Due to popular demand what follows is about a new(ish) series and it’s also mercifully brief! Who says we here at The Savage Critics don’t listen? Well, they’re right. But we thought you’d find the illusion comforting.

Anyway, this…

MIGHTY AVENGERS #6-7 Artist - Valerio Schiti Writer - Al Ewing Colourist - Frank D'Armata Letterer - VC's Cory Petit Covers - Greg Land, Jay Leisten & Frank D'Armata Marvel Comics, $3.99 each (2014)

Luke Cage created by George Tuska, John Romita Snr & Archie Goodwin Spectrum (Monica Rambeau) created by John Romita Jnr & Roger Stern Spider Man (Doctor Octopus) created by Steve Ditko & Stan Lee Doctor Octopus (Spider-Man) created by Steve Ditko & Stan Lee Ronin (who isn’t Blade) created by Joe Quesada & Brian Michael Bendis Blade (who isn’t Ronin) created by Gene Colan & Marv Wolfman Blue Marvel created by Kevin Grevioux Power Man (Victor Alvarez) created by Mahmud Asrar & Fred Van Lente White Tiger (Ava Ayala) created by Tom Raney & Christos Gage Falcon created by Gene Colan & Stan Lee She-Hulk created by John Buscema & Stan Lee Iron Fist created by Gil "The Thrill" Kane & Roy Thomas (C) Marvel Characters, Inc.

I’ve been secretly reading Mighty Avengers since the start, so it’s probably time to upset everybody by going on about it. I’ve chosen this particular point to reveal I am reading it because these are the first issues where the series seems to have been drawn by a human being, rather than a bored robot. The art here isn’t great but at least it has a pulse. Previous issues were as visually engaging as the act of watching a toothpaste advert starring Halle Berry reflected in a stainless steel worktop. Valerio Schiti does a good job here; there’s nothing spectacular to speak of but it all gets done and that’s not unappreciated. He does a pleasant William H Macy anyway, and the whole affair sure looked kinda Cassady or McNiven-y. People like that, I hear. I wasn’t squealing and clapping my hands at any of it, but, again, I never felt like it was a product of The Forbin Project at any point. So, this is an Avengers comic but which Avengers comic is Mighty Avengers?

Mighty Avengers is the one with a bunch of non-Caucasian characters, but not Blade; Blade isn’t in it. There’s Ronin who acts like Blade would if he was in the Ronin suit, but it couldn’t possibly be Blade. Given past performance Ronin will turn out to be Puck’s Mom, despite so far having been clearly drawn as a six foot and then some man. It won’t be Blade though. (It is though; it’s totally Blade.) You all probably remember Ronin from Brian Bendis’ depressingly popular run on some staggeringly, yet characteristically, inept Avengers comics. I mean, how does that whole Ronin thing work then? Do all the Marvel heroes have a key to a locker in Grand Central station where the Ronin costume is stored, and if they feel a bit of mystery coming on they run down and slip it on? Do they have to have it cleaned before they return it? It looks hot in that thing so sweaty pits might occur. Also maybe in all the excitement of, say, dodging The Rhino, or, more likely this, sitting in a boardroom listening to someone jabber like a wet brain for nine panels, a little trickle of wee-wee might slip out. And some people can skimp on the wiping; I’m mentioning no names, Adam Warlock. So on balance, yeah, they probably do have to have it dry-cleaned afterwards. Does it have a voice changer in it like those Iron Man masks in Toys R Us? Do you like all this street level stuff I’m doing? Yeah, street level; it’s at the level of the street, dawg. Like crisp wrappers, dog ends and dog muck. Basically, street Level is a Bendis-ism for dull. This comic is full of Bendis-isms.But don’t run screaming in the opposite direction just yet because Al Ewing, in an act of sadistically calculated one up-manship, makes them all work. For the first time ever. Which Avengers comic is Mighty Avengers? Mighty Avengers is the functioning version of the Avengers comic Brian Bendis squandered the better part of a decade trying to make work.

Luckily Al Ewing, not unlike my cat, can write to a somewhat higher standard and so we can now actually see the shape of Bendis’ dreary vision made presentable. Basically it’s TV. Surprise! Whoa, old hoss; it’s not The Wire or even That Basically Decent And Stylishly Shot James Ellroy Rip Off Show With Two Stellar Performances Which Folks Are Inexplicably Touching Themselves Over. It’s more the kind of comedy you catch a bit of when you are just that bit more worn down than usual, and so are later than normal leaving for work. You know; the kind of TV that was on in the evenings but is now on in the mornings because the evening stuff is better now. Jim Belushi’s probably in it. Ray Romano definitely is. This is superhero comics as sit-com cum soap opera stuff.Which is fine, but that’s where most of the emphasis is and this comic, ostensibly, is about people who can throw cars around like bean bags. Anyone who came for the fights’n’tights may feel a little short changed.

