BookScan 2012: important addendum

It was observed to me by a third party that for a good part of 2012 Barnes & Noble was not stocking the "top 100" DC Comics, which I entirely forgot about in my BookScan 2012 report. There are published reports that say that this ended at the end of June 2012, but there's also reports from everyone's favorite muckraker, Rich Johnston, that some/much of the books were returning to some B&N locations before 2011 even ended.

What does this actually do to the charts?  I have no real idea. Typically 4th quarter is the strongest sales quarter, so, in theory, this should have impacted DC's 2011 numbers much stronger than 2012, but even that's uncertain -- how much demand was simply delayed until the books returned to stock, how much was shunted over to Amazon or indy book stores? How much unmet demand yielded no sale for DC? I have no frickin' idea, but at the very least it should have been NOTED in the column, and that's a lousy mistake for me to have made.

There was just 12k difference (701k vs 689k) in sales between DC and Image this year, so it's possible, mayyybe even likely that DC actually "would have" been the #1 western publisher, but I can only analyze the numbers that are there, rather than the ones that aren't. Still.... asterisk that analysis, I think, to be safe.

Thanks!

-B

 

Comix Experience 2012 Best Sellers: Books

We sell more books than periodicals (dollars this year: 55% books v 40% comics), so this is my favorite category! I believe this is a wonderfully amazingly diverse list of material sold.

First off, by pieces:

1 SAGA TP VOL 01
2 LOEG III CENTURY #3 2009
3 WALKING DEAD TP VOL 16 A LARGER WORLD
4 WALKING DEAD TP VOL 01 DAYS GONE BYE
5 WALKING DEAD TP VOL 15 WE FIND OURSELVES
6 MANHATTAN PROJECTS TP VOL 01 SCIENCE BAD
7 WALKING DEAD TP VOL 17 SOMETHING TO FEAR
8 DARTH VADER AND SON HC
9 LOVE AND ROCKETS NEW STORIES TP VOL 05
10 WALKING DEAD COMPENDIUM TP VOL 01
11 ALAN MOORE NEONOMICON TP
MY FRIEND DAHMER SC
13 WATCHMEN TP
14 BATMAN YEAR ONE DELUXE SC
15 CHEW TP VOL 05 MAJOR LEAGUE CHEW
FABLES TP VOL 17 INHERIT THE WIND
HARK A VAGRANT HC
NINJAGO GN VOL 01 CHALLENGE OF SAMUKAI
PROPHET TP VOL 01 REMISSION
WALKING DEAD TP VOL 02 MILES BEHIND US
WALKING DEAD TP VOL 03 SAFETY BEHIND BARS
22 FLEX MENTALLO MAN OF MUSCLE MYSTERY DLX HC
OGLAF BOOK ONE
24 FATALE TP VOL 01 DEATH CHASES ME
25 HABIBI GN
RICHARD STARKS PARKER v3 THE SCORE
UNTERZAKHN GN
28 ARE YOU MY MOTHER A COMIC DRAMA HC
KING CITY TP
TRANSMETROPOLITAN TP VOL 01 BACK ON THE STREET
31 BATMAN EARTH ONE HC
BONE COLOR ED SC VOL 01 OUT FROM BONEVILLE
WALKING DEAD TP VOL 13 TOO FAR GONE
WALKING DEAD TP VOL 14 NO WAY OUT
Y THE LAST MAN TP VOL 01 UNMANNED
36 NINJAGO GN VOL 02 MASK OF THE SENSEI
SANDMAN TP VOL 01 PRELUDES & NOCTURNES NEW ED
THE INFINITE WAIT
39 LOEG III CENTURY #2 1969
NINJAGO GN VOL 03 RISE O/T SERPENTINE
V FOR VENDETTA NEW EDITION TP (MR)
WALKING DEAD TP VOL 04 HEARTS DESIRE
WALKING DEAD TP VOL 12 LIFE AMONG THEM
44 CHEW TP VOL 04 FLAMBE
CHRIS WARE BUILDING STORIES HC
FROM HELL TP
GET JIRO HC
48 AMULET SC VOL 01 STONEKEEPER
AVATAR LAST AIRBENDER TP VOL 01 PROMISE PART 1
BATMAN DARK KNIGHT RETURNS TP (new $19.99 printing)
BATMAN THE KILLING JOKE SPECIAL ED HC
BLACKSAD SILENT HELL HC
CHEW TP VOL 01
CRIMINAL TP VOL 01 COWARD
GONZO A GRAPHIC BIOGRAPHY OF HUNTER S THOMPSON
TRANSMETROPOLITAN TP VOL 02 LUST FOR LIFE NEW ED
WALKING DEAD TP VOL 11 FEAR THE HUNTERS
58 ANYAS GHOST GN
CHEW TP VOL 02 INTERNATIONAL FLAVOR
FABLES TP VOL 16 SUPER TEAM
HARVEY PEKAR CLEVELAND HC
HELLBOY TP VOL 12 THE STORM AND THE FURY
INVISIBLES TP #1 SAY YOU WANT A REVOLUTION
JERUSALEM CHRONICLES FROM THE HOLY CITY HC
NINJAGO GN VOL 04 TOMB O/T FANGPYRE
SCALPED TP VOL 09 KNUCKLE UP
67 AVATAR LAST AIRBENDER LOST ADVENTURES TP VOL 01
AVATAR LAST AIRBENDER TP VOL 02 PROMISE PART 2
BATMAN HC VOL 01 THE COURT OF OWLS
BATMAN HUSH COMPLETE TP
BATMAN KNIGHTFALL TP NEW ED VOL 01
BLANKETS GN
CHI SWEET HOME GN VOL 01
DMZ TP VOL 12 THE FIVE NATIONS OF NEW YORK
LOEG III CENTURY #1 1910
PREACHER TP VOL 01 GONE TO TEXAS NEW EDITION
UNWRITTEN TP VOL 05 ON TO GENESIS
WALKING DEAD TP VOL 05 BEST DEFENSE
WALKING DEAD TP VOL 10 WHAT WE BECOME
WALT DISNEY DONALD DUCK HC VOL 01 LOST I/T ANDES
81 ADVENTURE TIME TP VOL 01
BLACK HOLE COLLECTED SC NEW PTG
BOOK OF GENESIS ILLUS BY ROBERT CRUMB HC
BOYS TP VOL 10 BUTCHER BAKER CANDLESTICKMAKER
BPRD HELL ON EARTH TP VOL 02 GODS AND MONSTERS
DMZ TP VOL 11 FREE STATES RISING
FUN HOME TP
LOCKE & KEY TP VOL 01 WELCOME TO LOVECRAFT
LOEG VOL ONE TP
NOT THE ISRAEL MY PARENTS PROMISED ME GN
POLLY & PIRATES TP VOL 02
SCALPED TP VOL 01 INDIAN COUNTRY
WALKING DEAD COMPENDIUM TP VOL 02
WALKING DEAD TP VOL 09 HERE WE REMAIN
95 BATMAN THE LONG HALLOWEEN TP NEW ED
BOYS TP VOL 11 OVER THE HILL W/T SWORDS OF A THOUSAND MEN
BPRD HELL ON EARTH TP VOL 03 RUSSIA
BTVS SEASON 9 TP FREEFALL
CHEW TP VOL 03 JUST DESSERTS
CORTO MALTESE TP VOL 01 BALLAD OF THE SALT SEA
DMZ TP VOL 01 ON THE GROUND
FABLES TP VOL 01 LEGENDS IN EXILE NEW ED
FABLES TP VOL 02 ANIMAL FARM
HELLBOY TP VOL 01 SEED OF DESTRUCTION
I SAW YOU COMICS INSPIRED BY REAL LIFE MISSED CONNECTIONS
JUSTICE LEAGUE HC VOL 01 ORIGIN
MONSTERS GN
PROMETHEA TP BOOK 01
SANDMAN TP VOL 04 SEASON OF MISTS NEW ED
SCALPED TP VOL 10 TRAILS END
SPY VS SPY TP DANGER INTRIGUE STUPIDITY
SWEET TOOTH TP VOL 01 OUT OF THE WOODS
WALKING DEAD TP VOL 06 SORROWFUL LIFE
WALT DISNEY UNCLE SCROOGE HC VOL 01  POOR OLD MAN

