Farewell, sweet prince: Hibbs on 8/27

Back again!  Under the Jump! Go!

ALL-NEW X-MEN #31:  "Joe Quesada was asked if the Ultimate Universe and the Main Marvel Universe would ever cross over and he replied no. Quesada said he'd rather close down one universe than have them cross over because it meant they were officially out of ideas." And ANX started off so strong, too.  Now? I don't even know what's going on with it or if there's any point to anything that's happening at all in the X books.  EH for me.

BATMAN ETERNAL #21: The weird thing with this series is the constant changes in artist, and, worse, artistic style from issue to issue.  It makes it hard to "keep the comic in my head" if you know what I mean? One issue will be all artistic, the next will be very DC house-style -- it is jarring, week-by-week, and I think it's going to make a pretty messy TP.  Also, the first TP is solicited as #1-20, and, frankly, I think this issue is the culmination of the Act, not the previous issue. This one was fairly GOOD.

BODIES #2: The first issue was barely comprehensible, and nothing is improved here in #2.  The high concept (A body is found in four different time periods -- and it is the SAME body) doesn't come across at all in the comic, and while there is some lovely drawing on display here (I especially like Tula Lotay's section), Si Spencer's story just doesn't gel together. Overall pretty EH.

OUTCAST #3: It is attractive, it is well-written, and yet here we are more than 80 pages in, and I still don't really have any real interest in the protagonist, or anyone orbiting around him. OK.

POP #1: Interesting first issue here -- the premise is what if Pop Idols were literally manufactured, like from cloning vats; and then one escapes prematurely. Yeah, that's a high concept, alright.  I'll be super-curious if they can sustain this over the course of four issues, but the first one was a fun and buzzy (yet nicely dense) little read.  VERY GOOD.

SAGA #22: This is still the best comic on the stands every month, but damn if the current conflict between Alana and Marko doesn't feel a bit forced to me. VERY GOOD.

SILVER SURFER #5: How refreshing to read a cosmic level book where the problem is resolved by cleverness and peace, and not explosions. You also got to love a semi-Defenders issue that's not actually the team getting together. I thought this was the strongest issue yet of what's been a fun series.  EXCELLENT.

SUPERMAN #34: I can't say that I'm caring too much for this storyline because the last thing Superman needs is Yet Another Doppleganger, but I really do enjoy just how genuinely good of a person that Johns' Superman is. For someone known to pile on the gore and cynicism, he really does write sweet and charming so very well. And for that this earns a low GOOD.

WAYWARD #1: Now, that's some fine and pretty art from Steve Cummings, but, oy, I thought the story was pretty hackneyed and pretty been-there, done-that. OK, but only for the art.

WOLVERINE #12: I've only been really giving this book half an eye (I didn't especially like the first six issues of the previous arc), but I thought I should check back in with this before the "death" of Wolverine (No, not that one!), but, ugh, bleach in my eyes!  That was really AWFUL, and makes me understand why we've only been selling single digits of this book.  Man, and $5.99, too, what a rip off.

That's about all I have for comics this week, but I didn't want another week to go by without expressing my sadness at the death of Robin Williams.  I was eleven years old when "Mork & Mindy" debuted on TV, which was pretty much the perfect age to love Mork -- and I had a pair of rainbow suspenders that I wore down to shreds. So it really made me happy when, in my later years, Robin ended up being a pretty regular customer of the store for a number of years (I haven't seen him in five year or so[?], as he moved out of San Francisco).  He had a really good and diverse taste in comics, and I can't think of a single time that he came in that anyone approached or bothered him while he was shopping.  Once I made some silly comment as I was checking him out about something, and I actually got a laugh out of him, and his eyes crinkled up, and he switched on his riff machine for 30 seconds or so,  that was pretty insanely awesome. I'm very sad that he chose to end his life, because he brought a lot of laughter to a lot of people.  If you are depressed, or suicidal, I urge you to seek help.

Peace.

-B

Starting off slow; Hibbs on 7/23/14

OK, spam  on the site locked down, new store pretty close to squared away, maybe I am now in place to start reveiwin' again.  I've certainly been missing it somewhat. I can't promise this will be every week (in fact, I think I feel confident in announcing that this will NOT be each and every week... unless I do one of those Patreon thingies, in which case then it would be a paid job, and thus an obligation.  But I'm not thinking about doing that until I can prove to MYSELF that I can stay on this horse for a little while. Let's just go full capsule-style under that jump.