But just a little because it is there; it is all there. Yes, it is all very much and quite definitely there; the soap-opera, the sit-com and, yes, the tights’n’fights. It’s all there. And it’s all done well; I’m not saying it isn’t. I think Astro City hits the mix whole lot better but that’s a high target to aim at, and, fair do’s, Ewing does get close. But, really, I don’t really know who needs all this faux everyday life stuff. Wouldn’t it have been of more use back when children read comics? Prepare ‘em for the future (Read Spider-Man! This Issue: Spider-Man’s Bin Loses Its Lid And The Council Refuse To Replace It! Also, Electro! Read Spider-Man! See How Grown-ups Really Live! Don’t Dream! Don’t Ever Dream!) Now though, apparently, adults read this stuff. Well, Buster, I’m an adult (physically anyway) and, as well done as it may be, my pulse doesn’t pound when I watch the Blue Marvel carry a fridge down some stairs. The only adults I know who would need to escape into a humdrum fantasy world of normality are convicted felons. Oh! I get it! Well played, Marvel! You finally found an audience more captive than the Direct Market! Hey, convicts, comics!

Look, Mighty Avengers is fine and Al Ewing writes it well. He probably writes it a lot better than I’m giving him credit for as he’s had to set up and develop his team despite the vulgar intrusions of at least two tie-ins. I mean, I don’t think Al Ewing’s in any danger of spraining any writing muscles here but Mighty Avengers is eventful, smooth and entertaining. Mighty Avengers is a GOOD! comic. If you’re fine with the Cosby-fication of Luke Cage you’ll like Mighty Avengers.

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I hear the comments are broken. Unless I hear otherwise I’ll just assume I am bloody fantastic and you all totally agreed with me about everything. (Yeah, especially you.) It’s okay, no problem!

I feel like having a bit of a break. Even if you don’t read this stuff I still had to write it. And I’ve written too much lately. I'd just like to read something for fun with no pressure to perform for a bit. So, see you after next week’s Podcast. You know, that thing where Graeme and Jeff talk about - COMICS!!!

(AS LONG AS JEFF LESTER PRESSES RECORD!!!)

OK, MarvelNOW! has pretty much gotten going, where did we leave off...?

ALL-NEW X-MEN #1 & 2: If one single thing is going to harm this Marvel relaunch, it is going to be these bi-weekly shipping comics. And, heck, scratch "bi-weekly" as #3 is inexplicably shipping NEXT week (wait, what, why?), and that's a bit of a shame because I (unlike Mr. Lester or Mr. McMillan) kind of like ANX.

Now, part of that is that I am really glad we're back to the "old" X-paradigm -- they're operating out the school, mutants are no longer tied to "the 198" or Utopia island, or any of that. And part of that is that Brian Michael Bendis had long since run out his string on the Avengers titles, so seeing him get something fresher is nice. I also think he's very much toned done much of the "Bendisms" that marked too much of Avengers.

Another is that Stuart Immonen is an awesome artist, so it's a real treat to look at.

There's a buncha handwaving that one has to do with the time travel stuff, but I'm willing to give it to him because this is comics, and the story should be more important than the mechanics of it.

Ultimately, I'm willing to give Bendis a bit of rope here -- I think this is a very high OK so far, and as a general direction to make the x-books relevent again, I'm fine with it.

CAPTAIN AMERICA #1: I liked this OK as well -- Romita & Janson are always a good art team, and Rick Remender's script is zippy and actiony. I worry a little about the setup -- the text page would seem to indicate that this "Dimension Z" is the home of the book for a while, and I sort of worry about a Captain America comics not set in, y'know, America, but the bigger problem is the $4 cover price, I think.

FANTASTIC FOUR #1: Lots of setup, and a reasonable enough pitch for the next 12-18 issues of the comic. Fraction does dependable work here, and Bagley's art just screams "Marvel!" as it always does. Because it only has a $3 cover price it also gets more goodwill from me, which means I thought it was GOOD, though execution over the months will count for more here than some of the other NOW! books.

FF #1: The flipside to Fan4 above, this one is Fraction and Allred, and, hot damn, did I like this first issue. I especially liked the narrative structure that suggests you read the book a second time now that you understand on the last page the reasoning/setup for some of the interstitial pages. My absolute favorite of the NOW! books so far, I thought this was pretty EXCELLENT.

INDESTRUCTIBLE HULK #1: Solid set-up for a series, which one should probably expect from Mark Waid. I'm not so sure that the art from Leinil Yu (at least on the Banner pages) really worked in harmony, but the Hulk bits were nice, so it works out. Solidly GOOD, that $4 cover keeps it from the next grade up.

JOURNEY INTO MYSTERY #646: Kathryn Immonen and Valerio Schiti move the book from Young Loki, to Sif instead. I kind of don't care about Sif, but Schiti's art is a joy to behold. Hard to see this lasting for long, really, but as a first issue, I thought it was also solidly GOOD.

THOR: GOD OF THUNDER #1 & 2: Yay, it's fun Jason Aaron, writing a loutish Thor. Art by Esad Ribic is super spiffy. I also quite like the parallel structures of past and future Thors and crazy godshit in space and whatever, and yeah, digging it... except for that damn $4 cover price, which caps my grade at GOOD.

X-MEN LEGACY #1 & 2: It's a damn shame that this came alphabetically last, because I have to go out on a down note, then. Cuz' this just wasn't compelling. It's nothing wrong with Si Spurrier's script, per se, or even Tan Eng Huat's art, though I get he's an acquired taste. I think the bigger problem really is the focus on Legion, who just isn't a very interesting character, and there's less than no reason to call this comic "X-Men" anything. #2 had a printing error, and they put it on paper more suited to a free giveaway comic -- this is likely to be the first NOW! book cancelled. EH.

What did YOU think?

-B