 

 

SAGA, dayum -- I ain't seen a book sell this well (ESPECIALLY since we MURDERED with the serialization) since when the WATCHMEN trailer hit the theater. We're selling like 1.2 copies a day when an average TP collection is super lucky to turn one time a year. SAGA sold far more than 2x the #3 book.

Let's sort the same chart by dollars sold:

 

1 WALKING DEAD COMPENDIUM TP VOL 01
2 SAGA TP VOL 01 (BKV)
3 CHRIS WARE BUILDING STORIES HC
4 LOEG III CENTURY #3 2009
5 HABIBI GN
6 WALKING DEAD TP VOL 16 A LARGER WORLD
7 WALKING DEAD COMPENDIUM TP VOL 02
8 WALKING DEAD TP VOL 15 WE FIND OURSELVES
9 FROM HELL TP
10 ALAN MOORE NEONOMICON TP
11 WATCHMEN TP
12 MANHATTAN PROJECTS TP VOL 01 SCIENCE BAD
13 FLEX MENTALLO MAN OF MUSCLE MYSTERY DLX HC
14 MY FRIEND DAHMER SC
15 RICHARD STARKS PARKER v3 THE SCORE
16 WALKING DEAD TP VOL 17 SOMETHING TO FEAR
17 HARK A VAGRANT HC
18 DARTH VADER AND SON HC
19 BATMAN EARTH ONE HC
20 ARE YOU MY MOTHER A COMIC DRAMA HC
21 UNTERZAKHN GN
22 LOVE AND ROCKETS NEW STORIES TP VOL 05
23 WALKING DEAD TP VOL 01 DAYS GONE BYE
24 OGLAF BOOK ONE
25 GET JIRO HC
26 KING CITY TP
27 INVISIBLES OMNIBUS HC
28 BATMAN YEAR ONE DELUXE SC
29 BLANKETS GN
30 BATMAN KNIGHTFALL TP NEW ED VOL 01
31 SANDMAN TP VOL 01 PRELUDES & NOCTURNES NEW ED
32 FABLES TP VOL 17 INHERIT THE WIND
WALKING DEAD TP VOL 02 MILES BEHIND US
WALKING DEAD TP VOL 03 SAFETY BEHIND BARS
35 V FOR VENDETTA NEW EDITION TP
36 FATALE TP VOL 01 DEATH CHASES ME
37 BATMAN HC VOL 01 THE COURT OF OWLS
BATMAN HUSH COMPLETE TP
39 CHEW TP VOL 05 MAJOR LEAGUE CHEW
40 BOOK OF GENESIS ILLUS BY ROBERT CRUMB HC
41 BATMAN DARK KNIGHT RETURNS TP (new $19.99 printing)
42 JERUSALEM CHRONICLES FROM THE HOLY CITY HC
43 TRANSMETROPOLITAN TP VOL 01 BACK ON THE STREET
44 HARVEY PEKAR CLEVELAND HC
45 WALT DISNEY DONALD DUCK HC VOL 01 LOST I/T ANDES
46 WALKING DEAD TP VOL 13 TOO FAR GONE
WALKING DEAD TP VOL 14 NO WAY OUT
Y THE LAST MAN TP VOL 01 UNMANNED
49 NOT THE ISRAEL MY PARENTS PROMISED ME GN
50 WALT DISNEY UNCLE SCROOGE HC VOL 01  POOR OLD MAN
51 BATMAN THE KILLING JOKE SPECIAL ED HC
52 GONZO A GRAPHIC BIOGRAPHY OF HUNTER S THOMPSON
53 BLACKSAD SILENT HELL HC
54 MAUS SURVIVORS TALE COMPLETE HC
55 100 BULLETS HC BOOK 02
56 INVISIBLES TP #1 SAY YOU WANT A REVOLUTION
57 ALL OVER COFFEE v2: EVERYTHING IS ITS OWN REWARD
58 THE INFINITE WAIT
59 BATMAN THE LONG HALLOWEEN TP NEW ED
JUSTICE LEAGUE HC VOL 01 ORIGIN
61 JOHN ROMITA AMAZING SPIDER-MAN ARTIST ED HC
62 BLACKSAD HC VOL 01
FEYNMAN GN
64 WALKING DEAD TP VOL 04 HEARTS DESIRE
WALKING DEAD TP VOL 12 LIFE AMONG THEM
66 CORTO MALTESE TP VOL 01 BALLAD OF THE SALT SEA
67 BEFORE THE INCAL CLASSIC COLL DLX HC
68 HELLBOY TP VOL 12 THE STORM AND THE FURY
69 WALKING DEAD HC VOL 01 NEW PTG
70 HOLY TERROR HC
Y THE LAST MAN DELUXE EDITION HC VOL 01
72 LOCKE & KEY TP VOL 01 WELCOME TO LOVECRAFT
73 CRIMINAL TP VOL 01 COWARD
TRANSMETROPOLITAN TP VOL 02 LUST FOR LIFE NEW ED
WALKING DEAD TP VOL 11 FEAR THE HUNTERS
76 PROPHET TP VOL 01 REMISSION
77 PREACHER TP VOL 01 GONE TO TEXAS NEW EDITION
78 BLACK HOLE COLLECTED SC NEW PTG
79 DMZ TP VOL 11 FREE STATES RISING
80 BATMAN KNIGHTFALL TP NEW ED VOL 02 KNIGHTQUEST
81 BONE COLOR ED SC VOL 01 OUT FROM BONEVILLE
82 ABSOLUTE DC THE NEW FRONTIER HC
TRANSIENT
84 HOUSE OF M TP
KICK-ASS 2 PREM HC
86 ANYAS GHOST GN
87 BLANKETS HC
88 CHEW TP VOL 04 FLAMBE
89 BOYS TP VOL 10 BUTCHER BAKER CANDLESTICKMAKER
SANDMAN TP VOL 04 SEASON OF MISTS NEW ED
91 KRAMERS ERGOT HC VOL 08
92 DARK TOWER GUNSLINGER BATTLE OF TULL PREM HC
93 MADWOMAN O/T SACRED HEART GN
94 BPRD HELL ON EARTH TP VOL 02 GODS AND MONSTERS
95 FABULOUS FURRY FREAK BROTHERS OMNIBUS TP
96 AVENGERS CHILDRENS CRUSADE HC
97 ASTONISHING X-MEN WHEDON CASSADAY ULT COLL TP BOOK 01
DEADENDERS TP
MARVEL FIRSTS 1960S TP
OMEGA THE UNKNOWN PREM HC

