This isn't actually a post about comics it’s a post about the posts about comics which are to follow. See, I had an idea…oh dear. Click “More” to enter…The Planet of the Nostalgics! (Art by George Tuska)

For a while now I've wanted to write about the experience of comics reading during the ‘70s. I thought this might be of interest as it is now 2012 and some of your parents weren't even born then. I thought it might be of even more interest as, and the keener minds among you will have already noted this, I live in Great Britain. Which isn't that Great but it is certainly called Britain. Alack, alas, I had a great deal of difficulty figuring out where to start, I’ll spare you all the hemming and hawing and just say that I think I've found a solution…

Yeah, stick a flag in it, pal. That'll solve everything! (Art by George Tuska)

What I’m intending (intentions!) to do is look at the entire run of PLANET OF THE APES WEEKLY published by Marvel Comics International Limited. Well, issues #1 (Oct 1974) to #123 (Feb 1977). (Following this it was folded into THE MIGHTY WORLD OF MARVEL.) By having a focal point I am hoping that I will be able to touch on a multitude of areas of historical comical periodical interest. Not only will I be moaning about George Tuska’s inert art but I’ll hopefully go wider and give some idea of the ‘70s via many words on the content, availability, price and format of comics. Most of the words will concern content, I imagine. Largely though I will be hammering home the important sociological point that using comics as surrogate parents ends up with your kid turning out like me. This is certainly what I would call a warning from History.

A really quite significant moment for Tiny me was when Taylor (AKA "Tay-LAH!") just said, "Aw f*** it and f*** you all too!" in the most final of manners. (Art by Alfredo Alcala)

I suppose I could claim some measure of relevance as POTA is back on the radar in the form of the current licensed comic from Boom!, so there’s that and also the UK comic had, aside from the early issues, back ups that maybe(?) represent some of the more varied and perhaps under loved strips Marvel published. I was going to say overlooked but since the advent of the Internet I guess there’s no such thing as an overlooked strip anymore. (Personally I think Atlas’ POLICE ACTION FEATURING LOMAX should get more attention. Get right on that, Internet!). Should worse comes to worse (i.e. I remain true to form) and I never actually say anything of interest or relevance about the ‘70s I can promise you that we will at least have covered a great many creators and bizarre series. Some of which you may never have heard of! (Gullivar Jones, anyone?) I think you’ll like it! And if you don’t I imagine you’ll tell me about it! Possibly using inventive invective. The kind that back in the ‘70s you would have had to deliver in person and probably got a pop on the nose for your troubles. Because things were different back then. They were better. (Of course they weren’t, they were Godawful but for a second you thought I was serious and I, personally, found that second hilarious. Oh, your face!).

Taylor (AKA "Bright-Eyes") was my first hero what with his smoking in a pressurised oxygen environment, heroin addiction and misanthropic attitude. The ideal role model for four year olds everywhere! (Art by George Tuska)

(Oh, who am I kidding, my actual reasons for this are selfish as a bloke at work lent me these comics about two years ago and I imagine he’ll be wanting them back soon. So if I have to tell you lot about them I guess I’ll have to read ‘em!)

I’ll still be posting about other stuff but this should be a nice regular thing I can try and build some consistency around. It's a little bit ambitious but I'll see how I go with it. Trust me, no one will lose out because If all else fails I can just post stuff like this:

EXCELSIOR!

So why not join us next time on Planet of the Nostalgics (aside from the fact it will be sh**) when we hear: "APES! Apes On Horseback!" or PLANET OF THE APES WEEKLY #1 (w/e Oct. 26th 1974) In which I say, “Look, I’m sure George Tuska was a boon to the lives of all who knew him BUT…”

Our first non-food podcast pic in a month and of course it's David Aja from Marvel's Hawkeye #1.

Graeme and I are getting dangerously close to the big #100. (Almost in time for Onomatopoeia #200!) I feel like we should do something special but...God only knows what?

Anyway, join me behind the jump, won't you, for show notes so you can discover what we did for this episode. (Hint: it rhymes with "balk a lout's tonic schnooks...")

Notes about the show:

1:00-21:09 : We jump *right* into the funny books. Seriously. Our brains are broken by Howard Chaykin's Black Kiss 2, and we have to talk about it. (Spoilers: obviously). Lots of discussion ensues about discussions, genitals, and (of course) Eddie Campbell.

21:09-29:40: Talking about the possible digital sales of Black Kiss 2 leads to us talking about the No. 2 top selling comic on Comixology, Earth Two, the second wave of DC's New 52--World's Finest, Dial H for Hero, and G.I. Combat--as well as the upcoming third wave.

29:40-37:50: Hawkeye #1! (see above) Graeme can and has read it; Jeff cannot and has not. We talk about it anyway, as is our want. Graeme has some very good things to say,

37:50-58:19: Graeme has some, uh, less good things to say about Avengers Vs. X-Men #9. We talk about the current plot, possible swerves, the nature of Emma Frost, and more. Will Cyclops die? Should Cyclops die? And other rhetorical questions...plus proof that Jeff is bad at math. (Among other things.)

58:19-1:35:18: Mark Waid vs. Newsarama! It starts as part of our conversation about the challenges of creating today (one of which is instant feedback) and then becomes its own thing about personal ethics, obligations, how malleable the Internet actually is, and understanding comics creators and commentators on the Net. Sadly, neither of us think to pull a "Waid, What?" pun.

1:36:18-1:53:23: And then...comics! We discuss Darwyn Cooke's Parker: The Score. Graeme and I have similar reactions, but I feel like maybe we go in different directions with them. Also, at some point, I think Graeme also coins the phrase "Princess TitsOut" while discussing European graphic albums and God do I want that phrase on a t-shirt.

1:53:23-2:07:21: Back when I thought Black Kiss 2 would be working the crime vibe of the first series, I wanted to talk about it in relation to Cooke's adaptation of Parker: The Score and an amazingly formatted paperback graphic novel adaptation of Donald Goines' Daddy Cool by Donald F. Glut and Alfredo Alcala. Fun fact: when I say on the podcast that Abhay interviewed him at a retrospective, it was actually during a promotional campaign for the book I mention on the 'Cast--Brother Blood, the "African vampire on the Sunset Strip during the '60s book" (That was written before Scream, Blacula, Scream). Of course, we can't help but being slightly sentimental about the horrible way comics ended up chopped into bits to fit into a standard paperback.

2:07:21-2:16:57: Action Comics #12. Not really much like either The Score or Daddy Cool, but we talk about it anyway.

2:16:57-The End: Closing comments! They come so suddenly. Graeme mentions he has a Formspring account where he's answering questions. Oh, and remind me to ask Graeme about the Crackle and Frost which he doesn't have time to tell us about this time.

You may have come across this episode hitching North on iTunes, or you may check it out here and now and right:

Wait, What? Ep. 96: Cool as Cooks

And, as always, thanks for listening and we hope you enjoy!