories are exchanged. [brrt! brrt! David Brothers alert! brrt! brrt!]  Also, Jeff once again tries to coin the term "Nerd Vietnam" to describe SDCC. 2:04:082:09:20-: Closing comments, and a few reviews of waffles from the Waffle Window.  And then....sign off!

If you are of an iTunesian inclination, you may have already chanced upon us.  But if not, we offer you the chance to give a listen right here and now:

Wait, What?, Episode 93: Thrill Power Overboard

And as always, we hope you enjoy--and thanks for listening!