Right: always interested to hear what you say.... how many of these do you own?

-B

 

 

 

-B

Comix Experience 2012 Best Sellers: Comics

The full year is now over for us, so how the hell did we do?

The overview says: overall sales up by 7.82%. It would have been much higher, but fourth quarter showed a big softening from last year -- down 1.99% (that was mostly October, comparable down 11%, December was up 1.3%)

Looking just now at "comics" -- these are actual sales, and don't count anything sitting, say, in subscription boxes (even those are close-to-guaranteed sales):

First off, we sort by QUANTITY SOLD. This is the way that traditional Diamond sales charts are sorted. Before the full list, here's what the real Top 5 looks like:

1 Quarter Book - Single
2 Back Issue
3 Dollar Book
4 SAGA #1
5 Starter Set

"Quarter Book" is literally a comic for 25 cents from the junk box, "Back Issue" is a generic category for anything bagged and boarded -- we stop tracking them individually once they go into the bins. "Dollar Book" is just that, slightly more "premium" stuff I am trying to ditch; and "Starter Set" is a themed bunch of back issues (ex: "Avengers #1-12" or "25 comics featuring women characters") bundled together at a cheaper price, but typically a bit more than if I Dollared them out. That first one is multiple thousands, while #5 is a solidly triple digit number. People like cheap stuff, this much is true.

BUT, you don't really want those in the chart, do you? You want the actual comical bookies. So, with 4 of the 5 deleted:

1 SAGA #1
2 SAGA #2
3 SAGA #3
4 AVENGERS VS X-MEN #1 (OF 12)
WALKING DEAD #100 (combined)
6 SAGA #7
7 SAGA #5
8 SAGA #4
SAGA #6
10 AVENGERS VS X-MEN #2 (OF 12)
PROPHET #21
12 AVENGERS VS X-MEN #3 (OF 12)
13 BATMAN #13
14 WALKING DEAD #97
15 AVENGERS VS X-MEN #0 (OF 12)
PROPHET #22
17 JUSTICE LEAGUE #5
JUSTICE LEAGUE #6
19 AVENGERS VS X-MEN #5 (OF 12)
BATMAN #6
21 ACTION COMICS #5
BATMAN #8
23 AVENGERS VS X-MEN #4 (OF 12)
24 ACTION COMICS #6
25 BATMAN #5
BATMAN ANNUAL #1
27 WALKING DEAD #99
28 ACTION COMICS #7
BATMAN #10
BATMAN #11
BATMAN #7
32 ACTION COMICS #9
AVENGERS VS X-MEN #7 (OF 12)
BATMAN #9
35 AVENGERS VS X-MEN #6 (OF 12)
BATMAN INCORPORATED #1
FATALE #1
WALKING DEAD #98
39 BATMAN #14
EARTH 2 #1
41 ACTION COMICS #10
ACTION COMICS #8
WALKING DEAD #101
44 ACTION COMICS #11
ADVENTURE TIME #1
AVENGERS VS X-MEN #8 (OF 12)
JUSTICE LEAGUE #9
WALKING DEAD #95
49 DIAL H #1
50 BATMAN #12
JUSTICE LEAGUE #8
WALKING DEAD #94
53 AVENGERS VS X-MEN #10 (OF 12)
BATMAN #0
JUSTICE LEAGUE #11
JUSTICE LEAGUE #7
WALKING DEAD #103
58 ALL NEW X-MEN #1 NOW
AVENGERS VS X-MEN #12 (OF 12)
FAIREST #1
61 FATALE #2
JUSTICE LEAGUE #10
WALKING DEAD #96
64 AVENGERS VS X-MEN #11 (OF 12)
AVENGERS VS X-MEN #9 (OF 12)
BATMAN #15
BATWOMAN #5
HAPPY #1 (OF 4)
JUSTICE LEAGUE #12
PROPHET #24
SAGA #8
SECRET SERVICE #1 (OF 7)
WALKING DEAD #93
74 FATALE #3
FATALE #4
UNCANNY AVENGERS #1 NOW
77 EARTH 2 #2
JUSTICE LEAGUE #0
79 ADVENTURE TIME #2
ANIMAL MAN #5
BATMAN INCORPORATED #2
WALKING DEAD #102
WALKING DEAD #104
84 AMERICAS GOT POWERS #1 (OF 6)
BEFORE WATCHMEN MINUTEMEN #1 (OF 6)
FATALE #5
PROPHET #23
88 ACTION COMICS #12
ACTION COMICS #13
ANIMAL MAN #6
WONDER WOMAN #5
92 ACTION COMICS #14
BATWOMAN #6
SUPERCROOKS #1
95 AVX VS #1 (OF 6)
FATALE #6
97 ADVENTURE TIME MARCELINE SCREAM QUEENS #1
BATMAN INCORPORATED #3
99 ACTION COMICS #0
ADVENTURE TIME #5
AVENGERS #1 NOW
BEFORE WATCHMEN RORSCHACH #1 (OF 4)
BEFORE WATCHMEN SILK SPECTRE #1 (OF 4)
HAWKEYE #1
JUSTICE LEAGUE #13
PROPHET #25
SECRET #1
WALKING DEAD MICHONNE SPECIAL
WONDER WOMAN #9

It's BKV and Fiona Staples' world, we just live in it.

This year there were a couple of significant "They can't fill my reorders fast enough" that probably otherwise limited some of the specific placing of some books -- There not being a (6th?) printing on SAGA #1 kept it and #2-6 probably lower than it *could* have been, and the ADVENTURE TIME back issues went weekssss between refills, so I think, in a better world, the first six issues at least, could have sold 20-40% more in the end. HAWKEYE faced the same problem towards the end of the year. MANHATTAN PROJECTS #1 just missed the "top 100" here (well, 109) because it didn't keep going back to press (and/or having enough up front). I also had some spot issues with AVX availability, but that was almost always well into their on-stands -- like week 11, I think, for #1.  Other than that, most of these comics sold out just when I wanted them to.

But as nice as circulation figures are (and, really, they are nice), the real impact comes from the DOLLARS SOLD -- you can see that more expensive books often end up making more money even when they sell fewer copies. I'll include the MSRP here, though this is "dollars taken in", that is, it includes discounts or things like that, when there are such things (almost never, but still worth mentioning)

 