AFTERLIFE WITH ARCHIE #6: Man, talk about a crazy good issue of a crazy good comic book. I wish these came out more frequently, sure, but damn if this isn't worth waiting for! EXCELLENT.

AMAZING SPIDER-MAN #4 SIN: The "weird" thing is that the Doc Ock stuff was really really really working, and there wasn't exactly a great creative reason to bring back Peter; and so much of the "what's next" appears to be tied up in multiple versions of Spider-Man, anyway, which less reason to bring back Peter, right? "Secret other spider-person locked in a vault for 10 years" is, I guess, a thing, but it strikes me that it is a thing that absolutely takes focus away from Peter and having's Peter's stories be about PETER (because, otherwise, why bring him back?).  I guess that's a long, tangled way of saying: EH.

BATMAN #33 (ZERO YEAR): Oh, oh, finally "Zero Year" ends.  I'm sure it will read pretty swell as a book, but as individual comics I mostly thought it was meandering and plodding.  However! I liked the end if only because it it was a generally cerebral conclusion, with a battle of wits at the core. I've got a strong GOOD in my heart for this.

BATMAN AND ROBIN #33 (ROBIN RISES): I have to say that I prefer a Batman who tries to, y'know, sneak around the JLA, to one who just quits when he doesn't get his way.  And damn if I don't think this book looks crazy fabulous, too -- but I'm having a great deal of cognitive dissonance with the DC universe insisting to me that Darkseid is actually a scary threat when I and you both know that he was always just All Talk in the previous continuity, while at the same time insisting that everything that had to do with Ras' al Ghul DID happen just like they've shown it before. So this storyline has me torn between "awesome!" and "Yeah, but no!".  A slightly less enthusiastic GOOD then?

BATMAN ETERNAL #16: With some more artistic consistency, this could be the greatest "big" Batman story ever (It's certainly more coherant than, say, "Knightfall" or "Cataclysm"), but, man, do I get whiplash of the art when reading this. I'm really liking the little game they're playing with the spectre here, and I like the "new" additions to the cast, and, yeah, I just generally think this is a golden age to be a Batman fan, I guess, so, here's a solid GOOD, too.

NEW 52 FUTURES END #12: I've lost the thread of this. I felt like I skipped an issue or something? But I didn't? Mostly I just don't care? Sales are horrific on it at both stores, too, so I guess I am not alone. AWFUL.

STAR SPANGLED WAR STORIES GI ZOMBIE #1: And now for thirteen words I never thought I would type: I was genuinely impressed with STAR SPANGLED WAR STORIES FEATURING GI ZOMBIE #1. Absolutely, positively not what I was expecting (felt very much like a gritty HBO pilot, not even slightly "Star Spangled"; had extremely realistic art, and low SFX, which is the opposite of what the covers promised). Color me shocked, this was VERY GOOD.  It will, however, be cancelled before a year is out, I'm sure. The cover and title is entirely wrong for the book.

SUPREME BLUE ROSE #1: If you're going to follow up on the Alan Moore notions of "The Supremacy", and so on, then this was nearly a perfect 90 degree turn away from the last version, I think.  I am intrigued by where this might go, but at the same time I am worried that Warren Ellis is only on for his usual six issues, in which case, why bother talking it up? It was clearly GOOD, though.

Hey, how about a graphic novel review?

SECONDS GN:  You know, I kind of loved Bryan Lee O'Malley's Chibi-style art here, and the narrative flow, but I absolutely hated the end of the story -- the protagonist learns not a thing, and rather things being driven by "Well, maybe I shouldn't change time/space because it hurts other people", the narrative is all driven by the protagonist's feelings and imaginary magical beings.  "A Wizard Did It" is, at the end of the day, crappy storytelling, and while one could totally forgive the shallow SCOTT PILGRIM for that (because I read that shallowness as an essential part of the story), one expects a little more from the "sophomore" work, doesn't one? I really liked the style and most of the execution of the work, but I thought as a piece of art it kind of failed the test of Humanity. Strongly OK is about as good as I can muster.

Right, so that's me this week.  What did YOU think?

-B