Rank Title  MSRP
1 Back Issue  (var)
2 Starter Set  (var)
3 Quarter Book - Single  $  0.25
4 SAGA #1  $  2.99
5 AVENGERS VS X-MEN #1 (OF 12)  $  3.99
WALKING DEAD #100  $  3.99
7 Dollar Book  $  1.00
8 BATMAN ANNUAL #1  $  4.99
9 AVENGERS VS X-MEN #2 (OF 12)  $  3.99
10 SAGA #2  $  2.99
11 AVENGERS VS X-MEN #3 (OF 12)  $  3.99
12 SAGA #3  $  2.99
13 BATMAN #13  $  3.99
14 AVENGERS VS X-MEN #0 (OF 12)  $  3.99
15 JUSTICE LEAGUE #5  $  3.99
JUSTICE LEAGUE #6  $  3.99
17 AVENGERS VS X-MEN #5 (OF 12)  $  3.99
18 ACTION COMICS #5  $  3.99
BATMAN #8  $  3.99
20 AVENGERS VS X-MEN #4 (OF 12)  $  3.99
21 ACTION COMICS #6  $  3.99
22 SAGA #7  $  2.99
23 AVENGERS VS X-MEN #12 (OF 12)  $  4.99
24 ACTION COMICS #7  $  3.99
BATMAN #10  $  3.99
BATMAN #11  $  3.99
27 SAGA #4  $  2.99
SAGA #5  $  2.99
SAGA #6  $  2.99
30 ACTION COMICS #9  $  3.99
AVENGERS VS X-MEN #7 (OF 12)  $  3.99
BATMAN #9  $  3.99
33 AVENGERS VS X-MEN #6 (OF 12)  $  3.99
34 PROPHET #21  $  2.99
35 BATMAN #14  $  3.99
EARTH 2 #1  $  3.99
37 ACTION COMICS #10  $  3.99
ACTION COMICS #8  $  3.99
39 ACTION COMICS #11  $  3.99
ADVENTURE TIME #1  $  3.99
AVENGERS VS X-MEN #8 (OF 12)  $  3.99
JUSTICE LEAGUE #9  $  3.99
43 WALKING DEAD #97  $  2.99
44 PROPHET #22  $  2.99
45 BATMAN #12  $  3.99
JUSTICE LEAGUE #8  $  3.99
47 FATALE #1  $  3.50
48 BATMAN #6  $  2.99
49 AVENGERS VS X-MEN #10 (OF 12)  $  3.99
BATMAN #0  $  3.99
JUSTICE LEAGUE #11  $  3.99
JUSTICE LEAGUE #7  $  3.99
53 ALL NEW X-MEN #1 NOW  $  3.99
54 JUSTICE LEAGUE #10  $  3.99
55 BATMAN #5  $  2.99
56 AVENGERS VS X-MEN #11 (OF 12)  $  3.99
AVENGERS VS X-MEN #9 (OF 12)  $  3.99
BATMAN #15  $  3.99
JUSTICE LEAGUE #12  $  3.99
60 WALKING DEAD #99  $  2.99
61 UNCANNY AVENGERS #1 NOW  $  3.99
62 BATMAN #7  $  2.99
63 JUSTICE LEAGUE #0  $  3.99
64 GREEN LANTERN ANNUAL #1  $  4.99
65 ADVENTURE TIME #2  $  3.99
66 BEFORE WATCHMEN MINUTEMEN #1 (OF 6)  $  3.99
67 BATMAN INCORPORATED #1  $  2.99
WALKING DEAD #98  $  2.99
69 ANIMAL MAN ANNUAL #1  $  4.99
70 ACTION COMICS #12  $  3.99
ACTION COMICS #13  $  3.99
72 FATALE #2  $  3.50
73 ACTION COMICS #14  $  3.99
74 ACTION COMICS ANNUAL #1  $  4.99
75 WALKING DEAD #101  $  2.99
76 AVX VS #1 (OF 6)  $  3.99
77 FATALE #3  $  3.50
FATALE #4  $  3.50
79 ADVENTURE TIME MARCELINE SCREAM QUEENS #1  $  3.99
80 WALKING DEAD #95  $  2.99
81 DIAL H #1  $  2.99
82 ACTION COMICS #0  $  3.99
ADVENTURE TIME #5  $  3.99
AVENGERS #1 NOW  $  3.99
BEFORE WATCHMEN RORSCHACH #1 (OF 4)  $  3.99
BEFORE WATCHMEN SILK SPECTRE #1 (OF 4)  $  3.99
JUSTICE LEAGUE #13  $  3.99
88 WALKING DEAD #94  $  2.99
89 FATALE #5  $  3.50
90 ADVENTURE TIME #6  $  3.99
BEFORE WATCHMEN OZYMANDIAS #1 (OF 6)  $  3.99
92 WALKING DEAD #103  $  2.99
93 BEFORE WATCHMEN COMEDIAN #1 (OF 6)  $  3.99
94 FAIREST #1  $  2.99
95 WALKING DEAD #96  $  2.99
96 ALL NEW X-MEN #2 NOW  $  3.99
DETECTIVE COMICS #9  $  3.99
JUSTICE LEAGUE #14  $  3.99
99 FATALE #6  $  3.50
100 DETECTIVE COMICS ANNUAL #1  $  4.99

So, yeah, there's the raw data -- I think it shows a pretty healthy and robust market with a fairly diverse bunch of products. I'm especially proud of the showing that Image put in this year.

Questions, comments, toss 'em below!

-B

WALKING DEAD: I'd never heard this before

Obviously, this story had to have happened... it just had never happened to ME before.

Customer comes to the counter, waving a copy of WALKING DEAD #105. "What the heck is this?!" he exclaims.

"Uh...? What do you mean?" I ask.

"This! What IS this?" He's sort of shaking the comic about, I guess this is the one legitimate time to call it a "floppy".

"I'm not sure exactly what you mean, sir, do you mean 'in relationship to the TV show'?"

"No, no, I know the comic is different from the show; what I mean is what, exactly, is THIS?"

I blink a few time, and am entirely unsure what to say. "It's... it's a comic...?"

"I don't understand," he's getting frustrated, "is this volume 18 or something?"

"Oh!"

"I mean, I have the first seventeen issues, so what is this?"

I get it now. "Yeah! I mean no! I mean, you know that the books are just collections, don't you...?"

"What do you mean?" he demands.

"Each of those volumes you have is a collection of single monthly issues! There's six in each one. Volume 1 is issues #1-6. You're holding issue #105."

"So... this IS volume 18?"

"Well kind of, issue #103 is what comes right after volume 18, this is the middle of what will be that book"

"Wow!" he exclaims, all excited, "I had no idea!"

"Yeah, and, actually, I think it's kind of a better read as a monthly serialization because you get six cliffhangers. In a book, you just breeze through them. Like you remember in vol 16 when [spoilerific content], and you just turned the page, and you knew he was OK? Well, WE had to wait an entire month to find out what was going to happen. It drove us insane!"

"Wow, that sounds great, I totally have to start buying these!"

Obviously, OBVIOUSLY, there had to be a guy who only read TWD in GN form, and never had encountered a monthly comic before. When you say it outloud, it becomes self-evident. I'd just never met a member of the species before. And I was proud to pop his comic book cherry.

God bless us, every one!

-B

NOT on sale on 12/19/2012

A poster in the comments thread in the "arriving" thread mentioned a few books I didn't list -- that's because they are NOT meant on sale on 12/19. These books are to be HELD until 12/26, and any store that DOES sell them (in person, or online) is breaking Street Date and, frankly, is a giant cad.

It is important that we keep Street because it was a right we fought incredibly hard for (for over 20 years!), that increases the professionalism of stores.  Seriously, to be able to have a full day to process orders, to merchandise your store, to ensure every pull is 100% accurate, to be able to have a night's sleep and take a shower between the most grueling labor of any given week and when the customers want to buy the comics -- these are vital and important things to the honest working retailers.

Someone will break street, we all know it -- either because they can't keep it in their pants, or because they're stupid and don't understand how to read, or even because they're just plain malicious -- but you the consumer can show your support of street dates by refusing to buy any of these books before 10/26, and telling a violating retailer why.  You could also report the violation directly to Diamond, though I know why a lot of people would feel hinky about that.

Anyway, don't buy these books before 12/26 -- in store OR on-line! -- those of us who fought tool and nail for Street Dates will thank you.

 

PREMIER VENDORS
DARK HORSE COMICS
EERIE PRESENTS EL CID HC (AUG120059) STAR WARS OMNIBUS: THE CLONE WARS TP VOLUME 3: THE REPUBLIC FALLS (AUG120080)
DC ENTERTAINMENT
BEFORE WATCHMEN: NITE OWL #4 (Reg./Var.: OCT120144 / OCT120145; Combo Pk.: OCT120146) NOTE: Not final cover JUSTICE LEAGUE #15 (Reg./Var./ Throne of Atlantis/BW: OCT120147 / OCT120148 / OCT120149 / OCT120150; Combo Pk.: OCT120151) AQUAMAN #15 (Reg./Var./ Throne of Atlantis/ We Can Be Heroes: OCT120152 / OCT120153 / OCT120154/ OCT120155)
IMAGE COMICS
MARA #1 (OF 6) (MR) (OCT120448) HIP FLASK: OURBOROUS (MR) (OCT120450)
MARVEL COMICS
AVENGING SPIDER-MAN #15.1 (OCT120625)
AMAZING SPIDER-MAN #700
Regular (OCT120626) Ditko Variant (OCT120627) 50th Anniversary Variant (OCT120628) Martin Variant (OCT120629)
Ramos Wraparound Variant (OCT120630) Coipel Variant (OCT120631)
Quesada Variant (OCT120632)
COMIC VENDORS
AVATAR PRESS

CROSSED: BADLANDS #20

Regular Cover (OCT120842) Wrap Cover (OCT120843)
Torture Cover (OCT120844) End of the World Cover (OCT120845)
Red Crossed Incentive Cover (OCT120846)
BOOM! STUDIOS

DEATHMATCH #1

Regular Cover: (OCT120874) Triple Gatefold (OCT120875)
9.8 CGC Portacio Sketch (OCT120876) Morgue Variant (OCT120877)
DYNAMITE ENTERTAINMENT
THE SHADOW SPECIAL #1 (OCT120992)

"Any retailer who doesn't know how to order a comic by issue #7 is bad at thier job"

(Which I must have read 10 times in the last 2 days, from 10 different people) OK, so let's talk about how one might need more copies by issue #7 (for crying out loud!), using some Actual Numbers.

SAGA #1 went through five printings. They declined to do a sixth printing (as the trade was imminent), and this appears to have happened in mid-to-late August (I say "appear", because all I can factually check is when I was no longer able to have an order fill -- but it could have been a day or multiple weeks before that that the last printing officially sold out nationally)

At the point there were no more copies of #1 for sale, I stopped reordering #2-6, since, typically, customers want to start at the beginning. Therefore, it is possible (and, perhaps, likely) that my sales on #2, 4 and 5 might have potentially been higher if I kept rolling. #3 and #6 had leftover copies come off my racks (in November!) as "biffage" -- I also think that, had there been a 6th printing of #1, I would have KEPT selling more of all of the issues.

We've also been aware of SAGA's sales potential since issue #1, and have ACTIVELY been TRYING to grow the book.

These are my ACTUAL sales for SAGA, expressed as a percentage of #1:

#1: 100%

#2: 65%

#3: 60% (remember -- I had copies "left over" after a FULL SIX months on the rack!)

#4: 52%

#5: 52%

#6: 49% (also had "biffage" here, of about 10% of initials)

So, given this (ABSOLUTELY NORMAL) pattern, how many copies of #7 would YOU order? Remember, if you guess wrong, YOU pay for those books and insulate your attic, just like the long boxes worth you pull from your rack every other month.

 

 

What *I* did was:

#7: 55%

#8: 52%

In other words, I ordered MORE copies of #7 than either #4, 5, or 6 sold in about 90 days, give or take.

Today we're at 31 days on sale on #7, and I've sold 49% of #1, but more importantly, my current velocity on #7 shows we're selling an average of 1 copy per day, so I will be sold out before the first of the year, if things hold steady. But... I want to have copies of #7 on sale, in theory, until the night before the second trade paperback comes out -- in May or June. That's six more months, or maybe like another doubling or tripling of current sales. I don't *think* I'll have a-copy-a-day velocity for SIX months, but the current trend says we *might*.

So how do I order the 2nd printing? the "right" number, assuming "we don't want to do a third printing", especially with the excellent discount Image will be offering is somewhere between 50 and 150 more copies. That's a pretty stupidly big range, however, and I'm almost positive that I have to order on the lower edge of that.

More than that, how do I order #8 and #9 and #10, are they going to keep up that high? I also will "need" each future issue a little shorter timeframe then the one for it, presuming that the second trade release abrogates most of the market need for single releases.

Mathematically, it is *possible* (but not very probable) that I *might* sell more copies of #7 than I did of #1, by the time we get to June, IF there's copies TO sell...but actually taking on THAT much stock? Kind of not plausible -- especially when #8-12 are not going to be offered at the (frankly) crazily good discount the 2nd prints of #7 will be offered at.

And, remember, I'm ON THIS book (like white on rice), and I'm struggling hard with just how to manage its post-TP success. Now picture a store that WASN'T all over it from day #1:

They ordered (let's make up a number) 10 copies of #1. Unbeknownst to them, they shoulda ordered FIFTY, but they order and sell 10, then reorder, say, 5, then another 5, then ANOTHER 5, then they go "this is nuts" and they go to 10, and those sell out, and there are no more, and they've managed to shift 35 copies of something they thought would sell 10, but they actually COULD have sold 50.

It's much much harder for this guy to reach his maximum potential on this title, because they 1) haven't figured out what that maximum COULD BE, and 2) because they're capped lower because of lack of availability in the sales period as they understand it. EVENTUALLY they'll figure it out, but carrots carrots carrots are the way to help them get them to that point.

Listen: history shows us that on a "growth" book, it is ABSOLUTELY NORMAL that it takes between 13 and 20 issues for the market to actually properly "figure out" the title, and how to order it. This is because the market for new books/comics is ENORMOUS (500+ SKUs each and every month), because MOST books decline, rather than hit big, and because capital is limited.

I hope this helps your understanding of the difficulty of "right sizing" your orders in a predictive fashion.

 

Any questions?

-B

[*ding*] Image Comics has LEVELED UP!

So I didn't really say anything here on the first part of the SAGA no-reprint saga, but Rich Johnston got TWO stories out of it, the second of which of which quotes me, and I somehow don't think there's going to be a "retailers respond to the GOOD news" post over there (since Rich is, let's face it, a muck raker), so let me take what space that I can to publicly give some props to Eric Stephenson and Image comics for not only listening to their retail partners, not only for totally accepting the blame, but for then finding an entirely inspired solution to just how to use a carrot to get MORE copies of SAGA into the retail market. THAT is how a publisher is meant to behave, and I personally predict strong response from the retail community to this turn of events (I know I, at least, am going to go and try to predict what the SIX MONTH horizon for this issue is going to be, and order them upfront *purely* as a result of this turn about.

That sound you heard was +2000 XP for Image Comics, and the big level up -- I think they are at Name level now, and, though I need to check the rulebook to be sure, I think this is the one where they get a keep. (Or, is it a henchmen?)

Either way, great frickin' job! This is exactly why Image sales are strongly climbing at Comix Experience (something you're going to see pretty clearly in about 2 weeks when I post my end-of-year numbers)

 

-B

Adventures in Schizophrenia

This really just happened. A young guy, clean and well dressed, just came in, and said "May I ask you a question?"

Sure!

"Well, what can you tell me about the Justice Lords? I mean I know about Batman and Superman and Static Shock but I think it is the future and I really like Batman but then a giant black guy made him suck his cock, and..."

Then he suddenly got a wild look in his eye like he'd just been caught doing something dirty, and he proclaimed "I better get the hell out of here!" and BOLTED for the door.

Ah, retail, always with the joy!

 

-B

On Karen and Vertigo

I'm crazy sad that Karen Berger is leaving DC Entertainment & Vertigo. As many of you know, I opened in April of 1989, so I "came up" at the same time as Vertigo, in many ways -- I still have my very first order form I ever turned in, and I ordered a whopping 15 copies of SANDMAN #6, my single highest ordered comic book for that month (BATMAN #434 came in next at 12 copies). Before the year was out, we'd be selling triple-digits of SANDMAN.

All of the comics that Karen oversaw -- ANIMAL MAN, DOOM PATROL, SANDMAN, SWAMP THING being the most prominent -- were among our biggest sellers, we were one of a new breed of comics stores, stores for who reading was more important than collecting, per se, where creators matter more than characters, where we were all about trying to find NEW readers for comics.

Vertigo comics were generally one of the best tools for new readership -- especially when Karen aggressive started pursuing graphic novel collections. It was EASY to hand someone a copy of "A Doll's House", and have them enjoy it immensely. But compared to the other "wide audience" books of the time, EIGHTBALL, HATE, LOVE & ROCKETS, that entire wing, what Karen did was put out comics for literate adults, and have them come out monthly at the same time.

THAT was the critical difference between Vertigo and virtually any other attempt at the time to do "smart" comics -- they actually came out frequently enough that one could make a living from selling them.

Quickly we became known as "a Vertigo store" (I believe we were if not THE first one identified as such, it was in the first 10), and I put an enormous amount of my success at the feet of Karen Berger, and her editorial sensibilities and skilled in navigating the market.

More recently, Vertigo became a pale shadow of itself, largely, I am understood, as a result of new contracts which Warners insisted on, which gave them more control and ability to exploit properties. "Strangely enough" people stopped wanting to take new titles to them after that, go figure.

I assume this is functionally the end of Vertigo, with Karen moving on -- I think adaptations of "mature" books and movies, like "The Girl With The Dragon Tattoo" and "Django" are much more likely to be the future of Vertigo from here out.

I've been prepared for this for a long time -- from the day that Paul Levitz left I've been thinking that Karen couldn't really stay past the end of whatever contract she had at that point, and I really hope that Karen has a Second Act in her, because I'd love to see her land somewhere, or start something new, that could teach everyone just why that first Vertigo Revolution happened in the first place -- if you put out genre comics that respect their audience, that are produced regularly, that support their creators, you're 90% of the way there.

-B

Cover condundrums

So, here is what the insides of AQUAMAN #14 look like:

 

 

 

 

 

 

 

 

 

 

Yeah, 22 pages of guy-in-silhouette!

So, why does the COVER show Ocean Master full on, and out of the shadow?!?!?!

 

 

 

The other weird one this week is a product of Standard Operating Procedure at Dynamite -- everything has four covers, usually including ONE by Alex Ross.

But, here's the thing, if you're going to the expense of having Alex Ross FULLY PAINT your first issue, like that of MASKS #1, why on EARTH would you have 75% of your copies have a NOT ALEX ROSS cover?

Can I tell you that NO CUSTOMER who wants a fully painted Alex Ross comic book is saying "But what would make this better is a cover by Ardian Syaf!"

I'm sure he's an awesome human, but, seriously, this is one of those multiple cover deals that literally makes NO commercial sense of ANY kind.

Dumb move, Nick.

 

-B

 

 

 

Linkbait!

I think I will have some reviews up Very Soon (maybe even today, if I follow the plan in my head), but in the meantime, here's a little link bait of stuff that's been sitting around in my browser and made me think a little or a lot:

The first link you're probably already seen and read, since everyone else has linked it, but I was impressed by Jim Zub's analysis of costs for printing comics. The reason I bring it up here is that I think that it needs to be completely underlined that most of the other legs of the chair ALSO make very small amounts of money from straight publishing in the kind of low circulation world that Jim accurately describes -- publisher, distributor, retailer, none of US are making any money from 5k-and-under books either. In fact, you might recall that my last Tilting was about how even books selling under 30k are breaking the periodical market at this point for the big publishers. The problem is the same at the bottom end of the ecosystem -- too many people putting out too much material that's only marginally commercial, and since we don't have any (good) filter for access-to-the-market, the stuff that's actually got a chance (like SKULLKICKERS!), gets crowded out for anyone without the fortitude to play the Long Game (and, let's be realistic, even then...)

A lot of people in Zub's thread are going "hey what about digital?" and while this is not strictly the same thing, I want to make sure that people say this essay by Damon Krukowski of the band Galaxie 500 about what "streaming" services generate for musicians. I have to imagine that the economic picture on TV and film, be it through something like Hulu or Netflix or whatever, is pretty equally bad.  My favorite paragraph is this one:

"Or to put it in historical perspective: The "Tugboat" 7" single, Galaxie 500's very first release, cost us $980.22 for 1,000 copies-- including shipping! (Naomi kept the receipts)-- or 98 cents each. I no longer remember what we sold them for, but obviously it was easy to turn at least a couple bucks' profit on each. Which means we earned more from every one of those 7"s we sold than from the song's recent 13,760 plays on Pandora and Spotify. Here's yet another way to look at it: Pressing 1,000 singles in 1988 gave us the earning potential of more than 13 million streams in 2012. (And people say the internet is a bonanza for young bands...)"

I also really liked this post by Hilary Smith discussing how an author or a work's social media profile doesn't necessarily have anything to do with its sales. PARTS of the promise of digital are clearly a chimera.

I suspect everyone who comes here is also a Beat regular, and has thusly read Grant Morrison's response to the allegations that his work is derived from Alan Moore's, was, I think, my favorite read of the week. If you haven't already discovered it: you're welcome.

Finally, I was mesmerized by this post on Rock, Paper, Shotgun of how video games can open you in astonishing ways to new worlds. I thought it was a powerful and touching piece.

 

Shop Update: Double Barrel Achievement Unlocked!

Uploaded from the Photobucket iPhone App Hey, everybody.  Jeff here with a double reminder that:

(a) Double Barrel #5 is out today; and (even better)

(b) all issues of Double Barrel are available for purchase from the Savage Critic store!

As regular listeners to the Wait, What? podcast know, Graeme and I are huge fans of this two-talent monthly anthology from Top Shelf.  Each new issue is $1.99 and usually features approx. 1oo+ pages of great comics and enjoyable comics crafting essays.  (Issue #4 is only 81 pages.)  But since Top Shelf drops the price on the previous issues, you can get issues #1-4 for at $0.99 a pop.  There are two main recurring serials: Zander Cannon's Heck, about a modern-day adventurer who uses his house's portal for Hell as a business opportunity, and Kevin Cannon's Crater XV, a sequel to his Far Arden graphic novel, about a washed-up cantankerous sea dog who gets immersed in arctic high seas adventure.  (Don't worry, I hadn't read Far Arden when I started in with issue #1 of Double Barrel and it didn't trip me up at all.)

So my quick notice here is sort of a two-fold plea:  for those of you who've picked up Double Barrel on our recommendation, I hope you'll consider purchasing the latest issue through our digital store. I know it's a bit of a hassle to flip between two different comics apps (Comixology and iVerse's Comics Plus viewer) but it would throw a small bit of change in our pockets.  And if you still haven't picked up Double Barrel--take the time, energy and the dollar and get the 122 page first issue.  It's great stuff, and both Cannons, Zander and Kevin, are more than just brave and daring adventurers in this digital wilderness: they're also top-notch cartoonists and storytellers.

Unfortunately, Double Barrel wasn't available in our shop from day one, and it took some emails and communication with the hard-working staff at Top Shelf (Thank you, Chris Ross!) and the people at Diamond Digital to make sure we had access to us.  Making this available was important to everyone involved--it certainly was important to me because I think Double Barrel is a great, affordable read (even more so now that previous issues are less than a buck!) and a possible outlier of the future of digital comics that can work in tandem with direct marketplace shops.  I hope it's an experiment you will be enough of a daring adventurer yourself to investigate...and I hope you consider investigating it through our shop.

When Reporters Repeat

So, the Dave Sim / IDW press release went out wide, and several sources are specifically reporting the story as though this means that IDW is publishing a paper collection of Cerebus comics. I do not think this is correct.  In fact, I'm sure it isn't.

Read the release again, slowly -- this HAS to be for a DVD (?) collection of  the digital files, not a print book. (Edit: they've changed the title at AMOC, indicting it IS a DVD. Toldja!)

Heidi also pitches it as being "rare and expensive" from "IDW Limited", which might be one component of it -- but given that "IDW Limited" items are NOT sold in stores, and the rest of the release talks about "comic store rights", this too must be wrong.

Tom is the only one who gets it "right", but I think that's only because he doesn't commit one way or the other to what "hard copy" means as to what it might be, giving him plausible denialability.

But, here's a question: is it too much to ask that reporters not run stories without confirming the details? I don't care if you JUST run a press release, but if you comment on it, can you get it right, please?

 

-B

Comix Experience ONOMATOPOEIA #200!

This is IT, TRUE BELIEVERS! The BIGGEST CEO in years, as both Jeff Lester and Graeme McMillan pen new "Fanboy Rampage" columns! Plus all of the usual writeups of UPCOMING comics that you've come to KNOW and LOVE! Who says this isn't the Comix Experience Continuum of Comics, EFFENDI?!?!

Plus everything is in frankly surprising COLOR!

This is a LIMITED TIME offer, however -- download it before September 7th -- you can find the CEO by clicking here, and the associated Sub Form here.

[UPDATE: Hey, Jeff here.  Apparently, there was a problem with YouSendIt so I'm going to try something different and host the form and CEO via Dropbox (in no small measure because Graeme's column for the newsletter cracked me up...and because I'd also like my contribution to be out there).

So you can get the CEO by clicking here (not small; it's 9,554kb) and the associated Sub Form here (much smaller at 984kb).  If you have any problems, let us know in the comments, yes?]

-B